The 5 Best New TV Shows of June 2025

If you consider BritBox, it’s probably where you envision an abundance of swappable cozy mysteries and period dramas set in Victorian times. However, this British-centric streaming platform, supported by BBC and ITV, has a wealth of offerings beyond that. For instance, among the top TV shows I discovered in June were BritBox titles focusing on the intriguing Mitford sisters and a man of advanced years hiding two distinct lives. Furthermore, don’t miss out on these other recommendations for this month: a bubbly Bravo premiere, a thought-provoking series about the demise of Denmark, and a golf-themed comedy featuring Owen Wilson.

Families Like Ours (Netflix)

Imagine a scenario where your nation’s leaders decide, in a composed and logical manner, that it should no longer exist. They then begin a systematic closure, as the currency loses value and people rush to find new homes. This chilling hypothetical forms the basis for the Danish drama “Families Like Ours“. In this production, Denmark is gradually being evacuated due to rising waters, which threaten to engulf the small, coastal nation. Although this premise could easily be associated with dystopian science fiction, the creator Thomas Vinterberg—a renowned Danish filmmaker known for his works such as “Another Round“, “Far From the Madding Crowd“, and “The Hunt” in the U.S.—approaches this catastrophe through the lens of family drama.

During the turmoil, we encounter 17-year-old Laura (Amaryllis April Maltha August), who’s developing feelings for her classmate Albert Rudbeck Lindhardt, who is moving to Finland as she aims for the Sorbonne. As her architect father Nikolaj Lie Kaas prepares to work in Paris, his ex-wife, Laura’s mother Paprika Steen (a science journalist) grapples with the idea of living in a dormitory in Bucharest due to financial constraints, alongside other Danish residents unable to afford relocation. Vinterberg has carefully considered not just the political, environmental, and economic aspects of this impending crisis but also its impact on family bonds. The performances are outstanding. Although the series does not directly compare its affluent, white climate refugees with their underprivileged contemporaries, it subtly highlights the apathy of the international community towards the plight of the stateless. A Frenchman expresses his sympathy to new Danish friends about their country’s situation with as much gravity as someone consoling over a disappointing holiday. “Everyone in my family is talking about it,” he says.

In a chaotic time, we meet 17-year-old Laura who has feelings for her classmate moving to Finland while she aims for the Sorbonne. Her father prepares to work in Paris, but her mother, a science journalist, may have to live in a dormitory in Bucharest due to financial constraints. The series shows how this crisis affects families and subtly criticizes the indifference of the international community towards the plight of the stateless. The acting is excellent. Although it doesn’t explicitly compare rich white refugees with their less fortunate counterparts, it suggests some interesting ideas about global apathy. A Frenchman expresses sympathy for the Danish friends as he would for someone on a bad vacation. Everyone in his family is discussing it.

Mr. Loverman (BritBox)

Barrington Walker, born in Antigua, spent his 75 years on Earth remarkably. He moved to Britain as a young adult, achieved business success, raised two daughters with his wife Carmel (Sharon D. Clarke), and can now fund his grandson Daniel’s (Tahj Miles) education at an exclusive private school. However, for more than half a century, Barry (Lennie James) has concealed a significant secret: his long-term romantic relationship with his lifelong friend Morris (Ariyon Bakare). As he becomes aware of the limited time left to live honestly and his wife Carmel suspects his infidelity, straining their already fraught marriage, Barry decides to seek a divorce and spend the remainder of his days with the man he has always loved.

Barrington Walker, born in Antigua, lived an extraordinary life for 75 years. He moved to Britain as a young man, built a successful business, raised two daughters with his wife Carmel (Sharon D. Clarke), and is now able to pay for his grandson Daniel’s (Tahj Miles) education at a prestigious private school. For over half a century, he kept a big secret: he was in a long-term relationship with his friend Morris (Ariyon Bakare). As he realizes time is running out and his wife Carmel suspects his unfaithfulness, putting strain on their marriage, Barrington decides to divorce Carmel and spend the rest of his life with Morris.

The fundamental idea behind “Mr. Loverman” is richly complex, as portrayed in this engaging half-hour drama written by Nathaniel Price (known for “The Outlaws”). Based on Bernardine Evaristo’s novel, the performances by James, Clarke, and Bakare are outstanding. At first glance, Carmel might seem like a typical churchgoer, but Price shows compassion towards each character, giving her the depth and backstory she deserves. The series is rooted in the immigrant community of the Walkers, yet it explores harrowing moments without neglecting to infuse it with a strong emotional core and a sharp sense of humor. Despite the challenges faced by Barry and Morris within their closet, “Mr. Loverman” manages to maintain an optimistic tone.

