Tragic Accident, A Lighthouse, and a Dark Twist: Can Ezra Find Redemption?

In recent cinematic history, a lighthouse has likely been most prominently depicted in Robert Eggers’ film “The Lighthouse”. This iconic structure symbolizes both solitude and security. Interestingly, there’s a fresh movie out this week titled “I’m Beginning to See the Light“, which revolves around a jazz trumpeter (played by Jack Huston). The title is inspired by a classic song from Duke Ellington, Johnny Hodges, Harry James, and Don George, although the Velvet Underground’s tune with the same name might also be evoked.

Initially, Huston’s character Ezra is seen playing an alluring melody on his horn before a live crowd. However, the narrative soon takes a somber turn, setting the stage for a contemplative exploration of self-discovery and redemption. Directed by Konstantin Khudyakov, this intriguing independent film occasionally struggles to balance its intellectual themes with the beautiful visuals it presents. Yet, its challenging nature might make it a topic of discussion following the end of the movie.

It Could Always Be Worse (And It Will Be)

At first, it seems like the main conflict in the story will revolve around financial struggles, as musician Ezra is playing outdated music for meager pay and struggling to support his family. His wife Sarah (played by Jamie Chung) appears anxious about this, but the children remain supportive during his performances. However, their money troubles are overshadowed when they all suffer a tragic, freak accident on their way home from one of these shows, which changes everything…

Not just any accident happened to Ezra. His car was rammed by a truck carrying, surprisingly, a massive chunk of a lighthouse. Given they live in a seaside town, when Ezra comes to in the hospital, he finds out he’s apparently the sole survivor. What impact does that have on a husband and father? Initially physically battered by the crash, and now emotionally shattered at a completely different level.

Everyone Wants to Die at the Lighthouse

Lighthouses are frequently seen as a symbol of hope due to their practical function guiding ships at sea. This may explain why Ezra, upon leaving the hospital, feels inexplicably pulled towards the lighthouse that indirectly caused harm to his family. What follows is a string of events, some accidental, others seemingly predestined (and occasionally convenient plot devices), which leads Ezra to contemplate living within this lighthouse instead of facing the emptiness of his former home. Solitude seems increasingly appealing to him.

As deeply saddened Ezra grapples with existential doubts in life, other despairing townsfolk start seeking the lighthouse to end their lives. However, Ezra overcomes his own struggles and decides to assist instead, discovering a fresh sense of purpose and altering his course despite the losses he’s suffered. Moreover, a delightful side narrative unfolds featuring a local admirer of Ezra’s music, enchanting Hannah (Abbie Cornish), who crossed paths with Ezra at a live performance just before the car accident. Her recurring trips to the lighthouse provide some solace for the widower, giving him a glimmer of hope rather than despair.

An Ending You Won’t See Coming (For Better or Worse)

In this film, there’s a shared sense of pain that feels strangely soothing, as Ezra interacts with other distressed individuals at the lighthouse within this somber, straightforward narrative. The movie’s generally subdued tone is effectively balanced by the powerful performances of the two troubled characters who visit Ezra’s new residence and contemplate jumping from the lighthouse. Brandon T. Jackson, known for his work in “Tropic Thunder,” plays Sam, a character whom Ezra manages to dissuade from jumping and eventually befriends, particularly when they discover their shared love for music. Jackson brings energy to his scenes, creating a delightful contrast with the more monotonous portrayal of Huston.

In another role, the man attempting the dive is a former inmate, skillfully portrayed by Mark Boone Junior. Not only does he give a heartfelt speech on humanity, but his acting prowess and captivating screen presence make every scene engaging. It’s been quite some time since Mark Boone Junior took on such an intellectually stimulating film; his last venture of this kind was the Marilyn Manson-led “Let Me Make You a Martyr”, which concludes with more emotional impact than “I’m Beginning to See the Light”.

Despite being 86 years old, director Khudyakov preserves an indie charm throughout, culminating in a twisty and unexpected finale that might leave some viewers stunned. Some may view this ending as an unsettling surprise, while others could find it jarring and confusing. Without giving anything away, the final scenes are bound to spark discussion, if they manage to attract enough film lovers. If the message behind the ending is accurate, it raises questions about plot inconsistencies throughout, but perhaps we’re just being overly critical as seasoned film enthusiasts. Regardless, Huston delivers a strong performance and solidifies his standing as a leading man once more.

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2025-04-30 22:04