Why And Just Like That’s last episode was actually the perfect ending for Carrie Bradshaw

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After three seasons of fumbling around, And Just Like That has finally come to an end.

It’s not particularly shocking that the follow-up series of the cherished ’00s program failed to match the six-season span of its original – despite our continued affection for it.

In a predictable turn of events, the finale of “And Just Like That” didn’t capture the graceful elegance that once had the four main characters bursting into laughter and embracing upon Carrie’s (Sarah Jessica Parker) return from Paris. Instead, the finale presented some rather unpleasant scenes involving Cynthia Nixon’s character, Miranda, dealing with a toilet issue where waste seemed to overflow, creating quite a mess on the floor.

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A symbol of the mess that may have been made of the cultural phenomenon? We’ll let you decide.

Without debate, it’s clear that the show didn’t benefit from Brady’s upcoming parenthood, his complex relationship, or her annoying friends. Steve’s sudden return only to create a fuss seemed arbitrary, and I must admit, the excessive pie-related incidents were puzzling.

Despite some reservations earlier on, it appears that “And Just Like That” ultimately succeeded in wrapping up Carrie’s storyline in a manner that “SATC” hadn’t been able to achieve quite yet.

Previously, Carrie has been shown to have a strong desire for affection, recognition, and confirmation – this is particularly evident in her prolonged romantic dance with Big throughout the series.

In the concluding episode of “Sex and the City,” Carrie exuded an unparalleled self-assurance, flair, and radiant smile as she strolled down the street. Just then, a call arrived – it was none other than Big (or John, if you prefer), informing her that he’d sold his apartment and was en route to New York City.

In this TV show, Carrie’s voice could be heard amidst their conversation, expressing thoughts about the crucial bond being the one we share with ourselves. The final words of the series were: “But if you happen to find someone who loves the person you love, that’s simply wonderful.

However, this instance of personal affirmation was somewhat dampened by the disclosure of Big’s identity. Carrie’s self-assurance in her value momentarily wavered, and subsequent movies depicted a sequence of events leading to Carrie’s struggles with self-doubt. The narrative once more revolved around Carrie seeking more from Big.

Eventually, she stepped into the world of “And Just Like That,” establishing a romantic connection with someone reminiscent of Big, who appeared keen on staying. However, much like that, she found herself back in singledom following an unexpected demise.

(Re-)enter her other greatest love, Aidan (John Corbett).

Our girl invested an immense amount of time and effort trying to fit into his lifestyle, which was distressing to observe. With each subsequent event, it became increasingly evident to the viewers that these two individuals, who seemed destined for each other, were as compatible as Carrie wearing ballet shoes.

The audience asked themselves: Would Carrie ever become the centre of her own love story?

After a tumultuous journey marked by emotional wedding dresses, misshapen engagement rings, discarded notes, and lost diamonds, “Just Like That” has finally concluded its run. Notably, the series has ended with Carrie embracing her independent life once more.

Following her split with Aidan and a brief, passionate encounter with her sophisticated bookworm neighbor, who subsequently departed for England, Carrie had an honest, heart-to-heart chat with Charlotte (Kristin Davis) about embracing the possibility that her life might not encompass a fairy tale romance ending.

Her voice held a trace of melancholy, and there seemed to be an impending glisten in her eye, yet by the finale of the show, she was found dancing solo in her opulent home, radiating self-love instead.

She resisted the subtle jibes suggesting that her life would be unhappy and empty without romance. This included her lunch companion attempting to arrange a dismal and unsuitable match for her, as well as her editor insisting that the main character in her novel needed a brighter conclusion than living alone.

Instead, she eliminated the epilogue, thus leaving uncertain The Woman’s romantic future. She then penned: “The Woman came to understand that she wasn’t accompanied – instead, she was independent.

Short and decisive. Just like Carrie’s decision.

Carrie wasn’t the initial member of the group to choose solitude as a lifestyle preference; instead, it was Samantha (Kim Cattrall) who led the way when she famously broke up with Smith Jerrod, expressing her feelings in an unforgettable manner: “I love you, yet I love myself more.

In simpler terms, by the early 2000s, embracing radical self-love was quite a bold move. However, Carrie’s choice to embrace a future without a partner in 2025 might be even more impactful and inspiring.

Women continue to inhabit a society that places significant stress on them to be in relationships. Being selected is often equated with personal value, particularly for those who are more romantically inclined. Hence, Carrie’s choice holds great significance.

This situation isn’t as strikingly unconventional as Samantha’s, and we all know Carrie has always been fond of romance. However, what makes this instance unique is that Carrie, the romantic at heart, is learning to appreciate love not coming her way, instead finding happiness within herself. That’s quite a powerful realization indeed.

AJLT gave Carrie that self love. No man in sight.

And Just Like That seasons 1-3 are available to watch on Sky Comedy and NOW.

The latest print issue of Digital Spy’s magazine is available now! You can purchase the Oasis – Live in ’25’ special edition at your local newsstand or online for only £8.99.

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2025-08-15 19:55