Warfare: The Harrowing Truth Behind the SEALs
For many years, war films have taken numerous forms. However, just a few contemporary war movies have had as profound an impact as “Warfare,” a film written and directed by Ray Mendoza, a veteran of the Iraq War who also served in the U.S. Navy SEALs. Together with Alex Garland (“Ex Machina” and “Civil War”), they create a gritty, unadorned production that draws from Mendoza’s personal experiences. The outcome is both chilling and thought-provoking, making it one of the most captivating films of the year.
Previously acclaimed for its lifelike portrayal, “Warfare” places us squarely within the intense crucible of battle, where courage and camaraderie are essential to endure. Prior to filming, the cast experienced a rigorous three-week bootcamp involving weapons handling, communication protocols, and strategic movements. This preparation significantly enhances authenticity, allowing Mendoza and Garland to draw viewers further into their convincing depiction of reality.

The film “Warfare” lives up to its simple title, with no complex character development, intricate plotlines, or manufactured tension. It is set during the 2006 Iraq War and focuses on Navy SEAL team Alpha One, also known as the Bushmasters. Their mission involves occupying a rooftop position in a house they’ve seized in Ramadi, from where they are to observe a nearby market suspected of being an insurgent gathering spot.
One significant aspect of “Warfare” lies in its portrayal of the real-time experiences soldiers endure. It swiftly makes clear that each second of a mission isn’t always filled with gunfire. Instead, Mendoza and Garland utilize their initial scenes to underline the monotony of surveillance and intelligence gathering. However, they skillfully build suspense through subtle hints at the peril these young men are exposed to. When a hand grenade is thrown into their building, the tension escalates dramatically, from a slow simmer to a rapid boil.
The situation intensifies significantly as “Warfare” immerses us in the struggle of the platoon to withdraw under a barrage of small arms fire from approaching insurgents. Mendoza and Garland skillfully place us alongside the soldiers, allowing us to experience the raw intensity of battle without resorting to sensationalism. They steer clear of typical war movie cliches such as heroic bravado, emotional goodbyes, or motivational speeches. Instead, every tense moment resonates with a strong sense of authenticity.
The film effectively portrays current events, thanks in part to its talented ensemble cast, featuring Will Poulter, D’Pharaoh Woon-A-Tai, Joseph Quinn, Charles Melton, Cosmo Jarvis, Michael Gandolfini, and Kit Connor, among others. Each young actor grasps their roles with precision and gives a dedicated performance to make the on-screen characters as true-to-life as possible. Their acting truly stands out in the second half when the mission unravels, reflecting the harsh reality of war vividly.

Just as awe-inspiring and indispensable are the technical aspects, from the breathtaking cinematography to the powerful sound design. They collectively create a strong emotional response that the movie provokes, sometimes feeling like a vivid sensory attack but in perfectly appropriate moments. For example, consider the scene where an IED explodes abruptly. The blast’s deafening noise shook my theater, and the ensuing confusion mirrors the turmoil on screen. Both elements make a lasting impression.
People who analyze war films from a political perspective might be disappointed to learn that “Warfare” avoids preaching or editorializing. However, the movie’s moral ambiguity offers much for contemplation. The film primarily focuses on the soldiers and their experiences in battle, which span 93 minutes. During this time, we witness both heroic acts and the tragic human toll of war. It is this emotional impact that gives “Warfare” its powerful punch.
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2025-04-17 22:02