Three Things AEW Must Change in 2025

As a lifelong wrestling fan, I’ve seen my fair share of promotions come and go, but none have captured my heart like All Elite Wrestling (AEW). With its unique blend of talent, storytelling, and innovative approach to the industry, AEW has quickly become a force to be reckoned with. But as we move into 2025, it’s time for Tony Khan and the AEW team to make some bold moves if they want to continue their meteoric rise.

First and foremost, let’s focus on showcasing our women’s division. The potential is there, but we need to give them the spotlight they deserve. Rotate the roster more often, bring up fresh faces, and tap into the incredible talent that exists on the independent scene. I’ve seen some amazing wrestlers like Megan Bayne and Violence is Forever, and I know they could be stars in AEW.

Next, let’s take a step back from signing former WWE wrestlers. It’s tempting to bring in big names, but we risk stagnating our roster and taking away opportunities from homegrown talent. Instead, let’s focus on discovering new diamonds in the rough on the independent scene. Trust me, there are some real gems out there just waiting to be found.

Lastly, let’s shake things up a bit with our booking. We need to take risks and push the envelope if we want to stay relevant. Maybe that means bringing back some fan-favorite storylines or introducing new ones that challenge the status quo. Whatever it is, let’s not be afraid to try something new.

Now, I know what you’re thinking – “But what about the Mega-Mans and the MVPs of the world?” Well, let me tell you a little secret: those guys were once independent wrestlers too. So let’s give them a chance to shine on their own terms instead of relying on the same old names.

In conclusion, AEW has the potential to be the best pro wrestling promotion in the world if they make these changes. And if Tony Khan wants to keep AEW relevant, he needs to take these words of advice and run with them. After all, a wise man once said, “If you always do what you’ve always done, you’ll always get what you’ve always got.” So let’s mix things up in 2025 and see where the road takes us!

2024 proved to be a highly successful year for All Elite Wrestling (AEW). Compared to 2023, this year exceeded expectations. The initial stages were somewhat lackluster, but the sentiment throughout the year was consistently positive as AEW continued to thrive. Currently, an intense storyline featuring Jon Moxley and the Death Riders is captivating fans within AEW. Additionally, the women’s division has experienced a rejuvenation and secured a new television deal with Warner Brothers-Discovery, ensuring they remain on air for the next three years.

As the new year nears, it’s crucial that AEW implements some adjustments to ensure a prosperous 2025. While alterations can sometimes be daunting, these particular modifications might prove beneficial for AEW. This upcoming year could mark a significant milestone in the company’s journey. With a new television contract beginning and an opportunity to attract fresh audiences, it’s essential that AEW makes three key improvements in 2025 to maintain its success trajectory.

As someone who has been a fan of professional wrestling for over two decades, I believe that All Elite Wrestling (AEW) can maintain its position as one of the world’s top promotions by implementing some key changes. While there are suggestions that have been requested by fans for quite some time, there are also ideas that haven’t yet been proposed. To ensure AEW’s success and avoid a challenging year in 2025, I strongly recommend they consider the following three strategies:

1. Expanding their roster to include more diverse talent from around the world. This will not only freshen up the product but also help AEW tap into new markets and appeal to a wider audience.

2. Investing in innovative storytelling techniques that resonate with modern viewers. This could involve incorporating more character development, engaging plotlines, and high-stakes matches that keep fans on the edge of their seats.

3. Strengthening partnerships with other media platforms to increase exposure and reach a broader audience. By collaborating with streaming services, television networks, and social media influencers, AEW can amplify its presence and remain competitive in an ever-evolving entertainment landscape.

Run Smaller Venues

As a long-time wrestling enthusiast, I have attended numerous events hosted by various promotions over the years. From my personal experience, I have noticed that social media is abuzz with comments about the seating capacity at All Elite Wrestling (AEW) events. While it’s true that their upcoming shows are scheduled in large stadiums, I believe it doesn’t necessarily mean they should forego smaller venues.

In my opinion, running smaller venues can provide a more intimate and immersive experience for both the performers and the audience. Smaller crowds often create a more intense atmosphere, which can lead to electrifying matches that truly showcase the talent of AEW’s roster. Additionally, these events can be more accessible and affordable for fans, allowing them to engage with their favorite wrestlers up close and personal.

In conclusion, while AEW’s decision to host events in big stadiums is understandable due to the growing popularity of the promotion, I strongly believe that they should continue running smaller venues as well. These shows can provide unique experiences for both performers and fans and help solidify AEW’s position as a leader in the wrestling industry.

Making this decision will significantly cut down the company’s travel expenses and bring us closer to selling out more venues. Instead of large stadiums, we could stage our shows at smaller college campuses or arenas that accommodate between 3,000 and 5,000 spectators. These types of venues are essential for AEW if we aim to keep our name in the conversation about top wrestling promotions.

