The Handmaid’s Tale season 6 review: Is the long-awaited final season worth watching?

The Handmaid’s Tale season 6 spoilers are kept to a minimum in this review.

The Handmaid’s Tale has long represented different things to different people.

Some view it as a warning story, while others see it as a realistic portrayal of past experiences women have gone through (a point that sometimes seems overlooked by the writers). In any case, this alternative universe has been referred to variously as ‘elite TV’ or ‘brutal entertainment’, and has garnered recognition as an acclaimed series that holds the record for losing the most Emmys in a single night.

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The fact that the last season is already airing in the U.S., while viewers in the UK are still waiting for it, presents quite a contrast.

What can we anticipate in the upcoming final season? In only ten episodes, this final chapter needs to provide a fulfilling conclusion for devoted followers of the series, inspired by Margaret Atwood’s book. Additionally, it should pave the way for the already-announced sequel, titled The Testaments.

June Osborne, portrayed by Elisabeth Moss, is no novice when it comes to such immense pressure. Interestingly, the main character appears to relish under such stress nowadays, often sacrificing personal security to continue her struggle against Gilead’s oppressive regime.

In the sixth season, we’re presented with a concluding storyline that frequently pushes us to embrace the seemingly impossible – whether it’s large coincidences, illogical loopholes, or choices that can be downright aggravating. Yet, it does so in the pursuit of entertainment.

The final act of season six often challenges us to believe in the improbable, from significant coincidences and logical inconsistencies to decisions that are infuriatingly frustrating. But it’s all done with the aim of providing a thrilling viewing experience.

Yet somehow it mostly works still, and for that, we are blessed.

In the opening act of this captivating series, I find myself once more alongside June and Serena, huddled together amidst the crowded quarters of a speeding refugee train bound for Alaska. This rollercoaster romance, as unpredictable as it is gripping, never fails to stir both excitement and frustration within me. One instant, I’m cheering them on; the next, I can’t help but vent my anger at their decisions, feeling a wrath reminiscent of biblical proportions.

Even though these last episodes exhibit a significant amount of anger, they’re not solely defined by it. Despite the hardships June, along with all those harmed by Gilead, has endured, the writers intentionally insert instances of optimism and even moments that could be described as genuine happiness. It’s not the joy one might associate with Serena, but rather rare instances where characters are reconnected with reasons to continue their struggle.

Regarding this topic, there is a kernel of truth in the statements made by co-showrunner Yahlin Chang that these last episodes will have a more positive tone compared to previous ones. Yet, do not be deceived; the unsettling events continue, as they must, because to suggest otherwise would go against the essence of this series and the cautionary tale it presents.

However, “The Handmaid’s Tale” moves forward with such urgency in its early stages that it occasionally rushes through significant moments, hastily covering important developments as it races to establish all the necessary elements for its conclusion.

In simpler terms, Luke, Moira, and an unexpected figure who makes a comeback towards the end of the first episode experience an uncomfortable pace. At some point, June’s spouse and her closest friend undergo significant changes that aren’t depicted on screen but are revealed to June when they happen.

Managing such a large and prestigious show can be quite challenging when it concludes, especially if major characters of color are still being marginalized despite years of backlash. However, it’s disappointing to see this persist. Fortunately, The Handmaid’s Tale eventually addresses this issue in later episodes, as Moira and June finally have a long-awaited confrontation in the penultimate scenes, which is a step in the right direction.

In these scenes, Elizabeth Moss shines exceptionally, demonstrating both raw intensity and exceptional skill in her direction as well. However, as Gilead’s collapse seems imminent or at least its initial signs are visible, it’s fitting to acknowledge the rest of the cast too, each playing a crucial role in this totalitarian landscape, contributing significantly to the overall picture.

Samira Wiley eagerly embraces the chance to delve deeply into more substantial roles once more, particularly during the second half of season six, when her exceptional performance from the early days of the series is vividly recalled.

In addition to the outstanding performances, Madeline Brewer and Ann Dowd deliver captivating portrayals of Janine and Aunt Lydia, respectively. Their dynamic interaction continues to be a standout feature in The Handmaid’s Tale as it approaches its end (with hints of more to come, as Ann Dowd is set to reprise her role in The Testaments).

D’Arcy Carden makes an impact in her freshly introduced character, though we can’t reveal much about her yet. However, Yvonne Strahovski once more offers a stunning performance of self-righteous illusion that feels so intense you might just create an Emmy award to send her if she doesn’t take home the prize this season.

Oh, and Max Minghella also exists, bringing his usual blandness to the role of Nick.

Fortunately, one aspect about this series that never wavers is its exceptional artistry. The Handmaid’s Tale consistently displays both breathtaking beauty and unyielding harshness, a trait that persists even in these final episodes.

It appears Hulu hasn’t reached a financial crisis at this point in the series, given its stunning visuals and high-quality music choices that will surely have you cheering as June advances towards the climax of her righteous quest.

Despite picking up speed towards the end of the season, the initial episodes had an unusual pace, with tension gradually increasing as all the necessary elements fall into place. This change results in a thrilling atmosphere, serving as a testament to the show’s peak performance, although it seems June can effortlessly move between Gilead and her other locations, making it seem almost routine, like running errands.

The ending of the story remains uncertain since critics have only been able to view eight out of ten total episodes. It’s difficult enough to review an unfinished story, but when it comes to wrapping up a series that has touched so many hearts and minds for years, in various ways, the task becomes even more daunting.

As a devoted fan, I can’t help but feel a mix of excitement and apprehension about the upcoming finale. It has the potential to be an unforgettable climax, one that will go down in history as a classic. However, there’s also a chance it might not live up to expectations if the recent inconsistencies persist. Yet, regardless of how things unfold, it’s a privilege to witness a show of this stature and impact being granted the opportunity to conclude on its own merits, come what may.

Season 1-5 of The Handmaid’s Tale are available to stream now on Prime Video.

The Handmaid’s Tale season 6 will air on Prime Video and Channel 4 in the UK.

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2025-04-09 15:49