A promotion combining Takis chips and the comic series Spider-Man: Brand New Day is making the rounds on social media (as reported by Aranhaverso Brasil), and it’s given fans a fresh glimpse of Tom Holland as Spider-Man. Eagle-eyed viewers believe a small detail in the promo hints at a new superpower he’ll gain in the upcoming July movie.
Director Joe Dante remembers that while the quirky sci-fi film was praised by critics and even won an Oscar for its effects, it didn’t perform well in theaters when it came out in 1987. Now, with Arrow Video releasing a brand new 4K version on April 28th, it’s a great time for both new viewers and longtime fans to experience this hidden gem of a movie.
Emily Blunt and Josh O’Connor star in Disclosure Day, a new mystery film arriving in theaters on June 12th. The first trailer, released last December, hinted at the movie’s unsettling atmosphere and unique story. Instead of showing spaceships or aliens, it focused on odd behavior from animals – deer, birds, and others repeatedly staring at the characters – implying something otherworldly is at play.
FBI season 8 is currently on break and will be back February 23rd, the same night the new spin-off series premieres on CBS. The spin-off stars Tom Ellis (from Lucifer) as CIA agent Colin Glass, a bit of a rule-breaker, and Nick Gehlfuss (from Chicago Med) as the by-the-book FBI Special Agent Bill Goodman. Together, they’ll form a secret task force that tackles hidden operations in New York City, exposing worldwide dangers and terrorist schemes.
In the A24 film, Powell stars as Becket Redfellow, a man driven by a desire for revenge. Abandoned by his incredibly wealthy family at birth, Becket was forced to work a manual labor job. Now, he’s determined to improve his life by eliminating the family members who stand between him and the inheritance he believes is rightfully his. The movie also features Margaret Qualley, Jessica Henwick, Ed Harris, Bill Camp, Zach Woods, and Topher Grace.
It’s remarkable how well Zootopia 2 has performed overseas, earning $1.3 billion of its $1.8 billion worldwide total. In comparison, Revenge of the Sith (2005) had a more even split between domestic and international earnings, with $491.2 million coming from international markets. The new sequel’s numbers are also similar to the original Zootopia, which made $682.5 million internationally and $341.2 million domestically, for a total of $1 billion.
This isn’t to diminish Marsden’s abilities; in fact, we’re about to see the full extent of his anger and powerful energy blasts, which is a frightening prospect for anyone nearby. Imagine a massive solar flare – that’s the kind of power he’ll be unleashing within a half-mile radius.
Hulu has dropped the first trailer for the continuation of Scrubs, now considered Season 10. Zach Braff, Donald Faison, and Sarah Chalke are back as their iconic characters J.D., Turk, and Elliot. John McGinley and Ken Jenkins will also appear in recurring roles. The new season kicks off with a two-part premiere on ABC on February 25, 2026, and will be available to stream on Hulu the following day. The season will consist of nine episodes. You can watch the trailer below.
As a huge movie fan, I’ve been thinking about how much Marvel’s changed. Back in 2016, Deadpool felt genuinely groundbreaking with its R-rating and self-aware humor. Doctor Strange blew my mind with its visuals and the way it played with the multiverse – I’d never seen anything like it. And Captain America: Civil War was smart, showing heroes actually clashing in a really complex way. But looking at those movies now, in 2026, they don’t feel quite as fresh. So many films have borrowed those ideas since then, and what was once innovative just feels…familiar.
As a movie and TV fan, I’ve noticed a really consistent thread running through everything Taylor Sheridan does. From films like Hell or High Water and Wind River to the Yellowstone universe – 1883, 1923, Tulsa King, Mayor of Kingstown, and now Landman – he’s got a distinct style. He’s fascinated by power dynamics and characters who aren’t simply good or evil, and he tells these stories with incredibly sharp, realistic dialogue. His scripts really need a director who knows what they’re doing. He’s drawn to these big, sweeping landscapes and knows how to build tension until it’s almost painful, and honestly, you could see the beginnings of it even in some of his earlier, really successful work.