Movies

Top 7 Sci-Fi Movies Critics Agree You Must See

BBG News

Known for guiding film enthusiasts on what movies are worth watching and which ones to avoid, Gene Siskel – a legendary critic – shared his insights with audiences from 1969 until 1999. Alongside his creative partner, Roger Ebert, they provided engaging and insightful reviews spanning various genres, including dramas, comedies, action films, and even horror movies.

In the course of those decades, science fiction emerged as a significant genre, fueled by technological advancements that prompted filmmakers to innovate and explore the limits of cinematic possibilities. Although sci-fi movies didn’t frequently make Siskel’s annual best films list, there were a handful that captured his interest. These films aren’t just appreciated by Siskel but by critics and viewers as well. Some of them hold immense influence and continue to resonate strongly even in the present day.

Appeared at #10 on Gene Siskel’s 1986 Top 10 List

In simpler terms, “The Fly” is renowned for significantly impacting contemporary films in the body horror genre, seamlessly blending science fiction to craft a chilling tale. The story unfolds when brilliant scientist Seth Brundle, portrayed by Jeff Goldblum, experiments with teleportation on himself and unknowingly brings a fly into the lab. This unfortunate incident triggers a grotesque metamorphosis in him. Directed by David Cronenberg, the movie masterfully demonstrates his unique style, combining captivating and unsettling sequences.

Although the original The Fly movie came out in 1958, it’s often the 1986 version that people recall due to its chilling visual effects and unique atmosphere. Interestingly, the 1986 film has a stronger connection to Franz Kafka’s 1915 novel, The Metamorphosis, compared to the 1958 movie which was based on George Langelaan’s short story of the same name, first published in 1957. According to Siskel, the film was exceptionally well-made without crossing over into what he calls the “gross-out category.

Appeared at #9 on Gene Siskel’s 1979 Top 10 List

The movie, Time After Time, as Gene Siskel notes, manages to execute a tricky storyline effectively. This film presents a fictional account involving real-life characters and blends various genres in a remarkable way. In this case, H.G. Wells pursues the notorious Jack the Ripper who’s stolen his time machine in 1970s San Francisco after the murderer makes an escape.

In his adventures in a strange, novel setting, Wells embarks on a romantic journey with a woman named Amy, as they join forces to apprehend Jack the Ripper. The transformation of Wells amidst the enigmatic surroundings is an enjoyable spectacle, expertly portrayed by Malcolm McDowell with genuine perplexity. Critic Siskel described “Time After Time” as a nostalgic Hollywood tale with a fanciful twist, commending its traditional filmmaking techniques.

Appeared at #8 on Gene Siskel’s 1985 Top 10 List

In a more casual and contemporary tone, one could say: “The time travel movie ‘Back to the Future’ is widely recognized as one of the best in its category and remains deeply entrenched in pop culture from the 1980s. This film kicks off an intense trilogy that continues to captivate viewers of all ages. With outstanding performances by Michael J. Fox and Christopher Lloyd, meticulous attention to detail in makeup, wardrobe, and an exhilarating action sequence that keeps you on the edge of your seat, ‘Back to the Future’ is a must-watch.

In an unintended twist of events, teenager Marty McFly changes the trajectory of time by hindering his parents’ encounter. This potentially leads to a conundrum where he may cease to exist. With the aid of his quirky yet brilliant scientist companion, Doctor Emmett Brown, Marty embarks on a mission to rectify this predicament. Critic Siskel hailed Back to the Future as his “preferred movie of the summer season,” noting its ability to steer clear of the usual pitfalls associated with time travel narratives.

Appeared at #7 on Gene Siskel’s 1977 Top 10 List

The science fiction genre gained significant popularity, particularly due to the groundbreaking influence of “Star Wars”. This film managed to capture mainstream attention and recognition, even before the characters like Luke Skywalker, Leia Organa, Han Solo, and Darth Vader became household names in pop culture. Critics such as Siskel and Ebert recognized this movie’s exceptional quality early on. Siskel, for instance, confessed to having watched the film no less than three times, and he compared the thrilling scene of Luke and Han battling a TIE Fighter in the Millennium Falcon to the excitement of playing a pinball machine, as if the entire screen was illuminating before them.

Although the review primarily focused on Star Wars as “escapist entertainment” without delving deeply into its allegorical aspects, it’s evident that the critics were taken aback by the film’s success, making it the highest-grossing movie of 1977. Siskel’s open admissions about rewatching the film underscored its enjoyability and hinted at the film’s eventual status as one of the most influential in the science fiction genre.

Appeared at #6 on Gene Siskel’s 1971 Top 10 List

Back in the day, I found myself immersed in a groundbreaking sci-fi crime thriller known as “A Clockwork Orange.” This gem was adapted from Anthony Burgess’ novel of the same name, published in 1962. Many people back then criticized it for its graphic portrayal of violence, but I couldn’t help but be captivated.

The story unfolds around a ruthlessly violent character named Alex and his gang as they navigate an ultraviolent, dystopian London in the future. It’s a tough watch at times, but it’s worth it for its thought-provoking exploration of contemporary government issues. The film delves deep into the ethical conundrums surrounding individual freedom versus societal control, making it a must-see for anyone who values critical analysis.

In a review, renowned critic Gene Siskel highlighted how Stanley Kubrick’s masterpiece remains relevant by reflecting contemporary themes and global struggles, as he discussed it with Roger Ebert in 1987.

Appeared at #4 on Gene Siskel’s 1977 Top 10 List

The captivating tale portrayed in “Close Encounters of the Third Kind” vividly demonstrates the impact of science fiction stories. With breathtaking special effects, deeply moving acting and cinematography that’s both stunningly beautiful and eerie, the movie showcases exceptional skill from its director, who has also helmed several other films on this list.

Siskel noted that the 1970s, with 1977 standing out, were significant years for science fiction movies, and he pointed out that Close Encounters of the Third Kind conveyed a recurring message: “Don’t shy away from the mysterious, instead, explore it.” This idea was also prevalent in numerous other sci-fi films. Moreover, Siskel praised the special effects as “awe-inspiring” and commended Richard Dreyfuss for his convincing portrayal of Roy Neary, a blue-collar electric lineman who experiences a UFO encounter, leading him on a journey to uncover the truth.

Appeared at #3 on Gene Siskel’s 1982 Top 10 List

In a different phrasing: Previously, Steven Spielberg had shown his ability to gracefully manage science fiction themes through “Close Encounters of the Third Kind.” However, it was “E.T.” that solidified his position as a true virtuoso in this genre. Now considered a cultural icon, “E.T.” echoed the message from “Close Encounters,” emphasizing the importance of empathy and curiosity towards the unknown to foster comprehension over ignorance.

Witnessing the blossoming friendship between young Elliot and E.T., which is both captivating and heartwarming, underscores the idea that significant connections can be formed anywhere. Critic Siskel described the movie as “charming” and “bound to bring joy to children.” He further points out that a large part of the film revolves around the theme of love, demonstrating how Elliot’s affection for the alien being inspires viewers to support the main characters and contributes to the enduring appeal of the movie.

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2025-06-03 06:36

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