For many who grew up in the 80s and 90s, *The Running Man* is a fun, if somewhat over-the-top, Arnold Schwarzenegger film. It’s about a soldier wrongly blamed by a dishonest future government, who ends up competing in a dangerous TV game show – think *American Gladiators* meets the classic film *Gladiator*. However, before the movie, Stephen King (writing as Richard Bachman) wrote a novel of the same name. The book focuses on an average man trying to earn money for his child’s medical bills. In the original story, *The Running Man* isn’t a quick burst of action, but a grueling 30-day fight for survival, with a billion-dollar prize at the end.
The remake of *The Running Man*, with Glen Powell and directed by Edgar Wright, appears to be a more faithful adaptation of Stephen King’s original story, at least in terms of plot. Unlike previous versions, it doesn’t feature outlandish hunters in silly costumes and with exaggerated weapons. Instead, it’s a straightforward chase for survival against frightening figures in black uniforms and masks. (Interestingly, King’s book was originally set in 2025!)
With the director of *Hot Fuzz* and *Scott Pilgrim* at the helm, the action in this new movie looks incredibly exciting and over-the-top – a great mix! You can see it for yourself in the new trailer for *The Running Man*.
Here is the film’s official synopsis:
Set in the not-so-distant future, “The Running Man” is the most popular show on TV – a brutal contest where participants, called Runners, try to survive for 30 days while being hunted by skilled killers. The entire chase is broadcast live, and the reward increases with each passing day. Ben Richards, a working-class man desperate to get help for his ill daughter, is persuaded by the show’s slick but heartless producer, Dan Killian, to join as a last hope. However, Ben’s courage, natural ability, and determination unexpectedly make him a favorite among viewers – and a danger to the show’s carefully constructed world. As ratings soar, so does the risk, and Ben must not only evade the Hunters, but also a country obsessed with seeing his downfall.
The Running Man is scheduled to open in theaters on November 14.
The Best Movie of Every Year for the Last 100 Years (According to Letterboxd)
1925: The Gold Rush
With a Letterboxd rating of 4.15, Charlie Chaplin is widely considered a master of silent film. His film *The Gold Rush*, which follows Chaplin’s iconic Little Tramp character as he searches for gold in Alaska, is often considered a crowning achievement.
1926: The General
With a Letterboxd rating of 4.20, Buster Keaton is often seen as the biggest rival to Charlie Chaplin. Many consider his film *The General* to be his best work. Starring Keaton and a real locomotive (also called *The General*), the movie is famous for its incredible practical stunts, which still influence action filmmakers today.
1927: Metropolis
With a Letterboxd rating of 4.25, Fritz Lang’s *Metropolis* is a highly influential science-fiction film. It’s a creative story about a divided society struggling with the impact of new technology, and many later sci-fi films owe a debt to its themes and visuals.
1928: The Passion of Joan of Arc
With a Letterboxd rating of 4.43, Carl Theodor Dreyer’s *The Passion of Joan of Arc* is a must-see for anyone interested in powerful filmmaking. The film showcases how effective simple close-ups can be, and features a heartbreaking performance by Renée Falconetti in the title role – widely considered one of the greatest in film history.
1929: Man With a Movie Camera
With a Letterboxd rating of 4.28, Dziga Vertov’s groundbreaking documentary, *Man With a Movie Camera*, is a must-see for any film enthusiast. If you haven’t seen it, it’s readily available on YouTube and offers a fascinating look at the development of montage editing techniques.
1930: All Quiet on the Western Front
With a Letterboxd rating of 4.17, this film won an early Academy Award for Best Picture. It’s based on a well-known anti-war novel and has been adapted for the screen multiple times, including a 2022 version directed by Edward Berger for Netflix.
1931: City Lights
Okay, so Chaplin’s *City Lights* is a must-see, and it’s easy to see why it consistently ranks high with Letterboxd users – currently at 4.33. Released in 1931, this one felt different from his earlier work. While still hilarious, he really leaned into the drama, telling a beautiful and surprisingly moving story about his iconic Tramp character falling in love with a woman who can’t see, and his desperate attempts to give her the gift of sight. It’s a classic for a reason.
1932: Trouble in Paradise
This film has a Letterboxd rating of 4.11. It’s a lesser-known, fast-paced comedy from the 1930s, directed by Ernst Lubitsch. The movie follows two con artists who join forces for a major scheme. It’s genuinely funny, and it’s interesting to see a comedy rank so highly – something that rarely happens with modern films. (I’ll discuss that point further later on.)
