The Best Movie of Every Year for the Last 100 Years

You can usually find me on Letterboxd if I’m on my phone. It’s a combination of social media and a movie database where I track, rate, and review films. I also follow my friends to see what movies they’re enjoying. I check it several times a day!

What makes Letterboxd so great is its powerful search and sorting features. You can easily find movies based on where to stream them, or browse films from a specific year-even sort them by how long they are! It’s incredibly flexible when it comes to exploring their huge collection of films.

Letterboxd lets you sort movies by user ratings – either your personal favorites or the average scores from millions of other users worldwide. You can do this for any year in film history, making it easy to quickly find the highest-rated movie on Letterboxd from each year, all the way back to the very beginning of cinema when early films famously surprised and sometimes frightened audiences.

I put together the list below by finding the highest-grossing movie from each of the past 100 years. I only included actual films – I left out things like TV miniseries, anime, and concert films.

Many films on this list, particularly older ones, are now available on Criterion Collection Blu-rays and 4K discs. Is this due to the Criterion Collection’s excellent selection, or simply because it-along with its streaming service, the Criterion Channel-is where many people now find classic movies?

It’s likely a combination of factors, and honestly, figuring out the true origin might be impossible – it’s a classic “chicken or the egg” situation. But if you keep scrolling, you *will* reach the end of this list… eventually. Just be prepared, it’s quite lengthy!

The Best Movie of Every Year for the Last 100 Years (According to Letterboxd)

1925: The Gold Rush

With a Letterboxd rating of 4.15, Charlie Chaplin is widely considered a silent film legend. His film *The Gold Rush*, where his iconic “Little Tramp” character searches for gold in Alaska, is often considered a crowning achievement.

1926: The General

Letterboxd users give *The General* a rating of 4.20. Often considered Buster Keaton’s masterpiece, this film features a real locomotive and incredible practical stunts that still influence action movies today. Keaton’s work is frequently compared to Charlie Chaplin, and *The General* is widely seen as his best film.

1927: Metropolis

With a Letterboxd rating of 4.25, *Metropolis* is a highly influential science fiction film. Fritz Lang’s classic is an imaginative story about a divided society struggling with the impact of new technology, and many later sci-fi films owe a debt to it.

1928: The Passion of Joan of Arc

With a Letterboxd rating of 4.43, *The Passion of Joan of Arc* is a must-see for anyone interested in powerful filmmaking. Directed by Carl Theodor Dreyer and starring Renée Falconetti, the film showcases stunning close-up shots and features a truly heartbreaking performance from Falconetti, considered one of the greatest in cinema history.

1929: Man With a Movie Camera

With a Letterboxd rating of 4.28, Dziga Vertov’s experimental documentary, *Man With a Movie Camera*, is a must-see for any film student-and film lovers in general. If you haven’t seen it, it’s readily available on YouTube and offers a fascinating look at the foundations of montage editing.

1930: All Quiet on the Western Front

With a Letterboxd rating of 4.17, this film won an early Academy Award for Best Picture. It’s based on a well-known anti-war novel and has been adapted for the screen multiple times, including a recent 2022 version by Edward Berger for Netflix.

1931: City Lights

With a Letterboxd rating of 4.33, *City Lights* is a standout film from 1931. It showcases Charlie Chaplin expanding his comedic style into more dramatic areas, telling the story of his famous Tramp character who falls in love with a blind woman and tries everything he can to help her see again.

1932: Trouble in Paradise

This film has a 4.11 rating on Letterboxd. It’s a lesser-known, fast-paced comedy from the 1930s, directed by Ernst Lubitsch. The story follows two con artists who join forces for a major scheme. It’s a genuinely funny movie, and it’s interesting to see a comedy achieve such a high ranking, as it doesn’t happen often these days. I’ll discuss that further later.

1933: The Testament of Dr. Mabuse

With a Letterboxd rating of 4.03, this film is the second Fritz Lang movie on our list, and the first sequel. It’s a follow-up to Lang’s 1922 film, *Dr. Mabuse the Gambler*, and features the same master criminal in this suspenseful thriller. Originally banned in Germany during the 1930s, the film gained greater recognition after being rediscovered following World War II. Lang would later complete the series with a third film, *The Thousand Eyes of Dr. Mabuse*.

1934: It Happened One Night

With a Letterboxd rating of 4.17, this classic screwball comedy-starring Clark Gable and Claudette Colbert-made history as the first film to win all five major Academy Awards: Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay.