Next Gen NYC (Bravo)

In simpler terms, Bravo’s new soap opera, “Next Gen NYC,” might not be everyone’s cup of tea as it doesn’t align with the conventional definition of a good show. If you haven’t enjoyed the Real Housewives series, this probably won’t change your mind. However, for those who appreciate lighter drama, this show seems to fill a void that Bravo has been missing in their programming, which has been leaning more towards trauma-based reality shows lately. The main characters are young adults related to famous housewives such as Kandi Burruss, Kim Zolciak, Meredith Marks, and Teresa Giudice. Their friends’ group is primarily made up of influencers (Emira D’Spain) and children of well-known figures (Damon Dash and Rachel Roy’s daughter Ava). The noteworthy character, Charlie Zakkour, gained fame due to his connection with a high-profile crypto-related kidnapping.

Initially, the storylines have been quite outrageous: For instance, Charlie teases Brooks Marks about having romantic feelings for his sister! Furthermore, Georgia McCann, a native New Yorker, shocks the group by neglecting to wash her hands after using the restroom! (When will the criticism of NYC end?) The genuine challenge of finding an apartment under $6000 per month is indeed a struggle! If the thought of spending time with these characters makes your skin shudder… I can’t blame you. But if you find amusement in delving into the lives of the wealthy, this series could be just what you need for a summer escape.

Outrageous (BritBox)

If your family gatherings seem overshadowed by political division, consider the situation of the Mitford sisters. In the 1930s, these six vivacious women with aristocratic lineage and unconventional ideologies occupied significant positions on a spectrum that stretched to extraordinary extremes. Stylish Diana divorced her husband to align with British fascist leader Oswald Mosley; her sister Unity embraced Nazism, settling in Germany and gaining access to Hitler’s inner circle. Influenced by the Popular Front during the Spanish Civil War, Jessica became a communist and eventually a journalist. The eldest, Nancy, authored sharp-witted novels about her social milieu—as well as a satire of fascism titled “Wigs on the Green.” (While Pam and Deborah led equally intriguing lives, albeit less public and politically charged.)

The engaging and insightful adaptation of Mary S. Lovell’s book The Sisters: The Saga of the Mitford Family, titled Outrageous, vividly portrays life on the financially strapped Mitford estate during the 1930s, a time when Europe was engulfed in conflict and the sisters – then teenagers and young adults – yearned to be involved. Notably, it is Nancy (Bessie Carter from Bridgerton, who delivers an outstanding performance) whose sardonic voice guides us through her family’s fragmentation, as she grapples with her own romantic dilemmas. The cold yet impulsive Diana (Joanna Vanderham) sabotages her relationship with Nancy due to a satirical novel. Jessica (Zoe Brough, perfectly conveying intensity) and Unity (Shannon Watson, convincingly portraying her character as an obsessed fan) initially share a playful camaraderie in their shared bedroom, but soon find themselves at odds over Unity’s alarming anti-Semitic views. Few real-life stories could be more relevant today, raising the question of whether it is possible to continue loving a relative whose beliefs are deeply offensive. Remarkably, creator Sarah Williams skillfully moves from early storylines depicting a large, affectionate, and eccentric family to later episodes that address Diana and Unity’s heinous actions without succumbing to despair or gloom.

Stick (Apple TV+)

Daddy Issues” Dominates Third Episode of Apple TV+’s Golf Comedy “Stick”, Suggesting It Could Be the Show’s Theme

Written by Jason Keller, who penned the movie “Ford v. Ferrari”, this episode stars Owen Wilson as Pryce Cahill, a former golf prodigy who experienced a public downfall 20 years ago and has been stuck in his past ever since. He’s still working at a sports store, hesitant to finalize his divorce initiated by his patient wife (Judy Greer), resistant to moving out of their old home, and unwilling to accept that he’s no longer a husband, father, or professional athlete.

When Pryce encounters a rebellious teenager at a driving range, Santi (Peter Dager), who shows great golfing potential, he sees an opportunity for redemption. However, Santi, whose relationship with his estranged father was strained due to overbearing expectations, isn’t particularly enthusiastic about the idea of taking on another demanding father figure.

The show seems overly familiar and emotionally manipulative, much like a typical comedy that discusses men’s emotions and relationships through the lens of sports, similar to what we’ve seen in Ted Lasso. Admittedly, some parts of Stick feel overly contrived…However, despite its formulaic approach, Stick still manages to deliver an engaging experience. [Read the full review.]

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2025-06-27 19:06

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