1933: The Testament of Dr. Mabuse
With a Letterboxd rating of 4.03, this film is the second Fritz Lang movie on our list, and the first sequel. It’s a follow-up to Lang’s 1922 film, *Dr. Mabuse the Gambler*, and presents a chilling thriller centered around a brilliant criminal. Originally banned in Germany during the 1930s, the film gained significant praise after being rediscovered by a larger audience following World War II. Lang would later complete the series with a third film, *The Thousand Eyes of Dr. Mabuse*.
1934: It Happened One Night
As a film fan, I always get a kick out of movie trivia. Did you know that *It Happened One Night*, with Clark Gable and Claudette Colbert, was the very first film to sweep the big five at the Oscars? Best Picture, Best Actor, Best Actress, Best Director, *and* Best Screenplay – it really is a classic screwball comedy and a huge piece of movie history!
1935: Tange Sazen and the Pot Worth a Million Ryo
With a Letterboxd rating of 3.99, *Tange Sazen and the Pot Worth a Million Ryo* is a Japanese comedy directed by Sadao Yamanaka. The film follows the humorous quest for a hidden treasure map concealed within a ceramic pot. While not widely known in the US, it’s highly regarded as a classic in Japan. I haven’t personally seen it, but I’m familiar with its reputation.
1936: Modern Times
With a Letterboxd rating of 4.26, this Chaplin film is considered one of his best. It’s a hilarious but also surprisingly dark movie about the struggles of working-class people and how they can feel like just another part of the capitalist system.
1937: Make Way For Tomorrow
Letterboxd users give this film a rating of 4.23. Director Leo McCarey was famous for comedies such as *The Awful Truth* and *Duck Soup*, but many consider this drama to be his masterpiece. It’s a moving story about an older couple facing hardship during the Great Depression, and feeling neglected by their children.
1938: Bringing Up Baby
With a Letterboxd rating of 4.00, this classic screwball comedy directed by Howard Hawks is a timeless favorite. Starring Katharine Hepburn and Cary Grant, and featuring a leopard, it’s a winning combination that still delights audiences today.
1939: The Story of the Last Chrysanthemum
With a Letterboxd rating of 4.14, director Kenji Mizoguchi, though less widely known internationally than Kurosawa or Ozu, created some of the most moving and heartbreaking films of the 20th century. One example is *The Story of the Last Chrysanthemums*, a film set within the world of 19th-century kabuki theater.
1940: The Great Dictator
With a Letterboxd rating of 4.33, *The Great Dictator* sees Chaplin boldly satirize Adolf Hitler. Though controversial when it was released, the film is now celebrated as a remarkably courageous comedy.
1941: Citizen Kane
With a Letterboxd rating of 4.19, *Citizen Kane* remains the highest-rated film from 1941. While it no longer consistently appears at the very top of ‘greatest films’ lists like those published by *Sight & Sound Magazine*, it still earns high praise – and deservedly so! Remarkably, this was Orson Welles’ first feature film as a director, and it revolutionized filmmaking by breaking all the established rules of Hollywood in the 1940s.
1942: To Be Or Not To Be
With a Letterboxd rating of 4.33, this classic comedy from Ernst Lubitsch blends humor with wartime themes. It stars Carole Lombard and Jack Benny, and was later successfully remade with Mel Brooks and Anne Bancroft – that version is also highly recommended.
1943: Meshes in the Afternoon
With a Letterboxd rating of 4.26, this film is a standout early work from experimental filmmaker Maya Deren. It’s a surreal and unusual movie that’s hard to put into words, but luckily, you can easily find it and watch it on YouTube right now.
1944: Double Indemnity
With a Letterboxd rating of 4.26, this classic film noir, directed by Billy Wilder, tells the story of a seductive woman (Barbara Stanwyck) who convinces an insurance agent (Fred MacMurray) to help her commit murder and collect a life insurance payout. It’s a gripping crime movie and a prime example of the genre.
1945: Brief Encounter
With a Letterboxd rating of 4.33, *Brief Encounter* is a must-include on any list of the best romance films. The movie tells the story of two married people who have a secret affair after meeting at a train station. Unlike many romantic films that prioritize happy endings, even when unrealistic, this film by David Lean offers a more realistic and poignant portrayal of love and loss. It’s a refreshing contrast to typical feel-good romances.
1946: It’s a Wonderful Life
With a Letterboxd rating of 4.41, *It’s a Wonderful Life* is now considered a classic Christmas movie. Surprisingly, when it was released in 1946, the film – which tells the story of a generous man realizing that happiness isn’t about money – wasn’t well-received by critics or audiences. It’s probably a good thing Letterboxd didn’t exist back then!