1935: Tange Sazen and the Pot Worth a Million Ryo

With a Letterboxd rating of 3.99, *Tange Sazen and the Pot Worth a Million Ryo* is a Japanese comedy masterpiece, though not widely known in the US. Directed by Sadao Yamanaka, the film follows a quest for a treasure map hidden inside a ceramic pot. I haven’t personally seen it, but I’m aware of its reputation.

1936: Modern Times

With a Letterboxd rating of 4.26, this Chaplin film is considered one of his masterpieces. It’s a hilarious yet bleak comedy that illustrates how ordinary workers can feel like mere parts of a vast, overwhelming economic system.

1937: Make Way For Tomorrow

Letterboxd users give this film a rating of 4.23. Director Leo McCarey was famous for comedies such as *The Awful Truth* and *Duck Soup*, but many consider this drama his masterpiece. It’s a moving story about an elderly couple facing hardship during the Great Depression, and feeling neglected by their children.

1938: Bringing Up Baby

With a Letterboxd rating of 4.00, this classic screwball comedy-directed by Howard Hawks and starring Katharine Hepburn and Cary Grant-is a timeless delight, complete with a leopard! It’s a winning combination for any movie fan.

1939: The Story of the Last Chrysanthemum

With a Letterboxd rating of 4.14, director Kenji Mizoguchi, though less widely known than Kurosawa or Ozu, created some of the most poignant and visually stunning films of the 20th century. One example is *The Story of the Last Chrysanthemums*, a tragic tale set within the world of 19th-century kabuki theater.

1940: The Great Dictator

With a Letterboxd rating of 4.33, Charlie Chaplin’s *The Great Dictator* remains a remarkably courageous comedy. Though controversial when it was first released, the film fearlessly satirizes Adolf Hitler and continues to resonate today.

1941: Citizen Kane

With a Letterboxd rating of 4.19, *Citizen Kane* remains the highest-rated film from 1941. While it’s no longer universally considered the greatest film of all time – it has fallen from the top spot on lists like those published by *Sight & Sound Magazine* – it still resonates strongly with viewers today. Remarkably, this was Orson Welles’ first feature film as a director, and it boldly challenged all the established conventions of Hollywood filmmaking in the 1940s.

1942: To Be Or Not To Be

With a Letterboxd rating of 4.33, this classic comedy from Ernst Lubitsch also incorporates elements of a war film. It stars Carole Lombard and Jack Benny, and was later successfully remade with Mel Brooks and Anne Bancroft – that version is also recommended.

1943: Meshes in the Afternoon

With a Letterboxd rating of 4.26, this film is a standout early work from experimental filmmaker Maya Deren. It’s a surreal and unusual movie that’s hard to put into words, but luckily you can watch it on YouTube right now!

1944: Double Indemnity

With a Letterboxd rating of 4.26, this classic film noir from Billy Wilder tells the story of a seductive woman (Barbara Stanwyck) who convinces an insurance agent (Fred MacMurray) to help her murder her husband for the insurance payout. It’s a gripping crime movie and considered one of the best examples of the genre.

1945: Brief Encounter

With a Letterboxd rating of 4.33, *Brief Encounter* is a must-include on any list of the best romance films. The movie tells the story of two married people who have a secret affair after meeting at a train station. Unlike many romantic films that prioritize happy endings, even when unrealistic, this film by David Lean offers a more realistic and poignant portrayal of love and loss. It’s a refreshing alternative to overly sentimental storytelling.

1946: It’s a Wonderful Life

With a Letterboxd rating of 4.41, *It’s a Wonderful Life* is now a beloved Christmas classic. However, when it was released in 1946, the film – which tells the story of a generous man who learns that happiness isn’t about money – wasn’t well-received by critics or audiences. It’s probably a good thing Letterboxd didn’t exist back then!

1947: Out of the Past

With a Letterboxd rating of 4.12, *Out of the Past* is a classic film noir known for its incredibly atmospheric visuals and sharp writing. Robert Mitchum stars as a former detective forced to confront his past. While it wasn’t initially a critical success, it’s now highly regarded. Unlike the hopeful message of *It’s a Wonderful Life*, *Out of the Past* offers a much bleaker outlook on life.

1948: The Red Shoes

With a Letterboxd rating of 4.40, *The Red Shoes* is a visually stunning film. This movie, about a ballerina choosing between love and her passion for dance, boasts some of the most vibrant Technicolor cinematography ever filmed. It’s highly recommended to watch the restored Criterion edition.

