Review: Silo season 2 grapples with escalating consequences in Episode 203, “Solo”
As a longtime fan of post-apocalyptic stories, I must say that “Silo” episode 6, titled “Solo,” has truly captured my heart and left me eagerly anticipating the next installment. The intricate plotlines and character development are reminiscent of a well-crafted symphony, each note complementing the others to create a harmonious and immersive experience.
In this current moment, the third installment of the captivating sci-fi series on Apple TV+ titled Silo has just been released, and it’s a real thrill! The previous season concluded with an enormous upheaval as Sheriff Juliette Nichols (Rebecca Ferguson) departed from the central underground Silo, venturing into the desolate exterior world. As a result, season 2 has had to invest considerable time in rebuilding the gameboard following those events. The initial episode, “The Engineer,” focused on Juliette’s exploration of a neighboring Silo where she encountered the last remaining survivor of an uprising that led to the deaths of countless individuals. The second, titled “Order,” filled us in on the lives of everyone Juliette had left behind, demonstrating how her home Silo was becoming increasingly volatile as people sought answers and those in power manipulated situations to maintain tranquility.
In the series “Solo,” episode one brings together all the storylines in an impressive manner, making it one of the standout episodes this season. As Silo’s intrigue deepens with the emergence of greater threats to Silo 18, the show is gaining momentum and delivering top-notch performances and production that accentuate its strengths.
Read on for our review of “Solo.” There will be SPOILERS.
Silo Episode 203 review: “Solo”
The series “Solo” begins with the character Juliette, a delightful role for Rebecca Ferguson that never fails to entertain. As the narrative unfolds, some long-awaited explanations emerge regarding the show’s numerous puzzles. The individual behind the vault door is identified as Solo (played by Steve Zahn), given his status as the last living person in the Silo. He had been a figure in the shadows for the former IT Head in his own Silo, and when the violent uprising we saw at the start of the season took place, he was instructed to seal himself in the vault and remain there without exception.
The trigger for the uprising was someone leaving, disregarding the cleaning duties, and then seemingly vanishing – much like Juliette did. The “Order” component of the Pact, which keeps Silo residents obedient, is rooted in predictable human nature. This episode effectively drives home this harsh truth, making both the viewers and Juliette confront it, as she might have unwittingly set her own Silo on a course for a violent revolution. And all the scenes we see back in Juliette’s Silo reinforce this idea.
Additionally, we acquire significant details about the Silos: In total, there are 50 of them. The Silo that Juliette is currently trapped in with Solo is Silo 17. Silos 15 and 16 are the two neighboring ones, leading me to speculate they might appear at some stage.
The interplay between Juliette and Solo is delightful, with Ferguson giving an outstanding portrayal. Zahn’s unique, naive portrayal of Solo complements it perfectly. He adds humor in spades, which is all the more impressive given that he communicates through only his eyes and voice; we don’t see Solo fully until the last moments of the episode when he steps out from the vault to assist Juliette in her endeavor to create a new environment suit to return to her own vault.
In this episode, the set design left me impressed, particularly the subtle details like the part of the wall near Solo’s safe where someone had attempted to burrow in using a pickaxe. Juliette points out some corpses in the corridor that appear more recent than the others. If those arrived after the rebellion, I can’t help but wonder if they’re from another Silo? Let’s hope we learn more about their story in the coming weeks.
Juliette Lives!
Previously, at Silo 18, the situation escalated significantly as the residents moved closer to an uprising. The narrative of this series excels by skillfully managing multiple storylines without compromising any. Judge Meadows (Tanya Moodie) demonstrates her immense importance to Bernard Holland (Tim Robbins), but their bond is fractured when she learns that he deceived her about Juliette’s wish to go outside. Tension simmers in Mechanical as Holland apprehends a young man named Teddy for scrawling “Juliette Lives” on the wall, a phrase increasingly seen throughout Silo 18. Robert Sims (Common) seeks to emulate Holland, but his actions lead to the death of Cooper (Matt Gomez Hidaka) in a contrived firebomb incident outside Teddy’s cell. The sheer amount of events unfolding is impressive, and it’s remarkable how cohesive everything remains.
In the “Solo” episode of the series “Silo”, Iain Glen, well-known from “Game of Thrones”, portrays Dr. Pete Nichols, a character who doesn’t often appear but makes an impact when he does. The scarcity of his screen time only heightens the anticipation. In this storyline, we find Dr. Nichols contemplating his role in manipulating the birth lottery to exclude undesirable individuals from the Silo, as revealed in season 1. We discovered that he secretly performed surgical procedures to remove people’s birth control devices based on their political beliefs, such as those who were curious about the world outside. In “Solo”, Dr. Nichols experiences a significant change after an unexpected encounter with a prospective mother, who is given another chance at the birth lottery due to Juliette leaving the Silo and reducing the population. The scenes where he interacts with her and eventually decides to perform the operation against orders, despite its emotional resonance, are particularly poignant thanks to Glen’s exceptional acting skills.
In terms of acting performance, Silo truly stood out this episode, especially with characters like Pete Nichols, Juliette, and Solo, but it wasn’t just limited to them. Many other characters were given ample screen time to shine. Chinaza Uche delivered compelling performances as Sheriff Billings, particularly in a scene where he confided in Judge Meadows about his syndrome. Her response, reflecting on the fact that the syndrome is a result of humans being forced to live artificially underground for so long, was a thought-provoking moment. A line from her that resonated deeply was “None of us have walked a straight line for more than 200 feet,” serving as a stark reminder of how oppressive life within the Silos is compared to life on Earth prior.
So far, I’ve found every episode in season 2 of “Silo” quite enjoyable, but “Solo” was particularly gripping and kept me on the edge of my seat. With the revelation that Juliette’s disappearance might trigger events leading to the potential demise of everyone in Silo 18, the tension has reached an all-time high. She urgently needs to find a way to secure an environment suit and make it back before the unrest unwittingly results in everyone’s downfall.
Silo Bullet Points
- Knox tells Shirley that he thinks he’s figured out what the names etched on the wall near the bottom of the Silo mean. Hopefully we find out more about that next week.
- Silo 17 has the graffiti “Ron Tucker lives.” That’s the guy who went out to clean there and then walked away like Juliette, which shows how predictable these events are.
- That predictability raises a lot of questions about the Pact, and who created it as well as the 50 Silos. This is the big mystery at this point in the show, and I’m here for it.
- I loved the little moment where Juliette starts describing little flying creatures, and Solo tells her they’re called birds. Those sorts of little reminders of how sheltered the people of the Silos are from Earth as we know it go a long way toward building the world.
Verdict
This “Solo” episode from the series “Silo” stands out as the most impressive and lengthy of the season so far. The music, set design, performances, and script were all top-notch, with very little room for improvement. It provided an hour of television that was both profound and heartfelt, intense yet humorous. If this is a taste of the quality we can expect from the show in the coming weeks, it promises to be an exceptional season of television.
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2024-11-27 19:41