Like Widow’s Bay, the show Stan Against Evil – which ran for three seasons and stars John C. McGinley – is set in a small New England town and features monsters and curses. Both shows are funny and have a main character who’s in over their head. However, Stan Against Evil stands out with a distinctly New England sensibility, including surprisingly strong language used in clever and cutting insults.
The movie Target Number One, also known as Most Wanted in the US, is becoming increasingly popular on streaming services. According to FlixPatrol, it’s now among the top 10 most-watched films in the United States this week. The film is a Canadian crime drama based on the real-life story of Alain Olivier, a man battling addiction who was falsely accused of a crime while in Thailand.
If you’re a fan, you’re probably already excited for Weird Al’s big 2026 tour, which starts on May 26th! Tickets are on sale now through his official website, as well as trusted sellers like Ticketmaster and StubHub, ensuring you get genuine tickets.
As a total horror fan, I recently checked out Undertone, and it really got under my skin. It follows Evy, played by Nina Kiri, who’s a bit of a skeptic but hosts a podcast about the paranormal. She heads back home to look after her mom, and things get seriously creepy when she and her co-host, Justin (Adam DiMarco), start receiving these bizarre audio files. They come with a weird message, and honestly, they start to mess with Evy’s life, especially when she finds out she’s pregnant. It’s a slow burn, but definitely unsettling!
Building a believable fantasy world is challenging and requires careful attention to detail. You need to consistently track things like the landscape, magical systems, and underlying rules to keep the story flowing smoothly. The most successful fantasy shows create rich worlds that feel natural and immersive, without drawing attention to the complex systems that support them. Great worldbuilding blends seamlessly into the narrative, making it appear effortless to the audience.
Originally intended for Starz, The Hunting Wives launched on Netflix on July 21, 2025, and quickly became a popular streaming series. Despite initially being available only in the U.S., Netflix saw its success and decided to continue it as a Netflix original, even without owning the rights to show it everywhere. Recently, Dermot Mulroney, a star of The Hunting Wives, shared on The Tangle podcast that the show has been renewed for a second season and that plans for Season 3 are already underway.
Classic gangster films like Scarface and The Public Enemy tell stories of criminals trying to climb to the top, but they always encounter even more ruthless people or unexpectedly corrupt law enforcement. This trend continued with film noir, where detectives often operated in a morally ambiguous world, blurring the lines between right and wrong.
To finally defeat Batman, Scarecrow has teamed up with the enigmatic Arkham Knight and Gotham’s criminals. Released in 2015 for PlayStation 4, Xbox One, and PC, Batman: Arkham Knight was well-received by critics and won numerous awards. Many fans consider it a satisfying end to the Batman: Arkham series, and developer Rocksteady regained popularity, particularly after releasing additional downloadable content featuring new missions, character skins, challenges, race tracks, and Batmobile customizations.
André Øvredal, the director of Scary Stories to Tell in the Dark, recently told /Film he’s still eager to make a sequel. However, securing the rights to continue the story has been difficult for the past seven years. Every time Øvredal looks into the project, the ownership issues remain unresolved, and he’s unable to move forward until it’s clear who owns the rights.
2006 was a groundbreaking year for television, bringing fresh and creative shows that changed how people viewed the medium. As shows began to attract larger audiences, viewers eagerly tuned in each week. The year also saw some unexpected hits that cleverly combined new ideas with familiar television formulas. While many shows from that year enjoyed long runs, the 2006 class of programs offered a diverse and exciting glimpse into the future of TV.