1949: Late Spring

With a Letterboxd rating of 4.34, Yasujirō Ozu’s *Late Spring* is the first in a series of films starring Setsuko Hara. These films follow the life of a young woman named Norkio in post-war Japan, and this one centers on a father eager to find her a husband.

1950: Sunset Boulevard

With a Letterboxd rating of 4.43, Billy Wilder’s classic film about a glamorous but aging actress is widely considered one of the greatest movies ever made about Hollywood and the film industry. It famously captures the bittersweet reality of fame and the changing world of cinema.

1951: Ace in the Hole

With a Letterboxd rating of 4.27, *Ace in the Hole* is a Billy Wilder film that feels surprisingly relevant today. Starring Kirk Douglas, it tells the story of a cynical reporter who exploits the rescue of a man trapped in a New Mexico cave, turning it into a sensational media event. Like *It’s a Wonderful Life*, the film wasn’t initially well-received, but has since gained appreciation. Some believe the film’s dark portrayal of society resonates more now than ever, suggesting the world has become increasingly like the one Wilder depicted.

1952: Ikiru

With a Letterboxd rating of 4.51, Akira Kurosawa is well-known for his samurai films, but his movie *Ikiru* stands out as a deeply moving masterpiece. It tells the story of a civil servant, played by Takashi Shimura, who, after learning he has a terminal illness, dedicates his remaining months to finding meaning and purpose in life.

1953: Tokyo Story

With a Letterboxd rating of 4.44, *Tokyo Story* is a moving film from post-war Japan. It shares similarities with *Make Way for Tomorrow*, telling the story of an elderly couple who visit their children in Tokyo and realize they’ve become a burden. It’s a highly recommended watch, but perhaps not if you’re already thinking a lot about your own mortality!

1954: Seven Samurai

With a Letterboxd rating of 4.60, Akira Kurosawa’s *Seven Samurai* is a landmark film. It didn’t just define the samurai genre; it inspired action movies around the globe for decades. Featuring stunning visuals, thrilling battle sequences, and memorable performances from actors like Takashi Shimura and Toshiro Mifune, *Seven Samurai* is a must-see for fans of international cinema.

1955: Ordet

With a Letterboxd rating of 4.35, this late-career film from Carl Theodor Dreyer (made 25 years after *The Passion of Joan of Arc*) explores how faith shapes the lives of two Danish families. It’s not a light watch – you’ll need to give it your full attention – but those who do will find it a profoundly moving experience.

1956: Night and Fog

With a Letterboxd rating of 4.55, this list includes several stark and difficult films about World War II. One example is Alain Resnais’ documentary, *Night and Fog*, which powerfully combines wartime footage with images of the ruins of concentration camps. Resnais later became famous for his influential art films in the 1950s and 60s, and *Night and Fog* remains a particularly significant work in his filmography.

1957: 12 Angry Men

With a Letterboxd rating of 4.63, *12 Angry Men* isn’t just a standout film from 1957 – it’s consistently ranked among the very best on the platform (currently #2 all-time). Directed by Sidney Lumet, this legal drama, originally a TV play, unfolds entirely within a jury room as twelve men debate a difficult and violent case. Despite having a small cast and a single location, the film is praised for its powerful performances and clever use of filmmaking techniques to tell a compelling story.

1958: Vertigo

I was a little surprised to only see one Alfred Hitchcock film make the list, but it *had* to be *Vertigo*. It’s such a classic! For years, *Citizen Kane* was considered the greatest film ever, but *Vertigo* actually knocked it off the top spot in the *Sight & Sound* poll – that’s a huge deal! Even though it’s now considered Hitchcock’s masterpiece, it’s interesting to know that when it first came out, people didn’t really get it and it wasn’t a big hit. It just goes to show how tastes change!

1959: The Human Condition I: No Greater Love

Letterboxd users love Masaki Kobayashi’s *The Human Condition*, giving it a rating of 4.55. This nearly ten-hour, three-part film follows one man’s difficult journey through World War II Japan. While it’s definitely not a cheerful watch, two of its installments were ranked as the best films of their release years – a pretty impressive achievement!

1960: Le Trou

With a Letterboxd rating of 4.49, this intense crime film is based on the true story of a 1947 prison escape in Paris. Remarkably, one of the actors involved was actually part of the original escape attempt. It’s often compared to Robert Bresson’s classic prison drama, *A Man Escaped*, though that film isn’t included here.

