
The new show, A Knight of the Seven Kingdoms, considered using the famous Game of Thrones theme song right away, but ultimately saved it for the end of the fourth episode. While it’s not the only Game of Thrones spin-off, A Knight of the Seven Kingdoms stands out as a distinctly different kind of fantasy series.
While House of the Dragon aimed to capture the grim atmosphere, grand scope, and intricate storylines of the original Game of Thrones, the new series A Knight of the Seven Kingdoms quickly established a more cheerful and lighthearted feel. The first episode used flashbacks, signaling that the show wouldn’t be as complicated or densely plotted as its predecessor.
A Knight Of The Seven Kingdoms Episode 4 Finally Used The Game Of Thrones Theme Song
The show immediately established its unique and somewhat playful tone in the first episode by focusing on the tale of Ser Duncan, a knight of humble origins, and his clever young squire, Egg. Instead of the dramatic opening theme from Game of Thrones, the episode began with a humorous scene of Dunk casually urinating against a tree, abruptly interrupting what viewers expected.
This signaled to viewers that A Knight of the Seven Kingdoms would be significantly more lighthearted and humorous than Game of Thrones or House of the Dragon. However, after the fourth episode, “Seven,” the familiar theme song played fully, without being cut short.
Lyonel, Robyn, Hardyng, and Ser Humfrey Beesbury all initially agreed to support Dunk in his trial by seven against Aerion’s men. However, Steffon later broke his promise when Aerion offered him a title. Then, to everyone’s surprise, Baelor Targaryen stepped forward to fight alongside Dunk, raising the stakes even higher.
Why Episode 4’s Ending Was The Perfect Time For A Knight Of The Seven Kingdoms To Use GOT’s Theme Song
Ira Parker, the showrunner, told Nerdist that the funny way the theme song was cut off in the first episode was intentionally designed to lead to the more powerful moment in episode four. He explained that revisiting the song in episode four signaled a turning point, making it feel like the show was finally reaching a grand, *Game of Throneslevel scale.
The “Call” Parker mentions is the moment when the hero is prompted to begin their adventure – a common element in the hero’s journey, a classic storytelling structure often found in fantasy. While A Knight Of The Seven Kingdoms often pokes fun at the serious tone of Game of Thrones, the fourth episode ends with the show leaning into drama.
When Baelor steps up to fight for Dunk, it’s a truly dramatic and heroic moment – exactly what the show needed. It cleverly reintroduced the epic feel of Game of Thrones into A Knight of the Seven Kingdoms.
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2026-02-09 19:44