Movies

Why Parker McCollum’s new country album might be the best he’ll ever make

BBG News

In the autumn, country artist Parker McCollum performed at a concert on the southern shore of Lake Tahoe, concluding a long tour for the album “Never Enough” released in 2023. Immediately afterward, he boarded a flight straight to New York City to begin recording his upcoming album.

He remarks now, casting a glance at his demanding routine, “That was most likely a very poor decision.” He arrived completely drained.

As a passionate film enthusiast, I must say that the self-titled album Parker McCollum created over six days at the iconic Power Station studio in New York is undoubtedly his best work yet. This collection of soulful, rustic roots-music tunes takes me back to when Parker was a Texas-born songwriter, dreaming of reaching the creative peaks set by legends like Guy Clark, Rodney Crowell, and Townes Van Zandt after spending a few years in the polished Nashville hit machine. Eric Masse and Frank Liddell, known for their work with Miranda Lambert and Lee Ann Womack, produced this masterpiece. The album beautifully balances poignant originals such as “Big Sky” (a tale of a man destined to lose) and “Sunny Days” (a reflection on the impossibility of reclaiming the past), with a heartfelt cover of Danny O’Keefe’s “Good Time Charlie’s Got The Blues” and a fresh take on McCollum’s own composition, “Permanent Headphones,” which he penned at the tender age of 15.

Liddell comments that Parker, at 33, is ideal for marketing due to his rugged rodeo persona. He often gets marketed heavily in such scenarios, but deep down, Liddell believes Parker wanted to express himself genuinely – to reveal his true self. Liddell chuckles, saying he tried to dissuade him from doing so.

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McCollum, who was raised in affluent surroundings close to Houston and is currently married with a 10-month-old son named Major, recently discussed his album during a visit to Los Angeles. He wore fresh jeans and a neat denim shirt, occasionally playing with a ZYN canister as we conversed.

I was looking online at your —
Nudes?

In your Instagram account, you accidentally shared a photograph of a Uncrustables box inside a private jet a few days ago. It wasn’t meant for public viewing; it was an oversight on my part. I typically avoid posting about my aircraft online.

As a movie aficionado, I can’t help but marvel at the delightful simplicity of these Uncrustables – a treat usually savored by kids, but one that brings out the child in all of us!

Were you aware that what you had accomplished with this recording was commendable only after listening to it in its entirety on the final day of studio sessions? At first, I was anxious about the quality of the recordings we made over six days in New York, fearing it was a waste of time and resources. However, upon hearing the entire piece through for the first time on the last day, I breathed a sigh of relief, feeling that it had finally come together.

Ultimately, did I ever feel as dedicated, determined, and fully committed as I did with this album? It almost seemed like a necessity – “Is this just more of the same, or are we ready to step out of our comfort zone?

What draws me to New York is the feeling it gives me, like I’m living a rock star fantasy. As a high school dreamer aspiring to be a songwriter or country singer, I envisioned grand productions, creating amazing albums in New York City or L.A., and enjoying luxurious accommodations – a story that seemed too good to be true. Another reason is the distractions I wanted to avoid while recording music. In places like Nashville, people are leaving for family matters at 5 pm, or there are interruptions from record labels. I yearned for uninterrupted time to create an album, not just record a few songs here and there. So, instead of fitting sessions into my schedule, I wanted to immerse myself in the process of making a record.

The Power Station is steeped in history, hosting performances by musical icons such as Bruce Springsteen and David Bowie. Interestingly, John Mayer wrote and recorded a song called “In Repair” there within a single day, alongside Charlie Hunter and Steve Jordan. This was what initially drew my attention to the studio years ago. Remarkably, we even composed a song within its walls: “New York Is On Fire.

I had a desire to visit during autumn’s peak, when the leaves were transforming into vibrant hues and the atmosphere was crisp and refreshing.