1947: Out of the Past
With a Letterboxd rating of 4.12, *Out of the Past* is a classic film noir known for its incredibly atmospheric visuals and sharp writing. Robert Mitchum stars as a former detective haunted by his past. Though it wasn’t initially praised, the film has since gained a strong reputation. While it shares a history of critical reevaluation with *It’s a Wonderful Life*, *Out of the Past* offers a much more cynical outlook on life.
1948: The Red Shoes
With a Letterboxd rating of 4.40, *The Red Shoes* is a visually stunning film. This classic tells the story of a talented ballerina struggling to balance love and her passion for dance, and it’s famous for its vibrant Technicolor cinematography. If you’re looking to watch it, the Criterion edition features a beautifully restored version of the movie.
1949: Late Spring
With a Letterboxd rating of 4.34, Yasujirō Ozu’s *Late Spring* is the first in a series of three films starring Setsuko Hara. Each film follows a young woman named Norkio and her experiences in post-war Japan. In *Late Spring*, Hara plays a young woman whose father is eager to find her a husband.
1950: Sunset Boulevard
With a Letterboxd rating of 4.43, Billy Wilder’s classic film about a glamorous but aging actress is considered one of the most iconic movies ever made about Hollywood and the film industry. It famously captures the bittersweet reality of fame and the changing world of movies.
1951: Ace in the Hole
With a Letterboxd rating of 4.27, *Ace in the Hole* is a Billy Wilder film that feels remarkably relevant today. Starring Kirk Douglas, it tells the story of a cynical reporter who exploits the rescue of a man trapped in a New Mexico cave, turning it into a sensational media event. Like *It’s a Wonderful Life*, the film wasn’t initially well-received, but has since gained appreciation. Some believe the film’s dark depiction of media and society has become increasingly accurate over time.
1952: Ikiru
With a Letterboxd rating of 4.51, Akira Kurosawa is well-known for his samurai films, but his movie *Ikiru* stands out as a profoundly moving work of art. It tells the story of a civil servant, played by Takashi Shimura, who learns he’s terminally ill and decides to live his remaining months to the fullest.
1953: Tokyo Story
I recently watched *Tokyo Story* and it really stuck with me. It’s a deeply moving film from Japan, made after the war, and it reminded me a bit of another movie called *Make Way for Tomorrow*. The story centers around an elderly couple who visit their children in Tokyo, only to realize they’ve become a bit of a hassle. It’s beautifully done and I highly recommend it – unless you’re already feeling a bit preoccupied with your own age or the idea of getting older, in which case maybe save it for a brighter day!
1954: Seven Samurai
Okay, so I just finished watching *Seven Samurai* by Akira Kurosawa, and wow! It’s easy to see why this movie is such a classic. It basically created the blueprint for almost every samurai film that came after it, but honestly, its impact goes way beyond that – you can see its influence in action movies from all over the world. The action is amazing, the movie looks beautiful, and the acting, especially from Takashi Shimura and Toshiro Mifune, is just incredible. If you’re at all interested in film, especially world cinema, you absolutely *have* to see this one.
1955: Ordet
With a Letterboxd rating of 4.35, this late-career film by Carl Theodor Dreyer, made 25 years after *The Passion of Joan of Arc*, explores how religious beliefs impact two Danish families. It’s a demanding watch – definitely not something to casually put on while distracted – but those who fully engage with it will find it profoundly satisfying.
1956: Night and Fog
This list includes several powerful and somber films about World War II, such as Alain Resnais’ documentary, *Night and Fog*. The film combines wartime footage with scenes of concentration camps as they look today. Resnais became a celebrated arthouse filmmaker in the 1950s and 60s, and *Night and Fog* remains a key work in his filmography.
1957: 12 Angry Men
With a Letterboxd rating of 4.63, *12 Angry Men* isn’t just a standout film from 1957 – it’s consistently ranked among the very best films on the platform (currently #2 all-time). Directed by Sidney Lumet, this legal drama unfolds entirely within a jury room, where twelve men debate a difficult and violent case. Though the film features a small cast, a single setting, and a focused story, it’s highly praised for its powerful performances and clever use of camera work and editing to build tension and tell a compelling story.
