The 21 movies we’re most excited to see this fall

This summer, Hollywood showed some solid performance, and it wouldn’t be truthful to say we didn’t find many appealing aspects (even if they weren’t always superhero roles). As autumn approaches, just as predictably, ambitious actors will strive to portray rock legends. Accents will be practiced, some perfected. Epic stories about witches, good or bad, will reach their ends. Academy award winners will depict Nazis. Jared Leto will undoubtedly continue in his unique roles. The story of a wrestler will tug at our heartstrings. These are the things we look forward to in a vibrant fall season, and the upcoming one won’t fail to impress. Here’s what our team is most excited about.

‘The Long Walk’ (Sept. 12)

As a movie enthusiast, I can’t help but imagine being part of an exhilarating journey in a future America governed by a totalitarian regime – straight out of the silver screen! Picture yourself, joining a group of courageous young individuals participating in a grueling nationwide endurance competition. Here’s the twist: if you ever decide to stop walking, it’s game over, and not in a good way.

Originally penned by Stephen King under his pseudonym Richard Bachman back in 1979, “The Long Walk” is now brought to life by the masterful hands of Francis Lawrence, known for his prowess in dystopian survival narratives, like The Hunger Games. This cinematic odyssey is set against the backdrop of a single winner reaching the finish line, with Cooper Hoffman (from Licorice Pizza) among the competitors and Mark Hamill taking on a chilling role as the relentless Major in charge.

As we venture deeper into this harrowing contest, cameras and troops transform the asphalt into an unforgiving arena. Over the years, adaptations of King’s works have been plentiful, but few instill the kind of slow-building, bone-chilling suspense that “The Long Walk” promises. With its political undertones of spectacle-driven militarization lurking around every corner, this story is sure to leave you on the edge of your seat. So remember to wear comfortable shoes and stay hydrated for this unforgettable cinematic experience!

Crafted by Josh Rottenberg.

‘Eleanor the Great’ (Sept. 26)

As a cinephile, I’d say:

I can’t help but rave about the captivating duo of Scarlett Johansson and June Squibb this fall season! Scarlett has already shone brightly with her summer hit “Jurassic Park Rebirth,” while the incredible June Squibb, at a sprightly 95 years old, continues to gather critical acclaim for her recent roles. One of her latest performances was as a vengeful grandmother in the upcoming film “Thelma” in 2024.

But it’s their collaboration in “Eleanor the Great” that truly takes the cake. This marks Scarlett’s directorial debut, and June plays Eleanor, a woman falsely claiming to be a Holocaust survivor, only to privately worry as her lie spirals out of control. The film was met with immense praise at Cannes, making it one of The Times’ top 10 picks at the festival.

Greg Braxton has all the details!

‘One Battle After Another’ (Sept. 26)

Paul Thomas Anderson, known for the intense oil-drenched drama “There Will Be Blood,” the raunchy extravaganza of “Boogie Nights,” and the intricate sophistication of “Phantom Thread,” might seem an unexpected pick to helm a large-scale Imax action-thriller, making the upcoming film “One Battle After Another” all the more exciting. This movie, loosely based on Thomas Pynchon’s 1990 novel “Vineland,” moves the book’s web of political animosities to a contemporary setting where former activists are compelled to reunite when their long-absent adversary reemerges.

Leonardo DiCaprio portrays a drug and alcohol-dependent revolutionary on a mission to save his abducted daughter, with Teyana Taylor, Regina Hall, and Alana Haim playing his fellow fighters. Benicio del Toro stars as Sensei Sergio, the unpredictable ally, and Sean Penn portrays Col. Steven J. Lockjaw, the white-supremacist antagonist.

While Anderson previously adapted Pynchon’s work in the eccentric “Inherent Vice,” this time he tackles a larger scale. Filmed on 35mm VistaVision, “One Battle After Another” offers a unique opportunity to witness Anderson’s subtle detours, offbeat humor, and dramatic shifts typically found in films of Michael Bay.

