Tom Hardy and Guy Ritchie look serious as they shoot tense upcoming crime drama The Associate – a month after the film set was robbed in broad daylight

In a focused manner, Tom Hardy and Guy Ritchie appeared intense while filming scenes for their forthcoming crime drama, The Associate.

The Associate is a show that was written by Ronan Bennett. Tom Hardy, known for his role in Venom, serves as one of the executive producers. Some episodes are directed by Guy, who has a background in making gangster films.

In addition, Tom plays the role of Harry Da Souza, the assistant character, who serves as a problem solver for the Harrigan clan within the series.

Right now, filming is taking place in London for the upcoming TV series, known by two working names: The Associate and Fixer.

Long-time friends Tom and Guy were spotted filming together on the streets of London on Saturday. 

Filming shots were taken following a setback during production, which occurred in November. At that time, our camera gear was stolen in full view during the day by thieves.

In the newly captured images, Tom and Guy found common ground, successfully including vehicles from each of their favorite brands in the final shots.

In this scenario, faithful Range Rover supporter Guy and devotee of Audis, Tom, made sure that these high-end automobiles were front and center. The director arrived in a stylish Range Rover, whereas the actor found himself behind the wheel of an Audi.

In other snaps, Tom was seen coming out of a building with the sign ‘Moody’s Boxing Gym’. 

This year, details emerged about the upcoming series co-created by Ronan and Guy. Additionally, it was announced that the acclaimed director of “Lock Stock” has secured Helen Mirren and Pierce Brosnan for leading roles in this project.

The summary indicates that the narrative will explore the tales of two successive generations of criminal figures, detailing their various enterprises, intricate bonds, and the enigmatic figure who is often summoned to resolve their issues.

After the thieves successfully made off with the film set’s camera gear, it was when the production team and security personnel were present in London.

In November, it became known that two individuals in a Toyota Prius were deceiving people by pretending to ask for directions, only to swiftly drive away with costly gear after doing so.

According to the source, when discussing the event with The Sun, they mentioned that the pair’s inquiries diverted attention, and at that very instant, another individual suddenly snatched a bag filled with camera gear left by the roadside.

As a seasoned filmmaker with years of experience under my belt, I can attest to the high cost of equipment used for film productions. One time, during a shoot, we were the victims of broad daylight robbery. The thieves made off with our valuable gear just as quickly as they’d appeared, leaving us in a state of shock and disbelief.

The aftermath was chaotic – the security guards went into a frenzy, while we were left to pick up the pieces of our shattered dreams and budget. It was a humiliating experience, one that I won’t soon forget. The kit on those films isn’t cheap, and losing it was a costly mistake we paid dearly for.

From that day forward, we made sure to invest in top-notch security measures, learning the hard way that sometimes, even in broad daylight, danger can lurk around every corner.

In December, it became known that Tom had generously proposed to cover the salaries of the whole team working on the latest Guy Ritchie TV series, as a construction firm associated with the project had faced bankruptcy.

Approximately 50 independent construction workers suffered a significant setback when Helix 3D, the company responsible for building sets, unexpectedly closed down, as reported by The Times.

As a fervent admirer, I can’t help but share my dismay when I heard rumors that the company, to my disappointment, decided against doling out £250,000 in wages prior to Christmas. To make matters worse, their CEO, Brian Dowling, conveyed the crushing news last week, stating that our hard-earned pay might not appear in our accounts until after the New Year.

Only when actor Tom intervened by agreeing to cover the workers’ salaries did Paramount manage to resolve the issue, at which point they began processing the paychecks.

A source near Tom informed The Times, ‘He proposed covering the costs, but the production team and Paramount have already handled the payment.’

Simultaneously, a representative from Paramount expressed strong displeasure over the circumstances and had put measures into action to ensure that the workers received their wages.

In a letter obtained by the publication, Chris Hudson, an official from the broadcasting union Bectu, stated: ‘It’s important that our members are treated fairly, with decency and given prompt payment for their work.’

I can’t help but feel deeply troubled, knowing they’re grappling with severe financial hardships, especially with the festive season approaching. It’s utterly unfair and unacceptable in my eyes.

As Christmas approaches, our members are understandably anxious, with quite a few worrying that they won’t be able to afford essentials.

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2024-12-30 16:22