The unexpected reason why Steven Knight’s compelling new period drama is an intoxicating must-watch

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You’ll know within the first two minutes that you’ve made a great choice by watching Steven Knight’s *House of Guinness*. That’s all it takes to learn that something’s wrong, thanks to Sean Rafferty (played by James Norton of *King and Conqueror*), and to understand the kind of story you’re about to see.

Rafferty’s statement is immediately followed by a dramatic scene: a bottle is thrown and shatters against a sign featuring Sir Benjamin Guinness, all happening during a passionate protest. The scene is incredibly immersive and full of energy-anyone familiar with director Steven Knight’s previous work, like *Peaky Blinders*, *SAS Rogue Heroes*, and *A Thousand Blows*, won’t be surprised by this strong visual style.

This period drama clearly showcases the distinctive style of its creator. It’s more than just a well-written story; the unique approach transforms it into a truly immersive experience. You feel the story’s emotional rhythm as it unfolds, beginning with the death of Sir Benjamin Guinness, the driving force behind the remarkable success of the Guinness brewery.

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After their father’s death, his four grown children – Anne (played by Emily Fairn), Arthur (Anthony Boyle), Benjamin (Fionn O’Shea), and Edward (Louis Partridge) – are stunned by the contents of his will and how his choices will impact their lives.

The Netflix drama’s trailer clearly shows that Anne and Benjamin aren’t inheriting anything from the family business. Instead, the responsibility of running the Guinness brewery and maintaining its history falls to the oldest and youngest brothers, Arthur and Edward.

Their story is deeply connected to Ireland’s passionate struggle for independence from Britain, a time marked by significant conflict. While family drama is central to the show, it’s not the only source of tension; other conflicts also escalate dramatically.

While the exciting conflicts between characters keep you wanting more, it’s the characters’ inner struggles that are truly captivating. These personal battles are just as compelling – and often even more so – than the external challenges they face.

I was really captivated by how the characters in *House of Guinness* changed over the course of the series. Everything that happened forced them to really look at themselves, and it was often painful watching them try to figure out who they were becoming and how to fit back into their old lives. It felt so real seeing them grapple with those changes!

Arthur is a prime example of this struggle, as his sexuality makes it difficult for him to find his place within the upper-class society depicted in the story. Director Boyle portrays this storyline with remarkable sensitivity and skill.

Although the characters in *House of Guinness* aren’t necessarily ‘stars,’ this doesn’t mean the story is weak. Instead, the show features a remarkably strong ensemble cast where every actor delivers a compelling performance, and even minor roles are well-developed.

Although Jack Gleeson isn’t on screen as much as some of the other actors, like Boyle and Partridge, his performance still makes a strong and positive impact. Boyle and Partridge are central to the story, and it’s easy to become invested in their characters’ journeys.

The conflict between Edward and Arthur often felt intense, gripping the audience as they traded harsh words. Yet, despite their fighting, a deep understanding and affection still existed between the brothers, creating a surprisingly tender connection.

Okay, so the writing is really sharp and precise, but what *really* got to me about Boyle and Partridge’s performances was how real they felt. You could tell their characters were carrying a lot – the weight of what everyone expected of them, family issues, and just the pressure of living up to a certain name or history. It wasn’t just acting, it felt genuinely painful and relatable.

James Norton is known for playing intense characters, like the one he had in *Happy Valley*, but his new role as Sean Rafferty is a different kind of complex. The Guinness brewery foreman is a fascinating character – he seems to thrive on violence, yet surprisingly reveals a gentle side as his story unfolds.

Danielle Galligan and Niamh McCormack give outstanding performances as Lady Olivia and Ellen Cochrane. They both beautifully portray the strength, gentleness, and emotional depth of women living in the 1800s who are striving to be true to themselves in a world dominated by men.

In a show filled with strong personalities, Fairn’s performance as the oldest Guinness sibling stands out as quietly powerful. She subtly grows throughout the series, becoming more assertive in her actions and determined to create a place for those who are often ignored – including herself.

Beyond the performances, the film features beautiful visuals, characteristic of the director’s style, which enhance the characters’ emotional struggles. Quiet moments are as powerful as the music, and even everyday actions – like someone cutting chicken – can vividly convey feelings of revulsion or discomfort.

Knight delivers a captivating take on the story that will leave you wanting more, and fans will likely be eagerly awaiting a second season.

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2025-09-25 10:20