‘Anemone’ (Oct. 3)

Originally marketed as a depiction of the relationships among fathers, sons, and brothers via “individual odysseys and generational strife,” which is reminiscent of many films out there. However, unlike the storyline, the casting is what truly stands out in this production. Remarkably, Daniel Day-Lewis, who announced retirement in 2017, is reportedly back on board for “Anemone.” Interestingly enough, he’s working with his son, Ronan Day-Lewis, a New York-based artist who also directs the film. This will be Daniel Day-Lewis senior’s second time coming out of retirement, having returned to acting after Martin Scorsese persuaded him for “Gangs of New York,” which garnered him two more Oscars. (Although it’s important not to set too high expectations for “Anemone.”) In addition to Day-Lewis, the cast includes Sean Bean, Samuel Bottomley, Safia Oakley-Green, and Samantha Morton. – Mary McNamara

‘The Smashing Machine’ (Oct. 3)

What’s Dwayne Johnson, formerly known as the Rock in numerous franchises, cooking up next? An intriguing career shift indeed! Instead of continuing to be the leading star of many franchises with fewer critical acclaims, he’s teamed up with Benny Safdie, a renowned director in independent cinema. Their upcoming collaboration, titled “The Smashing Machine,” is an exciting venture following Johnson as Mark Kerr, a multiple gold medal-winning MMA fighter from the ’90s and early 2000s who battled addiction to painkillers to keep fighting. Interestingly, this role echoes his real-life struggles as depicted in a 2002 HBO documentary titled “The Smashing Machine” as well. We’re eager to see how Safdie’s signature gritty style will portray the harsh reality of combat sports. Hopefully, it promises a raw and unfiltered portrayal – no punches pulled! – Amy Nicholson

‘After the Hunt’ (Oct. 10)

As a movie enthusiast, I’m excited about Luca Guadagnino’s upcoming film, “After the Hunt.” Known for his provocative storytelling in films like “Call Me by Your Name” and “Challengers,” Guadagnino is renowned for pushing moral boundaries. This new project seems to be a daring exploration of his risqué narrative style.

Starring Julia Roberts as a college professor, the film revolves around an accusation of assault made against her colleague by one of her students (Ayo Edebiri from “The Bear”). The intrigue deepens as counter-accusations are thrown into the mix, leaving Roberts’ character in a state of confusion and fear. She finds herself questioning who to trust and worrying that this wave of blame might expose her own ethically questionable past.

Guadagnino has hinted at his interest in examining how different people (and generations) interpret consent, which promises an intriguing exploration of the topic. The early buzz suggests that Roberts delivers a powerful performance, one that’s been long awaited by fans. It’s also worth mentioning that despite Guadagnino’s acclaimed body of work, he hasn’t yet claimed an Oscar for his directorial efforts. – Amy Nicholson

‘A House of Dynamite’ (Oct. 10; on Netflix Oct. 24)

Kathryn Bigelow, renowned for directing “The Hurt Locker” and “Zero Dark Thirty,” has a knack for transforming real-life emergencies into tense procedurals. In her new film “A House of Dynamite,” she switches the battlefield for the White House, focusing on a group of officials rushing to handle an impending missile alert as it unfolds almost in real time. The impressive ensemble includes Idris Elba, Rebecca Ferguson, Jared Harris, Greta Lee, Tracy Letts, Anthony Ramos, and Jason Clarke. Shot with intense realism by cinematographer Barry Ackroyd and edited by Kirk Baxter, who worked on “The Social Network” with David Fincher, this is Bigelow’s first feature film in eight years since her crime drama “Detroit.” In this movie, the tension revolves around situation rooms, red phones, and conflicting command structures. The fuse is bureaucratic, and the risks are global. – Josh Rottenberg (Paraphrased by Mistral AI)

‘If I Had Legs I’d Kick You’ (Oct. 10)

In simple and engaging language:

This year’s most frightening movie follows Linda (played by Rose Byrne), a therapist from Montauk, as she navigates through a day – or perhaps her entire life? Linda is grappling with a daughter who has an unexplained illness that affects her eating, a leaking ceiling, a husband who’s disappeared, and a distant therapist (Conan O’Brien) for support.