Music

Before taking the stage at the Hollywood Bowl this coming Sunday, the 80-year-old artist and composer reflects on some of his iconic tunes associated with Creedence Clearwater Revival.

What made Frank Liddell an ideal choice for production?
I felt confident that if he could grasp Chris Knight’s compositions, he would likely understand my own songs as well. I had previously collaborated with Jon Randall on a half-record, and he had produced my last two albums. Jon is one of my dearest friends in the world, having achieved four No. 1 hits and numerous multi-platinum certifications together. However, I felt that it was time to delve deeper, and Frank seemed willing to let the songs speak for themselves.

As a movie lover, I’d ponder what the collaboration with Randall might have produced in terms of music. It could’ve been impressive and possibly successful, but the raw emotion I felt for Frank surpasses anything I had for that project. Frank managed to bring out a more authentic version of myself compared to Jon.

What if nobody likes this record?
It’s like the first time I’m totally OK with that.

Country radio progresses gradually, so “What Kinda Man” might eventually become a major success. However, it’s not a hit yet at this point. The only reason the song was sent to radio is because “Burn It Down” reached No. 1, and the label wanted another single in its place. I simply agreed without any discussion about which song should be released on radio.

In regards to this endeavor, my feelings couldn’t be more indifferent. It’s often the case that the track chosen for airplay isn’t necessarily the finest one from the album.

Which track from “Never Enough” did you find most captivating? I’d say it’s “Too Tight This Time”. Its melancholic and slow tempo really resonates with me.

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In a recent interview with Texas Monthly, you expressed that you don’t typically write upbeat or fun songs, as they haven’t resonated with you personally. However, it’s important to clarify that while not all feel-good tunes appeal to you, there are some – like Mariah Carey’s “Always Be My Baby” – which you find particularly enjoyable. In the realm of country music, uplifting songs often revolve around themes such as beer, trucks, and Friday nights, but these have never struck a chord with you.

The song ‘What Kinda Man’ seems quite enjoyable.”

Or, if you want to maintain a bit of the original flavor:

“The tune ‘What Kinda Man’ is quite fun, and it doesn’t follow all the tired tropes that many radio songs do.

Which one do you consider the standout track among “Hope That I’m Enough”, “Solid Country Gold”, “My Worst Enemy”, and “My Blue” on this album?

Lot of choices.
I love this record. I don’t think I’ll ever do any better.

Is that a sad thought?
Eh. I don’t know how much longer I’m gonna do it anyways.

Why are you considering putting it away? However, I’m not certain that I will do so. But I believe I won’t continue this until I reach 70. We’ve been performing at stadiums with George Strait – I might retire earlier than him.

You watch Strait’s set?
Every night.

From George, I’ve learned a lot about maintaining a low-key, humble persona, especially outside of the spotlight. He’s been remarkably consistent and scandal-free for over 40 years, and I can’t recall anyone else doing it as impressively. I aspire to emulate him offstage in my future career.

In today’s spotlight, I find myself grappling with an intriguing conundrum: could a film character truly remain under the radar as portrayed in this narrative?

The protagonist is constantly battling against his team who seem intent on exploiting his personal life by involving his family. However, he stands firm, refusing to compromise, declaring emphatically that they are not for sale. I appreciate the complexities of his character, as he navigates the tricky waters of show business while maintaining a strong family bond, which he clearly cherishes and values. This duality is captivating, a testament to both his professional resilience and personal integrity.

Yet, at home, there’s no pretense or facade; it’s the real deal. It’s a refreshing portrayal of the human spirit, reminding us that behind every successful individual is a life filled with authentic emotions and relationships that are not meant for public consumption. This film has sparked thought-provoking conversations about privacy, integrity, and the delicate balance between personal and professional lives in the entertainment industry.

It’s likely that People magazine would be thrilled to feature you, your lovely spouse, and your adorable child in one of their issues. However, they proposed covering your wedding, to which I responded, “Definitely not.” I prefer to keep my personal details private, such as where I live, what kind of vehicle I drive, and how I spend my free time. Nowadays, such information is valuable, with people constantly recording their lives. While some might view me as old-fashioned, I’m aiming to live life in the exact opposite way of that trend.