1961: The Human Condition III: A Soldier’s Prayer

Masaki Kobayashi’s *Human Condition* trilogy ends on a powerfully somber note, and the final film isn’t easy to watch. This seems to resonate with the viewers who actively use Letterboxd, as the trilogy currently has a 4.62 rating on the platform.

1962: Harakiri

With a Letterboxd rating of 4.69, this 1962 samurai film is currently the top-rated fiction movie on the platform. Directed by Masaki Kobayashi, known for *The Human Condition*, it’s a gripping and unsettling story that offers a powerful message: the misfortunes of others could easily become your own.

1963: High and Low

With a Letterboxd rating of 4.60, Akira Kurosawa’s *High and Low* tells the story of a successful businessman who must choose whether to pay a ransom after his chauffeur’s son is kidnapped by mistake. Spike Lee recently made his own version, called *Highest 2 Lowest*, which is well-received, but most viewers still prefer the original Kurosawa film.

1964: Woman in the Dunes

With a Letterboxd rating of 4.47, this film is a standout. If you’re not familiar with 1950s and 60s Japanese cinema, you’re missing out on something special. This classic from Hiroshi Teshigahara tells a strange and compelling story about a man who becomes trapped in a sand dune with a local woman.

1965: Red Beard

With a Letterboxd rating of 4.39, *Red Beard* is the last film to star Toshiro Mifune directed by Akira Kurosawa. While this isn’t the first time the pair collaborated – two of their earlier films also rank highly – some of their most well-known works, like *Rashomon*, *The Hidden Fortress*, *Yojimbo*, and *Throne of Blood*, didn’t make the list.

1966: The Good, the Bad, and the Ugly

Letterboxd users give *Yojimbo* a rating of 4.50 out of 5. Interestingly, the film heavily influenced Sergio Leone, who used it as the basis for his spaghetti Western, *A Fistful of Dollars*. Leone and Clint Eastwood worked together twice more on films in the “Man With No Name” series, culminating in the iconic *The Good, the Bad, and the Ugly*. This epic features a tense standoff between Eastwood, Lee Van Cleef, and Eli Wallach, all vying for a hidden treasure. Even if you’re unfamiliar with the film, you’re likely familiar with its distinctive music, visual style, and unforgettable three-way shootout.

1967: War and Peace

Letterboxd users give this film a rating of 4.36. I’ve always meant to read *War and Peace*, but maybe I’ll just watch the movie version instead. Though, I just checked how long it is… never mind, I think I’ll pass.

1968: Once Upon a Time in the West

With a Letterboxd rating of 4.39, Sergio Leone’s *Once Upon a Time in the West* (1968) built upon the epic scope of his earlier work, like *The Good, the Bad, and the Ugly*. The film is considered a classic, and its title has been widely imitated over the years.

1969: Army of Shadows

With a Letterboxd rating of 4.36, *Army of Shadows* shares similarities with other acclaimed films. It’s a World War II story with beautiful visuals, strong acting, and a very dark, uncompromising look at life.

1970: Le Cercle Rouge

Letterboxd users rate this film 4.21 out of 5. We’re now looking at *Le Cercle Rouge*, Jean-Pierre Melville’s follow-up to his film *Army of Shadows*. It’s a heist movie famous for its almost completely silent and incredibly influential climax.

1971: Demons

This film has a Letterboxd rating of 4.22. It’s a lesser-known movie by Japanese director Toshio Matsumoto, but if it sounds interesting, you can use Letterboxd’s watchlist feature to save it for later. Simply click the button to add it to your list!

1972: The Godfather

With a Letterboxd rating of 4.53, *The Godfather* is a classic most people know. But just in case: it’s the story of a man who gains incredible power and uses it to guide his children. It’s a highly-rated film worth watching.

1973: Scenes From a Marriage

With a Letterboxd rating of 4.43, this film marks a long-awaited appearance by Ingmar Bergman – surprisingly, his first on this list. While known for classics like *The Seventh Seal* and *Persona*, this entry is his powerful and important story of a failing marriage. (And for those questioning its inclusion: *Scenes From a Marriage* began as a TV miniseries, but a shorter theatrical version exists, which is why I’ve included it.)