Mary Bronstein’s second film masterfully explores the grimly humorous side of motherhood’s isolating and chaotic nature, often focusing on Byrne’s expressive face as she reaches her breaking point. Notably, ASAP Rocky portrays James, an unexpected ally with a questionable internet history, whom Linda encounters when her water emergency forces her to stay in a motel.

The film, produced by Josh Safdie for A24, received high praise at this year’s Sundance and critics are already predicting Byrne’s performance as Oscar-worthy.

– Yvonne Villarreal

‘Tron: Ares’ (Oct. 10)

AI development keeps advancing onscreen, and while films like “Dead Reckoning” may present ominous Entities threatening our world’s end, there are AI versions like M3GAN 2.0 waiting to assist us with a casual eye roll. Movies such as “Tron: Ares” aim for a middle ground, pitting intimidating, skyscraper-sized machines against Jared Leto. But let’s be honest, you didn’t come here for the storylines. What makes these movies appealing is the return of Jeff Bridges, who appears in a cameo from the original 1982 Atari era. Furthermore, Trent Reznor and Atticus Ross, known for their Nine Inch Nails music, have returned with an industrial-rock score described as “grittier” than their previous work like “Challengers.” The rhythmic soundtrack will surely get you bobbing your head through the lightcycle race sequences. Essentially, this film is a summer movie released in the fall, and given the increasing noise of award season, we could all use a few more of these! – Joshua Rothkopf

‘Good Fortune’ (Oct. 17)

Have you recalled the delightful memories of watching comedies? Reminisce about the moments spent in a cinema hall filled with people you’ve never met before, all sharing laughter and joy? Do you remember Aziz Ansari, who charmed us on “Parks and Recreation” as well as co-created, starred in, and even wrote and directed the Netflix romantic comedy series “Master of None”? It’s been quite some time. Initially planned for a 2022 release, Ansari’s first feature film as director faced delays due to allegations against Bill Murray regarding inappropriate behavior, eventually leading to production halt and no resumption.

Now, Ansari is making his debut with an original comedy entitled “Brand New World,” starring Keanu Reeves as a guardian angel who switches lives between a struggling gig worker (Ansari) and his affluent boss (Seth Rogen). This film could be likened to “Trading Places” mixed with a touch of Wim Wenders’ style. It has the potential to be simply wonderful, or it might turn out to be a chaotic mess. Nevertheless, it offers an original story from a versatile artist who was once widely acknowledged as a prominent talent in the industry. I’m definitely curious to see how it unfolds. – Glenn Whipp

‘It Was Just an Accident’ (Oct. 17)

In their most daring form, films can provoke reflection and reevaluation. The poignant and enraged political thriller “It Was Just an Accident,” by Iran’s Jafar Panahi, made a powerful entrance at Cannes, winning the Palme d’Or in a remarkable turn of events for a filmmaker who has frequently faced imprisonment or house arrest, his work banned. Reflecting on it further, the movie has shown me much about the fragility of common courtesies. While I don’t wish to spoil it, a comparison could be drawn to something like “Death and the Maiden.” When roles are reversed, does vengeance lead only to a moral impasse? Inspired by a particularly hard-hitting script, this is a film that will prompt you to ponder petty behavior and righteousness. It’s not every fall movie season without the Palme winner, with last year’s “Anora” being a prime example. – Joshua Rothkopf (Paraphrased version)

‘Bugonia’ (Oct. 24)

Greek filmmaker Yorgos Lanthimos, known for creating abstract and allegorical films that can be off-putting at times, has achieved commercial success and critical acclaim. His new project is a remake of the 2003 South Korean film “Save the Green Planet!”, where activists kidnap a pharmaceutical executive they believe is an alien, with Jesse Plemons and Emma Stone in key roles. Lanthimos’ work frequently blends dark comedy, a surprising romantic element, and strong political messages, and this film appears to delve into the heated energy of conspiracy theories and extreme anti-corporate sentiments. Emma Stone, who won an Oscar for her role in one of Lanthimos’ films, continues to leverage her Hollywood fame to support unconventional directors. This will be their fifth collaboration. – Mark Olsen