1958: Vertigo
Letterboxd users give this film a rating of 4.23. It’s a bit surprising that only one Alfred Hitchcock movie appears on this list, but it’s fitting that it’s *Vertigo*. For decades, *Citizen Kane* was considered the greatest film ever made, but *Vertigo* eventually took its place in the *Sight & Sound* poll. Despite being Hitchcock’s most celebrated work today, *Vertigo* wasn’t initially well-received by audiences or critics when it first came out.
1959: The Human Condition I: No Greater Love
Letterboxd users love Masaki Kobayashi’s *The Human Condition*, giving it a rating of 4.55. This nearly ten-hour film, divided into three parts, depicts a man’s difficult journey through World War II-era Japan. While it’s a challenging watch, two of its parts were ranked as the best films of their release years – a remarkable achievement!
1960: Le Trou
With a Letterboxd rating of 4.49, this intense crime film is based on the true story of a 1947 prison escape in Paris. Remarkably, one of the actors involved was actually part of the real escape! It’s often compared to Robert Bresson’s classic prison drama, *A Man Escaped*, though that film isn’t included here.
1961: The Human Condition III: A Soldier’s Prayer
Okay, so Letterboxd users seem to *really* like Masaki Kobayashi’s *Human Condition* trilogy – it’s sitting at a 4.62 rating! And honestly, that makes sense. The last film in the series is tough to watch – it’s a really bleak ending for the main character. But I think people who are into serious, challenging cinema, the kind you find on Letterboxd, are willing to stick with it, even when it gets dark.
1962: Harakiri
With a Letterboxd rating of 4.69, this 1962 samurai revenge film currently ranks as the top fictional movie on the platform. Directed by Masaki Kobayashi, known for *The Human Condition*, it’s a gripping and unsettling film that delivers a powerful message: misfortune can strike anyone.
1963: High and Low
With a Letterboxd rating of 4.60, Akira Kurosawa’s *High and Low* tells the story of a successful businessman who must choose whether to pay a ransom when his chauffeur’s son is kidnapped by mistake. Spike Lee recently created a remake, called *Highest 2 Lowest*, which is good, but most viewers still prefer the original Kurosawa film.
1964: Woman in the Dunes
With a Letterboxd rating of 4.47, this film is a must-see. If you’re not familiar with 1950s and 60s Japanese cinema, you’re missing out on something special. This classic from Hiroshi Teshigahara tells a strange and captivating story about a man who becomes trapped in a sand dune with a local woman.
1965: Red Beard
With a Letterboxd rating of 4.39, *Red Beard* is the last film to star Toshiro Mifune directed by Akira Kurosawa. While this marks their final collaboration, Kurosawa and Mifune previously worked together on other acclaimed films—though some of their most well-known titles, like *Rashomon*, *The Hidden Fortress*, *Yojimbo*, and *Throne of Blood*, aren’t included here.
1966: The Good, the Bad, and the Ugly
Letterboxd users give this film a rating of 4.5 out of 5.
Speaking of *Yojimbo*, it heavily inspired Sergio Leone’s first spaghetti Western, *A Fistful of Dollars*. Leone and Clint Eastwood worked together twice more on other films in the “Man With No Name” series, most notably the classic *The Good, the Bad, and the Ugly*. This epic film features a tense standoff between Eastwood, Lee Van Cleef, and Eli Wallach, all vying for a hidden treasure. Even if you’re not familiar with the movie, you’ll likely recognize its iconic music, distinctive style, and the famous three-way gunfight at the end.
1967: War and Peace
Okay, so Letterboxd gives this film a 4.36, which sounds pretty good! Honestly, I’ve always meant to read *War and Peace*, but it’s a huge commitment. I was thinking maybe I could just watch the movie adaptation instead… but then I found out how long it is, and yeah, never mind. I’ll stick to something a little shorter, I think!
1968: Once Upon a Time in the West
With a Letterboxd rating of 4.39, Sergio Leone’s 1968 film *Once Upon a Time in the West* built upon the epic scope of his previous work, like *The Good, the Bad, and the Ugly*. It’s considered a classic, and its title has been famously imitated many times over the years.
1969: Army of Shadows
With a Letterboxd rating of 4.36, *Army of Shadows* shares common ground with many similar films. It features a World War II setting, visually striking cinematography, strong acting, and a very dark portrayal of life.
1970: Le Cercle Rouge
Letterboxd users give this film a rating of 4.21.
Next, we look at *Le Cercle Rouge*, Jean-Pierre Melville’s follow-up to *Army of Shadows*. This heist film is famous for its incredibly quiet and impactful climax, which has influenced many filmmakers since.