1974: The Godfather Part II

With a Letterboxd rating of 4.59, *The Godfather Part II* consistently ranks highly among film fans. For half a century, movie lovers have argued whether the first *Godfather* or the second is superior, and Letterboxd users slightly prefer *Part II*, giving it a rating just 0.06 points higher than the original.

1975: Barry Lyndon

With a Letterboxd rating of 4.40, Stanley Kubrick’s historical drama *Barry Lyndon* was a significant change of pace from his earlier films like *2001: A Space Odyssey* and *A Clockwork Orange*. When it was released in 1975, many critics found it confusing, which was common for Kubrick’s work throughout his career. However, they generally came to appreciate his films over time.

1976: Harlan County USA

With a Letterboxd rating of 4.33, Barbara Kopple’s 1973 documentary about the Harlan County coal miners’ strike is a must-see. It’s crucial viewing for documentary filmmakers and anyone interested in the history of workers’ rights in the United States.

1977: The Ascent

With a Letterboxd rating of 4.42, *The Ascent* is a highly acclaimed film, winning the top prize at the Berlin Film Festival and considered a landmark achievement in 1970s Soviet cinema. The film depicts a grim story of World War II, focusing on the experiences of two Russian soldiers after being captured by the Germans.

1978: Autumn Sonata

With a Letterboxd rating of 4.48, this Ingmar Bergman film features Ingrid Bergman alongside Liv Ullmann. It’s a powerful story about a complex mother-daughter relationship and definitely worth watching – perhaps not on Mother’s Day, though!

1979: Apocalypse Now

With a Letterboxd rating of 4.44, *Apocalypse Now* initially faced criticism and was labeled a troubled production. However, once released, it was recognized as a masterpiece – a truly terrifying and unforgettable depiction of the Vietnam War and the horrors of conflict. It’s considered one of the most impactful war films ever made.

1980: The Empire Strikes Back

Letterboxd users give this film a rating of 4.40 out of 5. While *Star Wars* didn’t make the list, *The Empire Strikes Back* did – perhaps finally settling the debate over which movie is superior.

1981: Das Boot

With a Letterboxd rating of 4.32, *Das Boot* is widely considered the best submarine movie ever made. While many films set on submarines create a naturally tense and suspenseful atmosphere due to the cramped spaces, Wolfgang Petersen’s film stands above the rest.

1982: Fanny and Alexander

With a Letterboxd rating of 4.42, *Fanny and Alexander* blurs the line between film and television. Ingmar Bergman originally created it as a miniseries, but a shorter version was also shown in cinemas. Eventually, both versions gained popularity in art house theaters worldwide, and it even won the Academy Award for Best Foreign Language Film – a strong indication that it qualifies as a movie.

1983: Nostalgia

I’m a big fan of Andrei Tarkovsky, and like most people, I find his films incredibly moving and thoughtful. They definitely take their time, but that’s part of what makes them so special. I recently watched *Nostalgia*, which tells the story of a Russian writer traveling in Italy, and it really captured that feeling of being lost and disconnected in a foreign place. He uses these beautiful, long shots and dreamlike sequences that are just classic Tarkovsky – it’s a really powerful experience.

1984: Stop Making Sense

With a Letterboxd rating of 4.68, *Stop Making Sense* is widely considered one of the greatest concert films ever made. Directed by Jonathan Demme, it showcases Talking Heads’ unforgettable 1983 performances at the Pantages Theatre, featuring hits like “Psycho Killer,” “Life During Wartime,” and “Take Me to the River.”

1985: Come and See

With a Letterboxd rating of 4.62, Elem Klimov’s film *Come and See* was once the highest-rated movie on the site (it’s currently #4, following *Harakiri*, *12 Angry Men*, and *The Human Condition Part III: A Soldier’s Prayer*). This devastating Russian war film portrays the horrific atrocities committed by the Nazis in World War II, shown through the perspective of a young boy who joins Soviet resistance fighters. Even among other dark and intense war films, *Come and See* is exceptionally brutal.

1986: The Sacrifice

With a Letterboxd rating of 4.29, Andrei Tarkovsky’s final film, *The Sacrifice*, carries a particularly poignant weight. Tarkovsky was diagnosed with cancer soon after completing it and passed away in 1986. The film centers on a man who attempts to prevent a potential World War III and the end of humankind by offering his life as a sacrifice to God.

1987: Where Is the Friend’s House?

With a Letterboxd rating of 4.37, Abbas Kiarostami’s acclaimed “Koker Trilogy” starts with this heartwarming story. It follows a young boy’s journey to find his classmate’s house, determined to return a notebook and save his friend from being expelled.