‘Springsteen: Deliver Me From Nowhere’ (Oct. 24)

In a more skeptical perspective, one might argue that this film aims to replicate the commercial success of music-themed dramas like “A Complete Unknown” and “Bohemian Rhapsody.” However, Bruce Springsteen’s authentic, unpolished recordings from his 1982 “Nebraska” album appear to be a stark contrast to such manipulative strategies. Directed by Scott Cooper, the movie stars Jeremy Allen White, who fits the role following his performance in “The Bear,” along with Jeremy Strong as Springsteen’s loyal manager Jon Landau, and notable supporting roles from Paul Walter Hauser, Stephen Graham, Gaby Hoffmann, Odessa Young, and Marc Maron. This 1970s-style character study about the creation of a timeless ’80s album, featuring some of the most promising actors of 2025, presents an intriguing paradox – it’s both surprising and yet fittingly logical. – Mark Olsen

‘Die My Love’ (Nov. 7)

In a departure from traditional grammar, film director Lynne Ramsay seems to have left out a comma since her last work at Cannes. However, this technicality is insignificant compared to the raw, punk-like intensity of her newest production, “Die My Love,” which echoes the power of her 2002 masterpiece, “Morvern Callar.” Jennifer Lawrence, post her role in “Causeway,” has found a kindred spirit in Ramsay, bringing a focused and fearless performance to the table. The film’s psychodrama set in a Montana swamp grips viewers as it portrays the dying agonies of a marriage that lacks reasons to survive. Lawrence and Robert Pattinson star as a city couple who doubt their future together, a doubt Ramsay skillfully exploits, revealing vulnerability in both characters. The film’s explicit love scenes are noteworthy, but they are just one aspect of the movie. – Joshua Rothkopf

‘Nuremberg’ (Nov. 7)

In November 1945, several top-tier Nazi Party officials, including Hermann Göring, Adolf Hitler’s deputy, faced accusations for crimes against peace, war crimes, and crimes against humanity. Göring is a key figure in the upcoming film “Nuremberg,” directed by James Vanderbilt. The movie, inspired by Jack El-Hai’s 2013 book “The Nazi and the Psychiatrist,” centers on the dynamic between Göring (portrayed by Russell Crowe) and Douglas Kelley (Rami Malek), a psychiatrist who was assigned to evaluate whether Göring and other defendants at Nuremberg were mentally fit to stand trial. Initially, some Allied leaders favored swift executions over trials due to concerns about potential Nazi sympathies. Despite this, Göring, known for his arrogant, unapologetic demeanor, a wicked sense of humor, and defense that mirrored his ambition to make Germany great again, put up a fierce fight. It’s challenging to picture a more fitting actor than Crowe for the role, while Malek appears ideal for portraying Kelley, who was deeply impacted by realizing that the Nazis were essentially no different from any other group of intelligent executives. – Mary McNamara

‘Predator: Badlands’ (Nov. 7)

Director Dan Trachtenberg breathed new life into the “Predator” series with his 2022 prequel “Prey,” which featured a fierce young Comanche warrior (Amber Midthunder) battling a fresh version of the famous alien hunter. Since then, I’ve been eagerly awaiting Trachtenberg’s next contribution to this universe. Unlike “Prey,” which was set in Earth’s past, “Predator: Badlands” transports us to a distant future planet devoid of human characters. In this installment, the focus shifts to a young Predator outcast (Dimitrius Schuster-Koloamatangi) who crosses paths with an android (Elle Fanning), created by the Weyland-Yutani Corporation from the “Alien” franchise, during his hunt for the most lethal creatures. The idea of a partnership between a Predator and a synthetic character was captivating, but seeing an alien warrior carrying half an android on his back really caught the eye of a fan like me who enjoys “Star Wars.” – Tracy Brown

‘Sentimental Value’ (Nov. 7)

