‘Elizabeth Taylor: The Lost Tapes’ reveals an intimate portrait of an iconic Hollywood star

What captivates me about Elizabeth Taylor is primarily her performances in two films: “The Taming of the Shrew” directed by Zeffirelli and Shakespeare, and “Who’s Afraid of Virginia Woolf?” directed by Nichols and Albee, where she starred alongside Richard Burton. I’ve also seen her in some of the original “Father of the Bride” films with Spencer Tracy, as I used to watch most comedies on TV. However, the adult dramas she was in, such as “Butterfield 8,” “Raintree County,” and “A Place in the Sun,” were not my preferred genre at the time, and I’m not sure if I’ve ever watched her early roles in “Lassie Come Home” and “National Velvet.”

How to have the best Sunday in L.A., according to Andrew Bird

On Sundays, Andrew Bird found particular significance. It was during those days that the melodies of jazz would seep into his unconsciousness before dawn – as a young adult residing in Chicago, he’d often fall asleep to late-night radio broadcasts playing the classics from musicians such as Lester Young and Coleman Hawkins.