
Trailers for Springsteen: Deliver Me From Nowhere might lead you to believe you’re in for a typical, energetic biography of the famous New Jersey musician. Many of them feature extended clips from a performance of “Born to Run” at Cincinnati’s Riverfront Stadium, where actor Jeremy Allen White convincingly embodies Springsteen’s stage presence – his powerful vocals, hunched posture, and drenched appearance. Just like a Springsteen concert, it’s a vibrant, thrilling, and immersive experience that showcases him at his peak.
Despite exciting previews, Scott Cooper’s new film isn’t a typical life story set to music. Instead, it focuses on a crucial period in Bruce Springsteen’s life, based on Warren Zane’s book about the making of Springsteen’s 1982 album, Nebraska. Following the success of his The River tour, Springsteen returned to his empty home in New Jersey and faced his personal struggles. He began writing a series of raw, personal folk songs – recorded simply in his bedroom – that reflected his feelings of loneliness and growing sadness.
Today, Nebraska is seen as a landmark album by Bruce Springsteen, but it originally surprised and even worried the executives at his record label, Columbia Records. They were hoping for more upbeat, radio-friendly songs, and they struggled to understand how to sell his dark, poetic lyrics and stark, unpolished sound – a sound he deliberately created without a producer. Springsteen himself wasn’t interested in promoting it much either. (Despite their doubts, Nebraska ended up being a huge success and a beloved classic.) The film explores how the album reflects Springsteen’s personal struggles and complex relationships – with his father, his romantic partners, his manager, and with himself – presenting it all in a powerfully honest and genuine way.
To help you understand this difficult and thoughtful period in his life, here’s some background on the people who most shaped the movie – a mix of real individuals and fictional characters – and who inspired Springsteen’s most ambitious and celebrated work.
Douglas Springsteen

Bruce Springsteen’s 2017 Broadway show and the film about his life both explore his complex relationship with his father, whom he saw as both a hero and a source of conflict. The film, and Springsteen’s own storytelling, delve into his childhood through moving black-and-white flashbacks. Stephen Graham portrays Douglas Springsteen, a World War II veteran and working-class man who later developed paranoid schizophrenia. This illness created a turbulent home life, marked by frequent arguments and unpredictable behavior, which the film depicts in scenes set in their New Jersey home and during a particularly difficult night in Los Angeles after the family moved there when Bruce was a teenager.
The album Nebraska largely explores Bruce Springsteen’s difficult relationship with his father, who struggled with mental health, alcoholism, and often used harsh words and emotional distance. For years, Springsteen hadn’t dealt with the trauma of his childhood, and revisiting New Jersey brought it all to the surface. He began to write songs as a way to understand and process his past. Later, in his 2016 memoir Born to Run, Springsteen offered a more complete picture of his father, Douglas (who passed away in 1998), remembering fond moments like fishing trips and acknowledging his own difficult behavior, particularly an incident when his father took him to see his Navy ship on the Jersey shore.
The film concludes with a heartwarming scene where Bruce reconnects with his father after a concert. His father tells him how proud he is and admits he wasn’t always the best father. Bruce, finally sitting on his father’s lap, accepts his apology, responding with understanding: “You did your best.”
Adele Springsteen

A short flashback shows Bruce dancing with his mother, Adele, to music on the radio. This moment offers a brief respite from the difficult home life caused by his father’s depression and abusive tendencies, and reveals Adele’s lifelong passion for music – a passion that would inspire and support Bruce, ultimately shaping his future career.
Growing up, Bruce’s mother, Adele, filled their home with popular music, and he often sang and danced along. When he was seven, she supported his musical interests by renting him his first electric guitar. Adele, originally from Brooklyn, worked as a legal secretary and provided a stable upbringing for Bruce and his two younger sisters in Freehold. Later, as Bruce’s career took off and he began playing sold-out arenas, Adele became known for joyfully dancing with him on stage – a tradition she continued even at the age of 90 during a 2016 concert.
Bruce recalls his mother as a woman of many wonderful qualities: honest, dependable, cheerful, professional, graceful, kind, optimistic, polite, fair, proud, responsible, loving, and devoted to her family. She found joy in her work and had an unyielding zest for life – especially dancing. Even as she battled Alzheimer’s until her passing in 2024, she remained lively and encouraging, always reacting with joy to music and her son’s presence. As Springsteen shared on Broadway, even when she could no longer speak or stand, seeing him brought a smile to her face, and her love of dance never faded.
Faye Romano

As a big Springsteen fan, I was really intrigued by the documentary Springsteen: Deliver Me From Nowhere. I learned that while most of the people in it are real, the character of Faye Romano, played by Odessa Young, is actually made up. Apparently, she’s inspired by a few of Bruce’s girlfriends from that period, but Odessa intentionally didn’t base Faye on any one specific person. She told Stylist she used details from Bruce’s own writing to get into the role, but wanted to protect the privacy of the real women. She had a lot of freedom to create Faye as her own character, which I thought was a really respectful approach.
While Young’s portrayal keeps the relationship feeling real, Faye’s storyline mainly reveals Springsteen’s internal struggles and difficulty with intimacy. After a turbulent time, Springsteen found stability and married actress and model Julianne Phillips in 1985. Their marriage lasted four years, after which he married Patti Scialfa, a member of his E Street Band, in 1991. They had three children and have remained together ever since. Springsteen recently told TIME, “I knew she saw me for who I really was – a complicated, messy person. I didn’t have to pretend. I was broken, and she was broken in her own way, and we helped each other heal.”
Jon Landau

Before becoming Bruce Springsteen’s manager, Jon Landau (played by Jeremy Strong) was a music critic who quickly recognized Springsteen’s potential. After seeing Springsteen and the E Street Band open for Bonnie Raitt in Cambridge, Massachusetts, in 1974, Landau wrote in The Real Paper that Springsteen made him feel like he was experiencing music anew. Later that year, Landau envisioned Springsteen’s rise to fame and joined his team as a co-producer. He eventually became Springsteen’s full-time manager four years later, beginning a long and successful creative partnership.
The film begins in 1981, showing Landau as a deeply involved figure in Bruce Springsteen’s life – a manager, mentor, and trusted friend, as director Scott Cooper explained. Landau wasn’t just focused on profit; he genuinely cared about Springsteen’s well-being and artistic integrity. He championed Springsteen’s vision, notably fighting to preserve the raw, acoustic sound of the Nebraska album, even when the record label pushed back. Landau also recognized Springsteen’s need for mental health support and encouraged him to seek professional help after an emotional crisis. Throughout the movie, actor Michael Shannon beautifully portrays this close, supportive relationship, capturing Landau’s quiet grace and unwavering support for Springsteen during a vulnerable time.
As a critic, I’ve always been fascinated by the dynamic between artists and their managers, and the story of Jon Landau and Bruce Springsteen is a prime example of a truly successful partnership. They really hit their stride with the massive Born in the U.S.A. album in 1984, and though they eventually went their separate ways professionally in ’92, Landau continued to have an incredible career. He’s produced for huge names like Natalie Merchant and Shania Twain, and rightfully earned his place in the Rock and Roll Hall of Fame in 2020. Springsteen himself put it perfectly at the induction ceremony: Landau wasn’t just a manager, he fostered artistic and personal growth in a way no one had before, and frankly, few have since. It’s a testament to how impactful a truly great manager can be.
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2025-10-24 22:07