1988: Cinema Paradiso

With a Letterboxd rating of 4.49, it’s clear that film fans adore movies *about* movies. A prime example is *Cinema Paradiso*, a beloved 1989 Oscar winner for Best Foreign Language Film. This Italian classic tells the story of a boy who befriends the projectionist at his local cinema, and it continues to be a favorite among movie lovers.

1989: Do the Right Thing

As a movie fan, it still bugs me that Spike Lee’s *Do the Right Thing* didn’t even get a Best Picture nomination back in ’89. Can you believe *Driving Miss Daisy* won over films like *Born on the Fourth of July*, *Dead Poets Society*, *Field of Dreams*, and *My Left Foot*? Thankfully, the Letterboxd community got it right – they consistently rank *Do the Right Thing* as the best film of that year, and I totally agree!

1990: Paris Is Burning

With a Letterboxd rating of 4.54, this documentary is a groundbreaking film from the early 1990s. It beautifully captures the vibrant New York City Ballroom scene and the diverse individuals who shaped the era. Director Jennie Livingston dedicated seven years to the project, and the result is a truly significant and impactful piece of non-fiction cinema.

1991: A Brighter Summer Day

With a Letterboxd rating of 4.50, Edward Yang’s film *A Brighter Summer Day* has gained significant recognition. In the 2022 *Sight & Sound* poll, it ranked 78th. This nearly four-hour film is set in 1960s Taiwan and tells two interwoven stories: a young man’s coming-of-age and a crime story inspired by an actual murder from the director’s youth.

1992: Baraka

With a Letterboxd rating of 4.33, *Baraka* is a stunning documentary that explores the beauty and fragility of our planet. Instead of a traditional narrative or narration, the film uses breathtaking 70mm footage from locations all over the world.

1993: Schindler’s List

With a Letterboxd rating of 4.53, Steven Spielberg’s powerful film *Schindler’s List* finally earned him an Oscar. The movie tells the true story of Oskar Schindler (played by Liam Neeson), a German businessman who bravely saved over a hundred Jewish people by giving them jobs in his factory during World War II.

1994: The Shawshank Redemption

On Letterboxd, *The Shawshank Redemption* currently has a rating of 4.58. When it was released in 1994, its straightforward story of friendship and hope was often overlooked. That year, *Pulp Fiction* and *Forrest Gump*-with their striking style and grand scale, respectively-received more attention, and *Forrest Gump* even won the Best Picture Oscar. However, over time, opinions have shifted. *Pulp Fiction* has a 4.25 rating on Letterboxd, while *Forrest Gump* has a 4.16.

1995: La Haine

With a Letterboxd rating of 4.50, *La Haine* has gained significant attention thanks to its enthusiastic fanbase on the platform. Like films such as *The Human Condition* and *Come and See*, positive word-of-mouth on Letterboxd seems to drive more people to watch it – it’s a French movie focusing on three young immigrants. In the summer of 2025, *La Haine* reached a milestone, being logged by one million Letterboxd users – an achievement usually reserved for bigger, more well-known films.

1996: Secrets & Lies

With a Letterboxd rating of 4.28, Mike Leigh was already known as a talented director in the mid-1990s. However, his film *Secrets & Lies*-a story about a woman finding her birth mother and the impact their meeting has on both of them-propelled him to international acclaim.

1997: Perfect Blue

Satoshi Kon, a highly celebrated anime director who passed away in 2010, created several critically acclaimed films. While movies like *Tokyo Godfathers*, *Millennium Actress*, and *Paprika* are all fan favorites, *Perfect Blue* is widely considered his masterpiece. In fact, it’s the highest-rated film from 1997 on Letterboxd, even surpassing more well-known movies from that year such as *Boogie Nights* and *Titanic*.

1998: Eternity and a Day

This film, which won the Palme d’Or, is a Greek drama starring Bruno Ganz as a terminally ill writer. He attempts to rescue a young immigrant from human traffickers. Interestingly, Letterboxd users don’t seem to favor feel-good movies made after the 1930s.

1999: Fight Club

With a Letterboxd rating of 4.27, David Fincher’s *Fight Club* remains highly popular despite being a somewhat divisive film. It’s earned enough top ratings to be considered one of the best movies of 1999. I won’t say much more about it, though-you’ll understand why if you’ve seen it!