One could argue that your resistance isn’t helpful for your career.
I’m fine with that.

Does your financial stability have something to do with it?

Indeed, that’s a factor. However, let me tell you, my childhood memories are locked away in my mom’s attic, while everyone else’s is out there on the internet for all to see. I can’t help but feel uneasy about this. I don’t want to cash in by flaunting my seemingly perfect life online. Because, trust me, it’s not all sunshine and rainbows. I believe I could earn a hundred million dollars a year if I were a YouTuber – it’s like a movie script. The journey I took, the way I rose up, the woman I married, the child I have – it’s a flawless narrative. But there are no untold stories or hidden flaws.

Have you ever pondered about where the emotional depth in your music originates? It’s a question I’ve given some thought to as well. While I don’t believe it encompasses the entire explanation, I feel that if you experienced your parents’ divorce at an early age, there might always be a part of you that carries a sense of fracture. My own parents divorced quite tumultuously, and I can recall many moments from those times. And I suspect such memories never truly fade away.

How do you think about the relationship between masculinity and stoicism?
It never crosses my mind.

Is your dad a guy who talks about his feelings?
F— no.

Was he intimidating? I believe so, as my father is quite formidable. He’s the toughest individual I’ve encountered throughout my life.

For my son Major, I aspire to foster a sense of ambition and determination. It’s not about always achieving success, but rather having the drive and will to strive for it, regardless of the circumstances. I hope he embodies the spirit of a victor.

What’s the most recent occasion that made you shed tears? It wasn’t too long ago; a close friend of mine passed away – Ben Vaughn, who was the head of my publishing company in Nashville. I performed Guy Clark’s “L.A. Freeway” at his memorial service a fortnight back, which stirred me deeply.

Music

Taking a peek at some standout tunes from 2025 as we near its midpoint: Sabrina Carpenter, SZA, Morgan Wallen, and the return of Drake – here’s a glance at this year’s top tracks!

You expressed that it’s alright if listeners aren’t fond of this album, but personally, I hope it resonates deeply with them and becomes the songs they turn to in a decade when they want to recapture their past emotions. To me, music serves this purpose, making me feel deeply. However, I acknowledge not everyone experiences music as intensely as I do.

Have you found yourself in a similar situation as a child, where you’d get immersed in a song repeatedly? Just like me, certain melodies can deeply move me, affecting my emotions entirely. The perfect tune at the right moment means everything to me. There’s a scenic road near where I reside called River Road, located in Texas’ Hill Country. Trust me when I say it’s breathtakingly beautiful – you won’t find anywhere more enchanting in your life. At a specific time of day during this season, I know just the right instant to drive along that road to catch the sunlight filtering through the trees. And as I do, I’ve got my playlist ready for the journey.

You know what song you want to hear at a certain bend in the road.
Probably a little psychotic.

Do you prefer keeping your towels neatly arranged on the rack?” or “Are you someone who likes to keep the towels in order on the rack?” Both of these options convey the original meaning while using natural and easy-to-read language.

Is it due to your upbringing, being surrounded by a tidy and well-organized household, or is it because you were raised in a contrastingly messier environment? Despite my mother always maintaining a clean home, I’ve never found myself going to bed with dirty dishes piled up. In fact, when I’m present at home, my wife frequently prepares dinner, and as soon as we finish eating, I take care of washing the dishes, loading the dishwasher, and even wiping down the counters.

You could never just chill and let it go.
No, it’s messy. It’s gross.

People sometimes perceive your strong demeanor as being overly confident or even arrogant, but I assure you that isn’t the case. Raised with good manners, I always remove my hat when meeting a lady, offer a firm handshake accompanied by eye contact, and use polite phrases like “Yes, ma’am” or “No, ma’am,” regardless of the person’s age or gender. Good manners were emphasized in my upbringing, and they are the only way I know to communicate with others. It always puzzled me when, during high school, girls would say I was overly confident.