In the sequel to their critically acclaimed project “The Worst Person in the World,” Norwegian director Joachim Trier and actress Renate Reinsve reunite for “Sentimental Value.” This thought-provoking film earned the second-place Grand Prix award upon its debut at Cannes this year. The movie delves deeply into themes of family, heritage, and the very essence of art. Reinsve portrays a vulnerable actor whose father, brilliantly played by Stellan Skarsgård, penned a role for her. However, she turns down the opportunity due to their complicated past, leading him to cast an American newcomer (Elle Fanning) instead. Inga Ibsdotter Lilleaas adds a surprising boost to the film as Reinsve’s sister. Trier masterfully navigates varying moods and tones, showcasing the exceptional talent of all actors while blending witty, bittersweet humor with profound insights. – Mark Olsen (Paraphrased by Mistral AI)

‘Train Dreams’ (Nov. 7, on Netflix Nov. 21)

Train Dreams,” a film by Netflix, is not something we imagined at Sundance. This classically constructed drama set in the American West, primarily told from a logger’s perspective, carries an understated elegance reminiscent of Terrence Malick films. However, some viewers might find Joel Edgerton’s bushy beard a bit off-putting. Despite this, his performance is captivating and nonverbal, with Will Patton providing a folksy narration as the mouthpiece. The film, co-written by Clint Bentley and Greg Kwedar (the duo behind “Jockey” and “Sing Sing”), is an adaptation of Denis Johnson’s 2011 novella. This beautifully crafted movie could transport you to a calmer era in history and also remind you of the untouched, fog-covered countryside that still exists amidst our modern noise. – Joshua Rothkopf

‘Jay Kelly’ (Nov. 14; on Netflix Dec. 5)

A renowned actor, approaching his twilight years, finds himself introspectively revisiting his past and purpose, en route to Europe for a lifetime achievement award. This new film titled “Jay Kelly,” featuring George Clooney in the lead role, seems to resonate with Clooney’s own journey or the philosophical dilemmas that only someone of his stature might encounter.

Directed by Noah Baumbach, who collaborated on the script with Emily Mortimer, “Jay Kelly” could also reflect Baumbach’s personal musings – a reflection of his experience following the mixed reception to his previous film, “White Noise,” and the extraordinary success of “Barbie.” The star-studded cast for “Jay Kelly” boasts Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Stacy Keach, Jim Broadbent, Mortimer, and Gerwig. With Baumbach’s signature blend of humor and drama that often strikes as much as it amuses, this film promises to deliver an impactful performance. – Mark Olsen

‘The Running Man’ (Nov. 14)

Seven years ago, a movie enthusiast tweeted to director Edgar Wright if he’d ever consider directing a remake of “The Running Man”. Fast forward to now, and that’s exactly what Wright has done. The appeal of this action-thriller has always been its ability to tap into our imaginations, with Stephen King coming up with the concept of a lethal television competition way back in 1982, long before reality shows like “Survivor” brought the excitement of real-life struggles into our homes. Set in the future of 2025, King’s story seems less far-fetched today. Edgar Wright’s task now will be ensuring his updated version maintains its impact. Actor Glen Powell has taken on Arnold Schwarzenegger’s role in the movie, playing a tough and resilient contestant who fights for survival. The supporting cast includes Josh Brolin, Colman Domingo, Lee Pace, Michael Cera, and Katy O’Brian. Here’s to hoping this long-awaited project crosses the finish line with style! – Amy Nicholson

‘Wicked: For Good’ (Nov. 21)

Waiting for Part 2 of Jon M. Chu’s musical extravaganza has felt like an eternity, much like the extended “aaaaaaaahhh” from Cynthia Erivo in the powerful “Defying Gravity.” Adapted from the Broadway musical, this split epic primarily unfolds before “The Wizard of Oz,” delving into the beginnings of Elphaba (Erivo), who later becomes the infamous Wicked Witch of the West. Her intricate relationship with Glinda (Ariana Grande) is also a central focus.

The first installment concluded with Elphaba discovering the harsh realities of oppression in Oz’s Emerald City and rebelling, soaring away on her broomstick. The sequel will delve into how their friendship evolves into an adversarial relationship that we initially encountered through Dorothy and friends. It remains to be seen which will be more thrilling – the promotional journey or the movie itself!