
Summary
- Christopher Nolan has revealed that Travis Scott was cast in The Odyssey to draw a deliberate parallel between Homer’s oral epic tradition and the art of rap, telling Time Magazine the two forms are analogous
- Composer Ludwig Göransson built the film’s score from 35 gongs of varying size recorded with synths, abandoning the orchestra entirely in favour of something that couldn’t have existed before the film
- The Odyssey opens in cinemas July 17
Christopher Nolan explained his choice to cast Travis Scott in The Odyssey, telling TIME that it was a way to honor the history of the story. The Odyssey began as an oral tradition – a story told and passed down by word of mouth – and Nolan sees a strong connection between that tradition and the art of rap. The casting initially surprised some people, but it turns out to be a carefully considered choice for a film that’s already changing what audiences expect.
As a huge Nolan fan, I found his explanation of why he cast the actor he did for the film really fascinating. He basically pointed out that the Odyssey wasn’t originally written down – it was performed and passed along by storytellers for centuries! The way it’s written, with all the rhythm and repetition, was designed to be memorized and recited, not read. He sees a direct connection to rap music, saying it works in the same way – a story being handed down through generations as a kind of oral poetry. He mentioned in his TIME interview that’s exactly what he was thinking about when he made his casting choice – acknowledging that tradition.
As a huge fan of the film’s sound, I was fascinated to learn how the score was created! Ludwig Göransson, who’s done all of Nolan’s recent movies, didn’t use a traditional orchestra for this one. Instead, he built the entire score around 35 different gongs, mixing them with synthesizers to create a sound that doesn’t really fit into any specific time period – which he said was a really interesting challenge. But the coolest part? Nolan actually suggested they represent the sound of Odysseus’ lyre with the twang of his bowstring. It’s such a brilliant idea because it perfectly blends the film’s two main ideas – art and violence, the poet and the warrior – into one single, powerful sound.
The choices of Travis Scott and Ludwig Göransson’s music suggest this film prioritizes a modern interpretation over historical accuracy. Nolan has often discussed how a major Hollywood adaptation of The Odyssey was surprisingly absent from film history, despite the story’s clear potential for a visually stunning movie. Rather than meticulously recreate ancient Greece, he’s chosen to find contemporary equivalents to the story’s themes and build the film around those. Scott’s appearance and Göransson’s unique sound design both reflect this approach: this classic story deserves a vibrant and relevant treatment, not a stuffy, historically-focused one.
The Odyssey opens in cinemas July 17.
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2026-05-13 12:56