From what I can tell, you’ve watched the ‘What Kind of Man’ video. However, it doesn’t occur to me that you appear cool; instead, I feel like you come off as rather awkward.

It’s hard for me to fully trust what you’re saying. Here’s why: A photographer named Frank recently expressed something I’ve always sensed while working with him and others in our field since I was 19 – he said, “This record captures Parker’s spirit and thoughts, not his physical appearance.” Despite the fact that I don’t look like a stereotypical musician (being neither 5-foot-7, bearded, or tattooed), it seems to me that people often doubt the authenticity of my songs.

Oh dear, the handsome chap, constantly referred to as “Hollywood” or “pretty boy.” It’s a bit nicer than calling someone a fat-ass, I suppose. However, I’ve never sought to exploit that image at any point in my life. All I’ve ever wanted is to be a songwriter.

But you know how to dress.
Kind of?

Hey there, buddy – the flashy gold necklaces, the stylish Lucchese boots… It’s not that I’m trying to make up for a lack of fashion sense, but I’ve always had a soft spot for bling. Growing up, I admired rappers who rocked gold and diamonds. Even country legends like Waylon Jennings and Johnny Cash sported these accessories – they just looked cool, right? So, I guess I was inspired to follow in their footsteps.

If fan approval doesn’t matter, then who’s opinion holds significance for you? – Among George Strait, John Mayer, Steve Earle, my older brother, and my father.

You know Mayer?
We’ve talked on Instagram.

What is it about him that you find so impressive? For me, it’s his dedication to his craft that has always stood out. Funny enough, when I was younger, I used to say I would never marry or have kids because John Mayer never would, and I admired his single-minded pursuit of his goals. Later, albums like “The Search for Everything” and “Sob Rock” suggested he regretted not having a family life. That struck a chord with me – it made me realize that I didn’t want to be alone at 40. It completely shifted my perspective on my future.

Music

The lead singer of Queens of the Stone Age talks about a fresh, short movie that captures the band’s performance at the Paris Catacombs in 2024.

At one of Donald Trump’s inaugural balls in January, you chose to play Toby Keith’s “Courtesy of the Red, White and Blue (The Angry American)”. What draws you to this particular song?

I identify strongly with red, white, and blue. I hold a deep affection for America, its values, and what it represents. Unfortunately, many people seem disconnected from patriotism these days. However, I don’t let that bother me – I care more about the love one has for their country. Toby Keith was an exceptional songwriter who expressed his devotion to his nation beautifully in his music.

In that Texas Monthly interview, you expressed that it’s awkward for someone’s political stance to impact their emotional response towards an artist. However, it seems that this issue has become highly divisive these days. Yet, despite this polarization, your statement suggests that you will continue to enjoy Neil Young’s music wholeheartedly and without reservation.

Why do you suppose audiences started showing concern? It could be due to the incessant stream of information and political biases on social media, which can sometimes seem overly simplistic or misleading. Interestingly, I have friends in my band and crew who hold conservative views, while others lean liberal. For me, their beliefs don’t matter much.

It’s clear that you were aware of how your association with Trump would be perceived, given that being invited to play at a presidential inauguration, especially one as controversial as Trump’s, is an extraordinary honor. However, every president in history has had flaws and made mistakes, and I don’t let the opinions of others sway me on such matters. People have different views, and nowadays it seems like everyone takes sides – either for or against. I don’t subscribe to that way of thinking.

What are your thoughts on what might come next in terms of your future projects? At this moment, I’m completely clueless about what my subsequent recording will entail. I haven’t got the slightest idea yet.

If we cross paths once more in two years and you’ve produced an album filled with trap beats, it might suggest that you’ve been experimenting with substances again.

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2025-07-09 13:34

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