1971: Demons
This film has a 4.22 rating on Letterboxd. It’s a lesser-known work by Japanese director Toshio Matsumoto, but if it sounds interesting, you can use Letterboxd’s watchlist feature to save it for later. Simply click the button to add it to your list!
1972: The Godfather
With a Letterboxd rating of 4.53, *The Godfather* is a classic most people know. Just in case, it’s the story of a powerful family and their complex lives. It’s a highly-rated film and worth watching.
1973: Scenes From a Marriage
Letterboxd users give this film a rating of 4.43. It’s surprising that Ingmar Bergman hasn’t appeared on this list until now—neither *The Seventh Seal* nor *Persona* made the cut. However, his powerful and important film about a failing marriage finally appears. (And for those questioning its inclusion: *Scenes From a Marriage* was originally a TV miniseries, but a shorter version was also shown in cinemas, so I’ve included it.)
1974: The Godfather Part II
With a Letterboxd rating of 4.59, *The Godfather Part II* continues the saga fans know and love. For half a century, movie buffs have argued which *Godfather* film is superior, and Letterboxd users slightly favor the second installment, giving it a rating just 0.06 points higher than the original.
1975: Barry Lyndon
As a huge Kubrick fan, I always find it fascinating how different each of his films is. *Barry Lyndon* was a real shift for him after the sci-fi of *2001: A Space Odyssey* and the shocking *A Clockwork Orange*. When it came out in 1975, a lot of critics were honestly confused by it – which, let’s be real, happened with a lot of his movies. But they usually came around eventually, recognizing his genius.
1976: Harlan County USA
Barbara Kopple’s 1973 documentary about the Harlan County coal miners’ strike is still a must-see film, both for those who make documentaries and anyone interested in the history of workers’ rights in the United States. It’s known for its honest and direct approach.
1977: The Ascent
With a Letterboxd rating of 4.42, *The Ascent* is a highly acclaimed film, winning the top prize at the Berlin Film Festival and considered a landmark achievement in 1970s Soviet cinema. It’s a gripping World War II story focusing on the experiences of two Russian soldiers captured by the Germans.
1978: Autumn Sonata
With a Letterboxd rating of 4.48, this Ingmar Bergman film features Ingrid Bergman alongside Liv Ullmann. It’s a powerful story about a complex mother-daughter relationship and is highly recommended – perhaps just not on Mother’s Day!
1979: Apocalypse Now
With a Letterboxd rating of 4.44, Francis Ford Coppola’s *Apocalypse Now* initially faced criticism and was labeled a troubled production. However, once released, it was widely recognized as a powerful and disturbing depiction of the Vietnam War – truly one of the most harrowing portrayals of conflict ever filmed.
1980: The Empire Strikes Back
Letterboxd users rate this film 4.4 out of 5. While *Star Wars* didn’t make the list, *The Empire Strikes Back* did – perhaps finally settling the debate over which movie is superior.
1981: Das Boot
With a Letterboxd rating of 4.32, *Das Boot* is widely considered the best submarine movie ever made. While many submarine films create effective tension thanks to their confined spaces, Wolfgang Petersen’s film stands above the rest.
1982: Fanny and Alexander
With a Letterboxd rating of 4.42, *Fanny and Alexander* blurs the line between film and television. Ingmar Bergman originally created it as a miniseries, but a shorter version was also released in cinemas. Eventually, both versions were shown in art house theaters internationally, and it even won the Academy Award for Best Foreign Language Film – a true testament to its status as a cinematic masterpiece.
1983: Nostalgia
Andrei Tarkovsky, a renowned Russian filmmaker, is known for his slow-paced and atmospheric films. His movie *Nostalgia* tells the story of a Russian writer traveling in Italy and beautifully portrays the feeling of being an outsider, using long, drawn-out shots and dreamlike scenes – hallmarks of Tarkovsky’s style. It currently has a Letterboxd rating of 4.28.
1984: Stop Making Sense
With a Letterboxd rating of 4.68, *Stop Making Sense* is widely considered one of the greatest concert films ever made. Directed by Jonathan Demme, it showcases the Talking Heads’ unforgettable 1983 performances at the Pantages Theatre, featuring hits like “Psycho Killer,” “Life During Wartime,” and “Take Me to the River.”
1985: Come and See
With a Letterboxd rating of 4.62, this powerful Russian war film was once the highest-rated movie on the site (currently it’s #4, following *Harakiri*, *12 Angry Men*, and *The Human Condition Part III: A Soldier’s Prayer*). Directed by Elem Klimov, the film shows the horrific acts committed by the Nazis in World War II, experienced through the perspective of a young boy who joins Soviet resistance fighters. Even among other intense war films, *Come and See* is known for being exceptionally brutal.