2000: Yi Yi

With a Letterboxd rating of 4.54, Edward Yang’s film *Yi Yi* – a sweeping story about a Taiwanese family across generations – is gaining popularity, potentially even more so than his film *A Brighter Summer Day*. It’s also a bit shorter, making it a good choice if you’re looking for a heartfelt family drama but prefer something less lengthy.

2001: Spirited Away

Hayao Miyazaki was already a celebrated animator before 2001, known for his beautiful hand-drawn films. However, the release of *Spirited Away* that year truly cemented his legacy. Building on the international popularity of his 1997 film, *Princess Mononoke*, *Spirited Away* earned Studio Ghibli its first Academy Award for Best Animated Feature. What’s remarkable is that, unlike many early computer-animated films from that time, *Spirited Away* still looks stunning today.

2002: City of God

With a Letterboxd rating of 4.55, this ambitious Brazilian crime film launched director Fernando Meirelles’ career. It was so popular it inspired a TV series, *City of Men*, and a recent sequel series, *City of God: The Fight Rages On*.

2003: The Lord of the Rings: The Return of the King

With a Letterboxd rating of 4.53, *The Return of the King* is highly regarded. However, I actually think it’s the least strong of the three *Lord of the Rings* films – I believe *The Fellowship of the Rings* is the best. While most Letterboxd users don’t agree, I feel quite confident in my opinion.

2004: Nobody Knows

Hirokazu Kore-eda’s film, *Nobody Knows*, tells the heartbreaking story of young siblings left to fend for themselves after their mother abandons them. It’s based on a true story and is a highly-rated, deeply moving film on Letterboxd.

2005: Linda Linda Linda

On Letterboxd, *Linda Linda Linda* currently has a rating of 4.16 and is considered one of the best films of 2005. Its recent restoration and re-release likely contributed to this high score, as older films often see a ratings increase when they’re reintroduced to audiences. The film is a comedy about a teenage rock band.

2006: Kill Bill: The Whole Bloody Affair

On Letterboxd, *Kill Bill* has a rating of 4.39. Originally, Quentin Tarantino envisioned *Kill Bill* as one continuous film for theatrical release. However, producer Harvey Weinstein persuaded him to divide it into two volumes. Later, Tarantino reassembled those volumes into a single cut called *The Whole Bloody Affair*, which he has occasionally shown at screenings.

2007: There Will Be Blood

Letterboxd users give films from 2007 an average rating of 4.46. It was a strong year for movies, and initially, the Coen brothers’ *No Country for Old Men* dominated awards. While still considered a Coen brothers’ masterpiece, Paul Thomas Anderson’s *There Will Be Blood* has since gained recognition as an even more impactful film, exploring themes of the American West and the dangers of unchecked greed.

2008: The Dark Knight

With a Letterboxd rating of 4.48, Christopher Nolan’s *The Dark Knight* was a rare superhero film that achieved both massive commercial success-earning over $1 billion globally-and critical acclaim. It’s notably higher-rated than any other film from 2008, even beating out Sion Sono’s *Love Exposure* by a significant margin. While superhero films aren’t common on this list, Nolan is known for creating superhero movies that stand apart from the usual.

2009: Inglourious Basterds

With a Letterboxd rating of 4.35, *Inglourious Basterds* isn’t personally my top Tarantino film, but it’s not surprising it’s ranked so highly for 2009. The movie seems to have many qualities that Letterboxd users appreciate: it’s a smart, historical drama taking place during World War II, and it also celebrates the impact that films can have.

2010: Incendies

With a Letterboxd rating of 4.43, this film marked a turning point for Denis Villeneuve, the director who would later create massive hits like *Dune* and *Blade Runner 2049*. Before those blockbusters, Villeneuve gained international recognition with this Canadian drama. The story follows twins who uncover secrets about their family – including a previously unknown brother – after their mother passes away.

2011: A Separation

With a budget under $1 million, Asghar Farhadi’s *A Separation* earned about $25 million in theaters and received several Academy Award nominations, ultimately winning Best Foreign Language Film – a first for Iranian cinema.

2012: The Act of Killing

I was absolutely floored by *The Act of Killing*. It’s a truly brilliant and disturbing film that fearlessly tackles the horrors of war using incredibly bold filmmaking. What struck me most was how it uncovers the story of Indonesia’s anti-Communist purges from the 1960s, not through historians, but by interviewing the very men who carried out those terrible acts. Even more shockingly, they actually *reenacted* some of their crimes for the camera! The resulting footage is brutally honest and deeply unsettling – it’s a film that really stays with you.

