Teri Garr, comedic actor in ‘Young Frankenstein’ and ‘Tootsie,’ dies at 79

Teri Garr, comedic actor in 'Young Frankenstein' and 'Tootsie,' dies at 79

Reflecting upon the life of Gilda Radner, I am deeply moved by her incredible journey from North Hollywood to the bright lights of Broadway and beyond. Born just a few days before Christmas in 1944, she faced adversity early on when her father passed away at a young age. However, it was her mother’s resilience and resourcefulness that instilled within Gilda an unquenchable spirit and optimism that would carry her through her life.


Actress Teri Garr, renowned for her comedic talent, passed away recently. She gained recognition through her film appearances in “Young Frankenstein,” “Oh, God!”, and “Tootsie,” with the latter earning her an Academy Award nomination.

In 2002, Garr publicly shared that she had multiple sclerosis and served as an advocate for the condition since then. Unfortunately, she passed away from the illness on Tuesday in Los Angeles, with her loved ones by her side, according to her publicist Heidi Schaeffer. Additionally, Garr underwent surgery in 2006 to repair a brain aneurysm. She was 79 years old.

In the 1982 movie “Tootsie,” where she portrayed Dustin Hoffman’s long-struggling girlfriend, the New Yorker critic Pauline Kael described Garr as the “most hilarious neurotic, flighty woman on screen.” Ms. Magazine noted that she exuded both vulnerability and satire simultaneously.

Richards Dreyfuss’ roles often featured troubled wives: She played the worried partner in “Close Encounters of the Third Kind,” the skeptical one in “Oh, God!”, and the overworked mom next to Michael Keaton in “Mr. Mom.

In 1986, Garr told Reuters, “I appear to shine in those areas.” He added, “Once you’ve gotten a chance to play one type of role, that’s the kind they typically offer you. I can’t complain – if I did, I’d be complaining about my entire career.

In her debut film, “The Conversation” directed by Francis Ford Coppola, she appeared in a minor role as Gene Hackman’s girlfriend and garnered positive feedback from critics. In the same year, she made a significant impact in “Young Frankenstein,” a comedy parody by Mel Brooks. Portraying a liberated lab assistant with a German accent, Garr demonstrated her comedic talent, as stated in The Times’ review.

2005 saw the two acts strike a harmonious blend, suggesting that this actress is both skilled at acting and possesses comedic talent, as stated by Garr on National Public Radio.

In the movie “After Hours,” she portrayed a quirky, unsure waitress who drew pictures of ’60s icons. The Times described her acting as “strangely endearing.” Kael admired her “shining uniqueness.

Teri Garr, comedic actor in 'Young Frankenstein' and 'Tootsie,' dies at 79

In “One From the Heart,” Coppola cast Garr, a previous dance professional, for an initial significant role. Together with Frederic Forrest, Garr danced passionately through a Vegas street, tangoing all the way. While shooting the movie, a shard of glass cut Garr’s foot tendon; years later, she would ponder if this accident may have ignited her multiple sclerosis.

Following Garr openly disclosing her Multiple Sclerosis diagnosis – a condition that impacts the nervous system – she frequently made light of the situation by saying she was still landing roles “despite the fact, as you might know, in Hollywood, aging is more difficult than having a disability.

In her role as a compensated advocate for MS LifeLines, a knowledge-sharing initiative backed by pharmaceutical firms, Garr journeyed across various regions to deliver talks on the subject of the disease.

In 1983, during a jog, she initially experienced an unusual sensation in her foot that felt like a buzz. This condition went unidentified until 1999, when she consulted with the head of the neurology department at what is now known as the Keck School of Medicine of USC.

In her 2005 autobiography “Speedbumps: Flooring It Through Hollywood”, she described Multiple Sclerosis as an unpredictable ailment, likening its sudden and inconsistent appearances to certain boyfriends who seemed to show up unexpectedly at inconvenient moments and then mysteriously vanish.