It’s acceptable to stage an event at a large venue capable of seating over 10,000 spectators occasionally, but it’s advisable to follow the “less is more” principle. Additionally, considering the high ticket prices in most entertainment sectors, organizing events in smaller venues with lower costs could be beneficial for promotion. This approach could attract fans by positioning the events as affordable options for wrestling enthusiasts, making them accessible to a wider audience.

To reduce the number of social media posts featuring wrestling fans snapping photos of empty-seated arenas, a shift in strategy might be necessary. Smaller venues could potentially lead to increased fan attendance at the events.

Showcase the Women’s Division More Often

2024 is expected to feature a standout moment in AEW’s calendar with their Women’s Division potentially shining brighter than ever before. From the captivating reign of “Timeless” Toni Storm as AEW Women’s World Champion, to Mercedes Mone making her entrance and leaving an immediate mark, this division has been a beacon for AEW.

This year, female wrestlers have significantly stepped up their game in the ring and provided some of the most outstanding matches of the year. Notable breakout performances from talents like Willow Nightingale, Kris Statlander, Mariah May, and Anna Jay have added to the division’s quality, with more promising displays each week. However, the issue lies in the limited airtime for women’s matches on television every week. Yet, this challenge can be addressed effectively.

Instead of featuring one match each on Dynamite and Collision, it would be beneficial to have two matches per show every week. This way, there will be a total of four matches on your weekly television shows, which could boost the division’s confidence. Additionally, let’s diversify the division by showcasing more wrestlers who haven’t had much exposure or are returning from injuries. Wrestlers like Penelope Ford, Leila Grey, Abadon, Athena, and Queen Aminata have great potential to elevate the women’s division to the top in professional wrestling. It’s high time we capitalize on that potential.

2025 should undeniably serve as the spotlight year for AEW’s women’s division, or else it may prove challenging for this segment to emerge from obscurity and demonstrate the exceptional abilities that AEW nurtures.

No Need to Sign Former WWE Wrestlers

It appears that this issue resembles a persistent problem that has affected virtually all wrestling promotions, excluding WWE, for over four decades. It’s not necessary to secure a contract for every former WWE wrestler. This year was particularly significant in terms of signing ex-WWE wrestlers to contracts.

2024 saw Mercedes Mone, Bobby Lashley, MVP, Shelton Benjamin, and MxM Collection inked into contracts by AEW. Generally, these signings have been beneficial, but it’s crucial for AEW to understand that they don’t need to sign every ex-WWE wrestler. Just because someone has performed in WWE doesn’t automatically warrant a contract or screen time, which could potentially rob an underrepresented wrestler or group of the opportunity to shine on television.

In the mid-2000s, TNA faced a significant issue that came close to causing their downfall in the 2010s. To prevent All Elite Wrestling (AEW) from repeating the same mistakes made by other promotions, it’s crucial now to concentrate on recruiting fresh wrestlers. Many talented individuals who are currently active in the independent circuit are eager to reach a broader audience. Here are some suggestions for new talents AEW might consider signing.

My top pick is Megan Bayne. Over the past few years, she’s risen to become one of the top wrestlers on the independent circuit. With her striking appearance, impressive skillset, and captivating persona (nicknamed “The Megasus”), she has all the makings of a star in the women’s division. Her addition could draw more viewers to our weekly broadcasts.

As a passionate wrestling fan, I’d like to suggest two potential additions to the roster: Alec Price and the tag team Violence is Forever (Kevin Ku and Dominic Garrini).

Alec Price, at just 26 years old, has already made a name for himself across the country. With his star on the rise, I firmly believe he’s ready to shine even brighter this year. Fresh talent like him is always exciting in wrestling!

As for Violence is Forever, they could inject some much-needed energy into the AEW Tag Team Division. Their unique blend of wrestling and violence creates a captivating spectacle that I think would resonate with audiences. This dynamic duo has built quite a reputation as a well-oiled machine, and I believe they could be just what the division needs to thrive.

When scouting for new wrestlers to contract in 2025, avoid targeting those recently let go by WWE. Instead, explore the indie wrestling circuit – there you may discover genuine gems yet to be polished.

As someone who has been a long-time fan of professional wrestling, I believe that Tony Khan needs to consider making some key changes in AEW by 2025 if he wants the company to remain successful and relevant in the industry. Having watched the rise and fall of numerous wrestling promotions over the years, I’ve learned that stagnation can lead to decline, and fresh ideas are essential for growth.

In my opinion, AEW could benefit from revamping its roster, refining its storylines, and expanding its international reach in order to stay competitive. These changes may not be easy, but they are necessary if Khan wants to keep AEW at the forefront of pro wrestling. Only time will tell whether he takes this advice or not, but I have faith that with the right decisions, AEW can continue to thrive and provide fans with exciting and engaging content for years to come.

2025-01-01 16:16

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