1986: The Sacrifice
With a Letterboxd rating of 4.29, Tarkovsky’s final film, *The Sacrifice*, is particularly poignant. He was diagnosed with cancer shortly after completing it and passed away in 1986. The film centers on a man who attempts to prevent World War III and the end of the world by sacrificing his own life to God, a premise that resonates deeply given the circumstances of its creation.
1987: Where Is the Friend’s House?
With a Letterboxd rating of 4.37, Abbas Kiarostami’s acclaimed “Koker Trilogy” starts with this straightforward story. It follows a boy traveling to find the home of a classmate, hoping to return his notebook and prevent him from being expelled.
1988: Cinema Paradiso
With a Letterboxd rating of 4.49, *Cinema Paradiso* is clearly a beloved film among movie fans. This 1989 Best Foreign Language Film Oscar winner tells the story of a young boy’s friendship with the projectionist at an old Italian movie theater, and continues to be a favorite among those who love film.
1989: Do the Right Thing
Letterboxd users highly praised *Do the Right Thing*, giving it a rating of 4.40. This comes after the Academy Awards notably overlooked Spike Lee’s film in 1989, with *Driving Miss Daisy* winning Best Picture instead of *Do the Right Thing*, as well as other strong contenders like *Born on the Fourth of July*, *Dead Poets Society*, *Field of Dreams*, and *My Left Foot*.
1990: Paris Is Burning
With a Letterboxd rating of 4.54, this documentary is a groundbreaking film from the early 1990s. It beautifully captures the vibrant New York City Ballroom scene and the diverse people who shaped that era. Director Jennie Livingston dedicated seven years to creating this important and influential work of non-fiction cinema.
1991: A Brighter Summer Day
With a Letterboxd rating of 4.50, Edward Yang’s film *A Brighter Summer Day* has gained significant recognition. In the 2022 *Sight & Sound* poll, it ranked 78th. This nearly four-hour film, set in 1960s Taiwan, beautifully blends a coming-of-age story with a crime narrative inspired by a real murder from the director’s youth.
1992: Baraka
With a Letterboxd rating of 4.33, *Baraka* is a stunning documentary that explores the beauty and fragility of our world. Instead of a traditional narrative or narration, the film uses breathtaking 70mm footage from locations around the globe.
1993: Schindler’s List
With a Letterboxd rating of 4.53, Steven Spielberg’s powerful and heartbreaking film *Schindler’s List* finally earned him an Oscar. The movie tells the true story of Oskar Schindler (played by Liam Neeson), a German businessman who bravely saved over a hundred Jewish people by employing them in his factory during World War II.
1994: The Shawshank Redemption
On Letterboxd, *The Shawshank Redemption* currently has a rating of 4.58. When it was released in 1994, its straightforward story of friendship and perseverance was largely overlooked in favor of more attention-grabbing films like *Pulp Fiction* and the visually spectacular *Forrest Gump*, which actually won Best Picture that year. However, opinions have shifted over time. *Pulp Fiction* now has an average rating of 4.25 on Letterboxd, while *Forrest Gump* scores a 4.16.
1995: La Haine
With a Letterboxd rating of 4.50, *La Haine* has gained significant popularity thanks to its enthusiastic fans on the platform. Like films such as *The Human Condition* and *Come and See*, positive word-of-mouth on Letterboxd seems to drive more people to watch it. This French film, which follows three young immigrants, reached a major milestone in the summer of 2025 by being logged by one million Letterboxd users – a remarkable achievement typically reserved for much bigger, more well-known movies.
1996: Secrets & Lies
With a Letterboxd rating of 4.28, Mike Leigh was already known as a talented director in the mid-1990s. However, his film *Secrets & Lies*—a story about a woman finding her birth mother and the impact their encounter has on both of them—truly established him as a leading international filmmaker.
1997: Perfect Blue
Satoshi Kon, a highly respected anime director who passed away in 2010, created several critically acclaimed films. While all his movies—including *Tokyo Godfathers*, *Millennium Actress*, and *Paprika*—are well-loved, *Perfect Blue* is often considered his masterpiece. In fact, it’s the highest-rated film from 1997 on Letterboxd, even surpassing popular movies like *Boogie Nights* and *Titanic*.