Teri Ann Garr was born into a show-business family in Los Angeles but spent her early years moving around the country so her father, Eddie Gonnaud, later Garr, could work in vaudeville. Her mother, Phyllis, was a Rockette.

When Garr was eight years old, the family, consisting of him and his two elder brothers, relocated to North Hollywood. His father held a job within the television industry and contributed to the production of the movie featuring Marilyn Monroe titled “Ladies of the Chorus.

Garr, who was born on December 11th, 1944, often evaded discussing her age, but consistently mentioned that she was just eleven when her father passed away due to a heart attack. An obituary for him appeared in the New York Times in September 1956, implying her birth year as 1944, a detail found in early biographical accounts.

She attributed her optimistic outlook to her resourceful mother, who, following her husband’s passing, displayed remarkable resilience by devising innovative methods to manage their finances, such as leasing out the front part of their house. Additionally, her mother worked in the costume department at NBC.

In my fourth-grade year, my classmate and I would often share laughter at my jokes, making my comedic skills quite evident. This was acknowledged by my teacher who wrote me a note, saying, “You’ll grow up to be an outstanding comedian someday,” which I still remember vividly from my autobiography.

She dreamt of becoming a leading ballerina, and this ambition intensified after her father passed away. In high school, she danced with a ballet troupe based in San Francisco, yet a tune by Elvis Presley that drifted into her hotel room sparked her desire to perform to more contemporary music instead.

Following her graduation from North Hollywood High School, she appeared in a theatrical adaptation of “West Side Story.” With just one line, she managed to elicit laughter, igniting a passion within herself to pursue acting as a career.

Initially, her significant breakthrough was in television advertisements. Following this achievement, she decided to focus entirely on show business and left California State University Northridge, where she had been studying speech and drama for a span of two years.

In 2000, with his typical humor, Garr shared with the Ottawa Citizen, “At one point, I jokingly said I scrabbled my path to mediocrity.

In the 1960s, she gracefully moved her body on the ABC music program “Shindig!” and starred as a dancer in nine Elvis Presley films, one of which was “Viva Las Vegas.

In one of her initial roles, Garr portrayed a quirky secretary in a 1968 episode of “Star Trek.” To highlight her major debut, she innovatively followed a Hollywood custom, publishing an ad in Variety that encouraged viewers to catch her “smile on ‘Star Trek.'”, accompanied by pictures of her dental X-rays.

In the early ’70s, for quite some time, I had the privilege of being Cher’s comedic partner on “The Sonny and Cher Comedy Hour” that aired on CBS. On one occasion, I even stepped into the role of her canine companion!

After her film career crested in the mid-1980s, Garr increasingly turned toward the small screen.

She acted as the lead in the CBS satire of soap operas titled “Fresno” in 1986 and appeared in several TV series that didn’t last long. Primarily, she made appearances on numerous television shows, one of which was playing the quirky biological mother of Lisa Kudrow’s character, Phoebe, on NBC’s “Friends” during the late ’90s.

On the chat-show rounds quite frequently, Garr became a regular face on David Letterman’s late-night program, leading to persistent speculation about a romantic relationship, which she regularly dismissed.

Despite swearing off marriage due to concerns it might hinder her career, Garr found herself longing for a family in her mid-40s. She married John O’Neil, a contractor, on the very day their adopted daughter Molly was born in 1993. However, the marriage lasted only three years before ending.

Garry, who used a leg support device for many years, was sincere when she attributed the deceleration of her acting career not to her health issues but to ageism. Despite this, she still made occasional appearances on TV and in movies, with “Unaccompanied Minors” being one such example in 2006.

To be honest, I found myself pondering, “Why should there be a distinction between facing barriers in Hollywood due to disability or age as a woman over 50?

Garr is survived by her daughter, Molly O’Neil, and grandson, Tyryn, whom she adored.

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2024-10-29 21:31

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