The Thursday Murder Club Offers Slender But Sturdy Pleasures

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In “The Thursday Murder Club,” a lively adaptation from Richard Osman’s 2020 novel on Netflix, a trio of spirited, not-quite-elderly individuals-finding the term “senior citizens” too formal for them-regularly gather in the communal area of Coopers Chase, an upscale retirement community, to unravel cold cases. The current enigma they’re pursuing is the brutal 1973 stabbing death of a young woman. However, their investigation takes an unexpected turn when one of the landlords at Coopers Chase-a man with shady business ties-is found murdered. The group enthusiastically embraces this new local case to solve, as they aim to identify the killer and motive behind the crime. Among the prime suspects are a dishonest character with financial connections to Cooper’s Chase, a feared criminal presumed dead, and even a relative of one of their own members.

The storyline of “The Thursday Murder Club” subtly unfolds like the melodious tinkering of wind chimes in a gentle breeze. This film isn’t primarily watched for its intricate mystery elements, but rather for the enjoyment of witnessing a talented ensemble delighting in their roles, set against the picturesque backdrop of an English countryside, featuring vibrant flower beds and cemeteries adorned with a mix of old and new gravestones. Chris Columbus, renowned for films like “Home Alone” and its sequel, “Home Alone 2: Lost in New York”, as well as “Mrs. Doubtfire” and two Harry Potter movies, directs this production. His work is characterized by a sense of fun, which is evident throughout the film, including a scene where The Trammps’ “Disco Inferno” plays on the soundtrack, serving as a reminder that even seniors over 60 are far from ready to retire, so to speak. While the message could have been subtler, it certainly adds to the lighthearted atmosphere.

Despite some criticism, “The Thursday Murder Club” remains delightful and visually appealing, reminiscent of a polished Victorian pearl thanks to the work of veteran cinematographer Don Burgess. The fictional Coopers Chase, depicted as a restored convent near Kent, exudes both grandeur and warmth, with peaceful llamas grazing its lush grounds. In reality, Englefield Estate in Berkshire represents this lavish complex in the film. This setting provides an ideal playground for the movie’s stars: Ben Kingsley portrays Ibrahim, a polite psychologist who wears a suit daily; Pierce Brosnan stars as Ron, a former labor organizer still capable of rallying crowds; and Celia Imrie takes on the role of Joyce, a newcomer to Coopers Chase, who despite her humble beginnings in cake-baking, gradually earns the group’s respect, ultimately proving invaluable with her nursing background.

David Tennant takes on the role of a shrewd, unscrupulous antagonist. Richard E. Grant makes a brief appearance, wielding oversized pruning shears. Naomi Ackie, an exceptionally talented actress known for her work in Eva Victor’s “Sorry, Baby” and more spectacularly in the underrated 2022 biopic “Whitney Houston: I Wanna Dance with Somebody,” portrays a fresh police officer who faces skepticism from her peers. However, they eventually give her an opportunity to demonstrate her abilities following encouragement from the Thursday Murder Club.

Among the group’s leaders, Helen Mirren’s portrayal of Elizabeth stands out as particularly exceptional. With her past experience, she excels at extracting information from elusive and evasive individuals. If you haven’t yet delved into Osman’s book or its subsequent installments, it’s advisable to let Elizabeth’s background unveil gradually on the screen. Mirren maintains an appropriate level of gravitas throughout her performance. She portrays Elizabeth with a blend of sharp efficiency and style, and also receives the most eye-catching costumes. At one point, Elizabeth adopts a disguise reminiscent of the movie for which Mirren won an Oscar-Stephen Frears’ 2006 “The Queen.” Spotting her in a robust tartan skirt and Hermès headscarf offers a delightful sense of déjà vu, although Elizabeth’s everyday attire, such as a glen-plaid blazer paired with stylish two-tone loafers, is even more impressive.

The standout aspect of “The Thursday Murder Club” lies in its characters, who aren’t defined by their past roles or titles. Even though they may have retired, their previous occupations continue to shape their identities significantly. The narrative also sensitively handles individuals who might not be as physically or mentally agile as the main characters. For instance, Elizabeth’s husband, a distinguished historian portrayed by Jonathan Pryce, struggles with dementia, requiring understanding and flexibility from Elizabeth. If you seek an authentic portrayal of living with and caring for someone with dementia, this movie may not fully deliver, but it doesn’t aim to. Instead, it subtly conveys the challenging reality that growing old isn’t for the timid. Thus, every day, including Thursdays, should be embraced as an opportunity for adventure.

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2025-08-22 17:06