The WWE Women’s United States Championship will be a test for the company
As a long-time fan who has witnessed the evolution of WWE’s women’s divisions from the sidelines, I can’t help but feel a sense of anticipation and hope as we approach the crowning of the first-ever WWE Women’s United States Champion. The roster on SmackDown is stacked with talent, from veterans like Bayley and Candice LeRae to newcomers like Tiffany Stratton and Jade Cargill. Yet, despite this wealth of potential, the creative teams seem stuck in a rut, unable to look beyond the title pictures.
The competition to determine the first-ever WWE Women’s United States Champion has started. On the November 15 episode of SmackDown, Bayley was the one who moved forward in the tournament, with more matches yet to come. The title will be awarded during the WWE Saturday Night Main Event showcase on December 14. Fans are eager for a mid-card championship for the women’s division. However, this is an opportunity to gauge how well the storylines are being developed on the main roster shows.
On SmackDown, an abundance of talented female wrestlers grace the stage. This includes established stars like Bayley, Candice LeRae, and Michin, as well as fresh faces such as Tiffany Stratton, Jade Cargill, and B-Fab. In addition, there are several other performers in between. This rich roster allows SmackDown to regularly present potential contenders for the women’s titles, regardless of who currently holds them. However, both SmackDown and Monday Night Raw have encountered a challenge: the creative teams seem to focus too narrowly on the title scenes, neglecting to develop stories that showcase the rising stars who could one day challenge the champions. As a result, no performer gains momentum or credibility before facing off against the champion, making these matches less compelling for viewers.
Instead of what’s typically seen on WWE NXT weekly, there are numerous matches and storylines focusing on different aspects of the women’s division, ensuring a rotation of performers on screen, even if they aren’t in the title race. For instance, Lola Vice and Jaida Parker recently had an impressive hardcore match that didn’t revolve around a championship or a chance at one. Instead, it was a feud driven by mutual dislike between the two women. When these performers are eventually placed back into the title picture, they gain more prominence in a way. This style of booking should be expanded for the women’s divisions on SmackDown and Raw. The men receive this type of booking, as demonstrated by Seth Rollins versus Bronson Reed. It’s high time the women received the same attention.
The upcoming WWE Women’s United States Championship serves as a significant benchmark, demonstrating the evolution in WWE television storytelling regarding women’s wrestling. This is a chance for WWE to prove its commitment to nurturing the skills of their female talent within the company. It’s crucial that WWE doesn’t overlook this title, as it did initially with the WWE Women’s Tag Team Championship. Now is the time to further bolster the women’s division by investing more in its development.
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2024-11-16 19:15