1998: Eternity and a Day
This film, which won the Palme d’Or, is a Greek drama starring Bruno Ganz as a terminally ill writer. He attempts to rescue a young immigrant who is being exploited by human traffickers. It seems Letterboxd users generally prefer films that aren’t cheerful and were made before the 1930s!
1999: Fight Club
Look, *Fight Club* is a film that definitely divides people, but it’s clear from the Letterboxd scores – a solid 4.27 – that a *lot* of people really love it. It’s consistently at the top when you look at films from 1999. Honestly, I could go on and on dissecting it, but… well, the first rule of Fight Club is…
2000: Yi Yi
With a Letterboxd rating of 4.54, Edward Yang’s film *Yi Yi*—a sweeping story about a Taiwanese family across generations—is gaining popularity, potentially even more so than his film *A Brighter Summer Day*. It’s also a bit shorter, making it a good choice if you’re looking for a moving family drama but prefer something less lengthy.
2001: Spirited Away
Hayao Miyazaki was already a celebrated animation director before 2001, but that year’s release of *Spirited Away* cemented his legacy. Building on the international acclaim of his 1997 film, *Princess Mononoke*, *Spirited Away* earned Studio Ghibli its first Academy Award for Best Animated Feature. What sets *Spirited Away* apart from many early computer-animated films of the time is its enduring visual beauty.
2002: City of God
With a Letterboxd rating of 4.55, this Brazilian crime epic launched director Fernando Meirelles’ career. It was so popular it inspired both a TV series, *City of Men*, and a recent sequel series, *City of God: The Fight Rages On*.
2003: The Lord of the Rings: The Return of the King
With a Letterboxd rating of 4.53, *The Return of the King* is highly acclaimed. However, I actually think it’s the least strong of the three *Lord of the Rings* films – I believe *The Fellowship of the Rings* is the best. While most Letterboxd users disagree, I have a firm opinion on this.
2004: Nobody Knows
Hirokazu Kore-eda’s film, *Nobody Knows*, tells the heartbreaking story of young siblings left to fend for themselves after their mother abandons them. The film is based on a true story and is a highly-rated and devastating favorite among Letterboxd users.
2005: Linda Linda Linda
On Letterboxd, *Linda Linda Linda* currently has a rating of 4.16 and is considered one of the best films of 2005. Its recent restoration and re-release likely contributed to this high score, as older films often see a boost in ratings when they’re re-released to audiences.
2006: Kill Bill: The Whole Bloody Affair
On Letterboxd, *Kill Bill* has a rating of 4.39. Originally, Quentin Tarantino envisioned *Kill Bill* as one complete film for theatrical release. However, producer Harvey Weinstein persuaded him to divide it into two volumes. Later, Tarantino reassembled the two parts into a single cut called *The Whole Bloody Affair*, which he has occasionally shown at screenings.
2007: There Will Be Blood
Letterboxd users rate this year’s films 4.46 out of 5. 2007 was a fantastic year for movies, and while the Coen brothers’ *No Country for Old Men* initially took home most of the awards—and remains a highly praised film—Paul Thomas Anderson’s *There Will Be Blood* has since become even more celebrated. It’s a powerful story about the American West and the damaging effects of greed.
2008: The Dark Knight
With a Letterboxd rating of 4.48, Christopher Nolan’s *The Dark Knight* was a remarkably successful superhero film. It wasn’t just a box office hit, earning over $1 billion globally, but also a critical success. In fact, it’s rated higher than any other 2008 film, even Sion Sono’s *Love Exposure*. Superhero movies aren’t common on this list, but Nolan is known for creating superhero films that are far from ordinary.
2009: Inglourious Basterds
With a Letterboxd rating of 4.35, *Inglourious Basterds* isn’t personally my top Tarantino film, but it’s not surprising it’s ranked so highly for 2009. The film clearly appeals to Letterboxd users, as it’s a smart, historical drama about World War II that also celebrates the impact movies can have.
2010: Incendies
With a Letterboxd rating of 4.43, this film marked a major turning point in the career of Denis Villeneuve, the director later known for blockbusters like *Dune* and *Blade Runner 2049*. The Canadian drama tells the story of twin brothers who uncover secrets about their family – and a brother they never knew – following their mother’s passing.
2011: A Separation
With a budget under $1 million, Asghar Farhadi’s *A Separation* was a huge success, earning around $25 million in theaters. It also received multiple Academy Award nominations and won the Oscar for Best International Feature Film, a first for Iranian cinema.
