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Eurovision Singer’s Shocking Performance Request Revealed After ‘Too Sexy’ Controversy!

BBG News

A performer from Finland participating in Eurovision shared an unusual demand issued by organizers, who found her rendition of “I’m Coming” excessively provocative for the contest.

As your trusted lifestyle advisor, I’m thrilled to share an exciting piece of news: At the tender age of 32, I, Erika Vikman, triumphantly claimed victory in Finland’s national selection back in February with my captivating pop track, Ich Komme (I’m Coming). This upbeat number is infused with playful lyrics, daring choreography, and a confident, revealing outfit that truly embodies my spirit.

The main part of the tune is sung in Finnish, but the catchy chorus switches to German, featuring the line “Ich komme,” which translates to “I’m coming” in English. This phrase, repeated throughout the song, has sparked intrigue due to its potential double entendre.

Prior to the Eurovision Song Contest taking place in Basel, Switzerland, from May 13th to May 17th, it appears that the European Broadcasting Union (EBU) has asked for modifications to her act. Specifically, they have requested that she tone down the explicitness of her spicy performance.

In an interview with Finnish news outlets, Vikman revealed that the organizers requested her to make some modifications in her performance, specifically asking her to conceal her backside and adjust her actions during the show.

She stated to the Swedish newspaper, Expressen, that it’s not merely one aspect, but everything – from her attire to the lyrics of the song and her stage presence – is significant. The EBU has expressed concerns about its perceived sexuality, suggesting they wish to conceal her backside.

In my passionate show, I donned a seductive black corset and daring chaps, performing a captivating dance number that incorporated my microphone stand, reminiscent of pole dancing. The rhythm was provided by pulsating electronic beats and suggestive verses, creating an atmosphere that was both enthralling and provocative.

The performer clarified, “I’m quite untamed, and I feel there’s even more in me to express. On the stage, I can be quite sensual, and following two years of learning tango, I desired to transform into a pop star.

She mentioned that Finnish individuals are traditionally reserved and often hesitant to openly express themselves, which initially made it challenging for her to interact with them.

Despite some adjusting to it, things remain the same for Vikman, as he stated that half of Finland holds a strong dislike towards him, while an equal amount feels affectionately toward him.

Although there has been some disagreement, Vikman emphasized that the argument was merely a refinement of an already well-established performance, pointing out that the EBU’s involvement came after the adjustments had begun.

According to Vikman, the show continues to change, and he had selected another outfit for it, prior to receiving any comments about it from the EBU.

To clarify, I’d like to emphasize that, contrary to certain assumptions, it was never instructed by the European Broadcasting Union (EBU) for Vikman to alter his Eurovision Song Contest performance.

YLE reported: ‘Anssi Autio declines to respond to Vikman’s statements. Yet, he does acknowledge that conversations have occurred between him and the EBU, though no specific requests have been lodged at this point.’

The discussion about her actions is echoing past Eurovision disputes, such as the submission from Malta by Miriana Conte this year.

Or:

The ongoing argument about what she did is similar to past Eurovision disagreements, including Malta’s entry presented by Miriana Conte earlier in the year.

The title of this entry had to be altered from “Kant” due to worries that it might unintentionally resemble a crude term in English.

The crowd witnesses Miriana singing a phrase that resembles a term often used in drag culture, which is thought to contain the “c-word,” and is perceived as a symbol of strength and empowerment.

On a video call with BBC2’s Newsnight on Friday, the celebrity expressed her frustration that influential broadcasters like BBC would express worries, as her comments were merely a misunderstanding due to language barriers and she had no intention of causing offense.

According to Ofcom regulations, the term “c***” is prohibited from being aired on British TV before 9 p.m., and Scott Mills, a BBC Radio 2 DJ, has mentioned that they are restricted from playing certain songs with explicit lyrics for their rudeness.

She mentioned that it was somewhat unexpected, and it fell short of her expectations. However, when it comes to her song, she has received outstanding praise.

It’s quite clear that the term ‘Kant’ is associated with singing in our language. This gives you an idea of its significance. It’s regrettable that prominent broadcasters like the BBC might express reservations about it.

Taking into account Eurovision’s essence of promoting cultural variety and linguistic richness, we have fine-tuned our approach to prioritize music and messaging. To us, Eurovision represents a unique chance, and we are committed to preserving its integrity without any distractions.

Miriana had previously shared her disappointment at being asked to change the title of her song.

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2025-03-14 18:35

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