2013: Prisoners

Denis Villeneuve, known for his film *Incendies*, made his American debut with this intense thriller. The story follows a desperate search for a kidnapper, and when the main suspect is released by police, the son of one of the victims (Hugh Jackman) decides to seek justice himself. It’s a gripping film, but probably not the best choice for a lighthearted evening.

2014: Interstellar

With a Letterboxd rating of 4.43, Christopher Nolan’s sci-fi film exploring the powerful bonds of parenthood-and bending the rules of time and space-has become a signature work for the director. It gained even more attention with a special re-release in winter 2024, marking its 10th anniversary.

2015: World of Tomorrow

With a Letterboxd rating of 4.32, Don Hertzfeldt’s unique, hand-drawn animated films have been popular online for years. His series of sci-fi shorts, *World of Tomorrow*, is particularly beloved. These films explore big ideas – like cloning, time travel, and even the end of the world – all with Hertzfeldt’s instantly recognizable, wobbly animation style.

2016: The Handmaiden

Park Chan-wook’s 2016 erotic thriller is a hit with Letterboxd users, earning it a rating of 4.40. It’s known for its surprising plot twists, so it’s best to go in knowing as little as possible!

2017: A Taxi Driver

With a Letterboxd rating of 4.20, this film is worth checking out. It’s a Korean movie starring Song Kang-ho (known from *The Host* and *Parasite*) as a taxi driver who inadvertently becomes involved in the 1980 Gwangju Uprising. He’s hired to drive a German journalist to the city to report on the government’s handling of the protests.

2018: Spider-Man: Into the Spider-Verse

With strikingly creative animation, *Spider-Man: Into the Spider-Verse* brought a unique visual style to the big screen. Beyond its impressive look, the film delivered a strong message: anyone can be a hero by taking responsibility and doing what’s right – though having superpowers like sticking to walls and turning invisible doesn’t hurt!

2019: Parasite

As a film fan, I have to say *Parasite* is something special. It’s widely considered one of the best movies of the 21st century, and for good reason! It made history by being the first non-English language film to win Best Picture at the Oscars. What really stuck with me was how it showed the huge gap between the rich and the poor, and how far people will go when they’re desperate to climb the social ladder. It’s a film that feels incredibly relevant, and I think it will for a long time to come.

2020: The Father

As a big movie fan, I always check Letterboxd ratings, and 2020 had an average of 4.29. It’s worth noting that 2020 was a really strange year for releases because of the pandemic – way fewer films actually came out in theaters. Even *The Father*, which is the highest-rated 2020 film on Letterboxd, didn’t get a proper theatrical release until early 2021, though it did premiere at Sundance in 2020. But honestly, it’s a fantastic film. The way it tells the story – putting you right *inside* the mind of someone experiencing dementia, with Anthony Hopkins giving an incredible performance – is just brilliant, and it deserves all the praise it gets, regardless of when it was officially released.

2021: Marcel the Shell With Shoes On

With a Letterboxd rating of 4.24, this charming film blends live-action with stop-motion animation. It follows Marcel, a small creature, and what happens when a filmmaker starts documenting his life and shares the videos online. This marks the first appearance of A24, a popular indie studio, on this list, and given their recent success, it’s likely more of their films will appear in future updates.

2022: Everything Everywhere All at Once

With a Letterboxd rating of 4.26, *Everything Everywhere All at Once* is a critically acclaimed and popular film. It won an Oscar for Best Picture and is loved by many movie fans for its unique mix of science fiction, fantasy, comedy, and martial arts.

2023: Spider-Man: Across the Spider-Verse

Letterboxd users rate this film 4.41 out of 5. Only two film series appear on this list: *The Godfather* and *Spider-Verse*. This highlights how difficult it is to make a truly great sequel. The *Spider-Verse* team, however, managed to do the seemingly impossible – they built upon their already innovative film with even more Spider-People and a wider range of animation techniques.

2024: No Other Land

With a Letterboxd rating of 4.59, *No Other Land* won the 2024 Academy Award for Best Documentary Feature. Created by a collaborative team of Palestinian and Israeli artists and activists, the film explores the ongoing conflict in the Middle East. Despite critical acclaim both internationally and domestically, it wasn’t picked up for traditional distribution in the United States, so the filmmakers released it themselves in theaters and online.