2012: The Act of Killing
With a Letterboxd rating of 4.41, *The Act of Killing* is a powerful and disturbing film that explores the horrors of war. It investigates Indonesia’s anti-Communist purges from the 1960s by interviewing the perpetrators themselves. Shockingly, these men not only confessed to their crimes but also reenacted them for the camera, resulting in a candid and deeply unsettling portrayal of violence.
2013: Prisoners
Denis Villeneuve, known for his film *Incendies*, made his American debut with this intense thriller. The story follows a desperate search for a kidnapper, and when the main suspect is released, a victim’s father (Hugh Jackman) decides to seek justice himself. It’s a dark and gripping film, but probably not the best choice for a lighthearted evening.
2014: Interstellar
With a Letterboxd rating of 4.43, Christopher Nolan’s sci-fi film exploring the powerful bond between a parent and child has become a signature work for the director. It’s particularly resonated with audiences, especially after a special re-release in winter 2024.
2015: World of Tomorrow
With a Letterboxd rating of 4.32, Don Hertzfeldt’s uniquely animated films have been popular online for years. His sci-fi shorts, collectively known as *World of Tomorrow*, are particularly beloved. These films explore big ideas – like cloning, time travel, and even the end of the world – all brought to life with Hertzfeldt’s distinctive, wobbly animation style.
2016: The Handmaiden
Park Chan-wook’s 2016 erotic thriller is a hit with Letterboxd users, earning it a rating of 4.40. It’s known for its surprising plot twists, so it’s best to go in knowing as little as possible!
2017: A Taxi Driver
With a Letterboxd rating of 4.20, this film is worth checking out. It’s a Korean story starring Song Kang-ho (known from *The Host* and *Parasite*) as a taxi driver who unexpectedly becomes involved in the 1980 Gwangju Uprising. He’s hired to drive a German journalist to the city to report on the government’s actions during the protests.
2018: Spider-Man: Into the Spider-Verse
Okay, let me tell you, *Spider-Man: Into the Spider-Verse* isn’t just a great superhero movie, it’s a visual masterpiece. The animation is truly groundbreaking – it completely reimagines what’s possible on screen. But it’s not just style over substance; the film delivers a really powerful message about heroism. It argues that *anyone* can be a hero, as long as they take responsibility and do the right thing. Though, admittedly, being able to climb walls and disappear does give you a bit of an edge!
2019: Parasite
With a Letterboxd rating of 4.54, Bong Joon-ho’s *Parasite* is widely considered one of the best films of the 21st century. It made history as the first non-English language film to win the Academy Award for Best Picture. The movie powerfully portrays the stark divide between the wealthy and the poor, and the lengths people will go to escape poverty, a theme that continues to resonate today.
2020: The Father
Letterboxd users rated films from 2020 an average of 4.29 out of 5 stars. The year saw significantly fewer theatrical releases because of the COVID-19 pandemic. Even the highest-rated 2020 film on Letterboxd, *The Father*, didn’t have a wide theatrical release until early 2021 (though it did premiere at Sundance in January 2020). Regardless of when it was released, the film is notable for its unique storytelling, which effectively puts viewers inside the mind of a man (Anthony Hopkins) experiencing dementia.
2021: Marcel the Shell With Shoes On
With a Letterboxd rating of 4.24, this charming film blends live-action and stop-motion animation. It follows Marcel, a small creature, after a filmmaker discovers him and shares videos of his life online. This marks the first appearance of the indie studio A24 on this list, and given their recent success, it’s likely more of their films will appear in future updates.
2022: Everything Everywhere All at Once
With a Letterboxd rating of 4.26, *Everything Everywhere All at Once* has become a recent favorite among film lovers and even won the Oscar for Best Picture. It’s a truly original film, mixing science fiction, fantasy, comedy, and action-packed martial arts.
2023: Spider-Man: Across the Spider-Verse
Letterboxd users rate this film 4.41 out of 5. Only two franchises have multiple entries on this list: *The Godfather* and *Spider-Verse*. This highlights how difficult it is to create a truly great sequel. The *Spider-Verse* team, however, managed to exceed expectations by building on their already innovative approach with even more Spider-People and diverse animation techniques.
2024: No Other Land
With a Letterboxd rating of 4.59, *No Other Land* won the 2024 Academy Award for Best Documentary Feature. Created by a collaborative team of Palestinian and Israeli artists and activists, the film explores the ongoing conflict in the Middle East. Despite critical acclaim both internationally and domestically, it wasn’t picked up by a traditional distributor in the United States, so the filmmakers released it themselves in theaters and online.
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2025-10-13 16:46