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The Shocking Secret Behind Baby Ruby’s Twisted Ending

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As time goes by, this film transitions into a chilling blend of psychological horror and elevated terror. The narrative primarily revolves around Jo (Noémie Merlant), a mother grappling with postpartum depression following the birth of her daughter, Ruby. Regrettably, her husband Spencer (Kit Harington from ‘Game of Thrones’) appears less supportive, fueling Jo’s mental distress. She begins to suspect that a group of deceptive mothers is targeting her, while also being haunted by a spectral entity.

As a gamer, I can’t help but draw parallels between my gaming experiences and the chilling supernatural tales I encounter. M. Night Shyamalan’s underrated horror series, Servant, is one such example where a family grapples with supernatural forces surrounding their baby. But what makes the Baby Ruby plot particularly haunting is that Jo, the protagonist, seems to acknowledge yet deny the strange occurrences, hinting at a potential self-harm or harm to Ruby as a means of validating the authenticity of her pain. This psychological twist leaves us with a mind-bending finale, pushing Jo to delve deep into herself to uncover the truth about her identity and aspirations for the future.

The Ending of Baby Ruby Explained

Baby Ruby Ends with Jo’s Dark Double

In the 2023 film, side by side, Spencer and his mother Doris find it takes quite some time to discern that Jo is struggling emotionally. Having faced similar troubles herself, Doris acknowledges that mothers may harbor anger towards their children, yet she understands this as part of the healing process. Ultimately, they suggest Jo seek therapy, but she becomes frantic and escapes, leading to a car accident. Fortunately, both Jo and the child emerge unscathed from the crash, with Jo making a full recovery mentally and physically over several weeks.

Later on, Spencer acknowledges her readiness for motherhood, easing her concerns as she reflects back on the paramedics discovering her shielding her baby amidst the wreckage, where she had managed to save Ruby. This act of love and bravery is something Spencer wants Ruby to remember. However, in the dead of night, Jo awakens and observes a woman slipping away into the forest with the child. She challenges this stranger, but finds instead a tired look-alike. In the chilling climax of the horror movie, Jo demands her daughter back, to which the doppelgänger responds with a smile, hinting at a peaceful future ahead. The film ends there, with the “Baby Ruby” ending implying that Jo’s most formidable adversary was actually herself.

Baby Ruby Never Offers Jo Much Support

Jo’s Dark Double Was Inevitable

In Baby Ruby, I didn’t find the necessary emotional support to handle my stress, which led to my mental state deteriorating. Spencer chose to prioritize his butchering career over caring for the baby, leaving me in a bind. Doris, however, was quite direct and intimidating when babysitting, making things even more overwhelming. If she had been more understanding of my feelings and empathized with me, perhaps she could have helped. Instead, she approached my struggles as if they were a puzzle or mathematical equation, believing that understanding my story would magically fix the film’s troubled protagonist.

As a gamer, I get it now why Spencer seemed so detached – he believed his wife would eventually move on, just like Doris did. That’s why he had those light-hearted moments, choosing not to see the distress signals and her emotional needs beyond physical care. The cherry on top was Shelly, a friend of Jo’s who painted motherhood as one big celebration, failing to mention the complications and turmoil that came with it. In reality, Shelly and her buddies were pushing Jo to leverage her influential blog and social media presence to promote Ruby, turning the child into a mere stepping stone for their careers.

The situation placed a significant burden on Jo, as she struggled to comprehend why people would trivialise motherhood in such a shallow way. Over time, this affected Jo’s mental interpretation of reality, causing her hallucinations to emerge, which were a mix of fears about her husband’s affection, the loyalty of her friends, the survival of her career with motherhood, meeting high expectations, and whether she could cope with it all. This resulted in the emergence of “Jo’s dark side,” symbolizing her insecurities. Fortunately, Jo overcomes these doubts by the end of “Baby Ruby” when she realizes that she and her husband are imperfect but are now working together towards acceptance.

Will Baby Ruby Ever Get a Sequel?

There Are No Current Plans for Baby Ruby 2

As a passionate admirer, I must say that while Baby Ruby‘s conclusion doesn’t explicitly demand a sequel, it certainly leaves room for one. Though some aspects of its portrayal of mental illness might stir debate, this movie sparked an intriguing dialogue about the crucial role that empathy and support play in helping those grappling with such afflictions. If a new story were to emerge, I believe it could delve deeper into these themes while refining moments from the original film that may have lacked sensitivity.

Regrettably, followers of the horror film “Baby Ruby” won’t be getting a sequel at this point. With its limited distribution, the movie has garnered only modest audience interest, despite favorable critic reviews. However, this might not be a setback as standalone horror films can increase in popularity over time, even if they don’t resonate with audiences upon their debut. In essence, while horror aficionados may elevate “Baby Ruby” to cult status eventually, it appears extremely improbable that the series will continue.

the powerful bond between a mother and her offspring. Although this movie offers a fresh perspective on this concept, there are numerous other films with similar themes that fans of “Baby Ruby” might appreciate.

Materinty Saves as the Basis for Many Terrific Horror and Thriller Movies

These Films Both Celebrate and Subvert Motherhood

The notion of motherhood predates humanity itself, and virtually every historical culture has honored the act of birth in their unique ways. Stories have mirrored and even distorted this theme, leading to profound understandings and predictions. Just as numerous films portray motherhood in a favorable light, an equal number present it as foreboding. This concept isn’t novel, having been explored by psychoanalysts such as Carl Jung and Sigmund Freud. Yet, neither of them could have envisioned the dark interpretations of maternity that emerged in horror/thriller films.

Motherhood is an ancient idea that has been celebrated across many cultures throughout history. Stories have often depicted motherhood in both positive and negative ways. While psychoanalysts like Jung and Freud explored this concept, they didn’t predict the darker portrayals of motherhood found in horror/thriller films.

The intricacy of “Baby Ruby” partly stems from the film’s commitment to steer clear of stereotypes and concentrate on the evolving bond between Jo and her body, along with her baby. Postpartum psychosis is a real challenge confronted by numerous new mothers, giving the narrative an authentic course. Contrastingly, “Baby Ruby” appears to be rooted in reality with only subtle spiritual allusions. However, the presence of demons and ghosts doesn’t necessarily diminish the essence of motherhood, even when the supernatural seems implausible.

These movies – such as “Rosemary’s Baby,” “Baby Ruby,” “The Babadook,” and “mother!” – all explore different aspects of motherhood, but each in a unique way. In “Rosemary’s Baby” and “Baby Ruby,” maternal paranoia plays a significant role. Mia Farrow’s character becomes pregnant with the Anti-Christ in “Rosemary’s Baby,” while Jo from “Baby Ruby” experiences fear due to her son being possessed by an evil spirit. On the other hand, “The Babadook” centers around a mother’s grief and its impact on her relationship with her young son. Lastly, “mother!” by Darren Aronofsky is a puzzling portrayal of motherhood that connects it to humanity’s tumultuous connection with Mother Earth. In comparison to these films, the maternal narrative arc of Jo in “Baby Ruby” appears to be less harrowing or frightening.

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2025-04-20 00:24

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