Anya Taylor-Joy looked beautiful and fresh-faced while spending time at Bill Baggs Cape Florida State Park on Friday, going without makeup for the outing.
Thirty-year-old actress Florence Pugh and her husband, musician Malcolm McRae, 32, were seen enjoying a leisurely walk in Key Biscayne.
The couple, who tied the knot in New Orleans back in April 2022, looked happier than ever together.
Anya cut a stylish figure in a black midi skirt and a white T-shirt, teamed with chic black heels.
Anya recently visited New York to promote her new Apple TV series, Lucky, which she helped produce with Reese Witherspoon.
The new Apple TV+ series, Lucky, launched on July 15th and has received a varied response. While some reviewers found it predictable and uninspired, others praised the lead actress as captivating.
The Apple TV+ show, directed by Jet Wilkinson, centers around Anya as Luciana ‘Lucky’ Armstrong, a con artist who has to flee after a major robbery doesn’t work out the way she expected.
While on the run, she’s being chased by both the FBI and a dangerous crime boss, portrayed by Annette Bening.
The Daily Telegraph gave the series a poor review, rating it only two out of five stars. They suggested that the character Anya’s luck had finally turned.
TV critic Ed Power strongly criticized the show, calling it predictable and saying Anya doesn’t quite capture the essence of the main character.
He felt the movie wasn’t original, comparing it to a blend of Pulp Fiction and films from the nineties based on Elmore Leonard’s work – often featuring Danny DeVito.
The film also encourages viewers to see Taylor-Joy’s character as a strong woman navigating the male-dominated world of organized crime. However, she’s largely shaped by the men around her – specifically, her husband and her mentor/father figure, both portrayed with playful energy by Timothy Olyphant.
I have to say, he’s the only actor who gets that this movie is clearly trying (and failing) to be a Tarantino film – and he leans into it, really enjoying himself. It’s such a contrast because Anya Taylor-Joy just seems… uncomfortable the whole time, like she doesn’t quite know what to make of it all.
In a review for Roger Ebert, Brian Tallerico rated ‘Lucky’ two stars, criticizing it as a prime example of a story that would have been better suited as a film rather than a streaming series.
The show started strong, but this episode, like others recently, feels like it’s just filling time instead of moving the plot forward at a good speed.
Each episode spends only about 10 to 15 minutes actually moving the story and developing the characters. This makes you constantly imagine how much better the story would be as a fast-paced, tightly edited film, trimming away all the unnecessary parts.
The Guardian gave Lucky three stars, describing it as ‘classic summer viewing,’ but noted its biggest flaw: it doesn’t fully embrace its own silliness.
The screenplay isn’t good, and neither is the theme song—it sounds like Fiona Apple trying to sing like a clumsy moose.
Even so, it’s summer, and we’re all feeling a bit drained – like relaxing too much on vacation. It’s hard to find the motivation to do anything that requires effort.
Let’s celebrate the highlights – like Ellis-Taylor, Bening, and that great satin jacket – and quickly escape anything else happening.
In contrast, NME said the show was ‘instantly gripping, filled with twists and lots of fun’.
Critic Nick Levine gave the seven-episode thriller, created by Jonathan Tropper (known for ‘Your Friends & Neighbors’), a four-star rating. He described it as fast-paced and exciting from the very beginning, noting that the main character, Lucky, is already evading the FBI while running through Caesars Palace within the first ten minutes.
Taylor-Joy, fresh off her action role in 2024’s Furiosa: A Mad Max Saga, is captivating as Lucky, a shrewd and resourceful character who occasionally shows a moral side.
Despite some predictable and confusing parts, the critic felt the movie ‘Lucky’ ultimately succeeded and was well-made.
2026-07-24 18:36