Movies

Tarantino watched WHAT 3 times?! You won’t believe which show!

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Quentin Tarantino, the renowned movie director known for hits like “Pulp Fiction” and “Inglourious Basterds,” doesn’t casually recommend TV shows. So when he praised a certain series for its dialogue, it was significant. Known for his witty and incisive scriptwriting in Hollywood, Tarantino doesn’t give compliments lightly. When he admitted to re-watching the series three times just to appreciate the dialogue, it was a strong endorsement. Interestingly, while Tarantino has been critical of certain prestige dramas, there’s one show he found captivating, and surprisingly, it wasn’t a crime thriller.

Quentin Tarantino, a renowned filmmaker known for his expertise in crafting dialogue for fast-talking characters and morally intricate monologues (as seen in shows like The West Wing and Studio 60), created the show that’s under discussion – Aaron Sorkin being its writer. What sets Tarantino apart is his deep appreciation for this particular show, not because of its plot twists or cliffhangers, but rather due to the exceptional writing by Sorkin. Given Tarantino’s extensive experience in perfecting the pacing and flow of dialogue on screen, this endorsement speaks volumes. The TV series that captivated Tarantino so strongly he watched every episode three times is none other than HBO’s The Newsroom, and his admiration for its dialogue underscores the immense power of compelling television writing.

Quentin Tarantino Watched HBO’s The Newsroom Three Times

Tarantino Couldn’t Get Enough Of The Newsroom’s Dialogue – Literally

Quentin Tarantino, in an interview with Variety in 2015, confessed that there was one TV series he found himself rewatching frequently. It wasn’t merely for entertainment, but rather to immerse himself completely in its writing. The series that held a special place in Tarantino’s heart was “The Newsroom,” a drama created by Aaron Sorkin and broadcast on HBO from 2012 to 2014.

Currently, my favorite HBO series is Aaron Sorkin’s “The Newsroom”. I watched this show not just once, but three times! I’d catch it every Sunday at 7 PM when a new episode aired. After it finished, I’d rewatch the entire episode. During the week, I’d often find myself tuning in again, simply to appreciate the dialogue one more time.

In a departure from his usual critique of other popular shows, Quentin Tarantino singled out “The Newsroom” as exceptional. Unlike casual compliments often given to workplace comedies or Aaron Sorkin’s works, this praise comes from one of cinema’s most dialogue-focused directors.

The Newsroom revolves around fictional television news anchor Will McAvoy (portrayed by Jeff Daniels), who heads a group of dedicated journalists striving to report the news truthfully. This series blends real-life events with fictitious characters, using the intense environment of broadcast journalism as a setting for Sorkin’s distinctive style – impromptu discussions while walking, thoughtful debates, and quick-witted dialogue.

Despite its short run of three seasons, The Newsroom delivered a powerful impact by delving into significant political and cultural events such as the Deepwater Horizon oil spill and the death of Osama bin Laden, all while focusing on newsroom ethics and personal convictions. Sorkin’s writing gave the show an intense and dramatic feel that captured Quentin Tarantino’s attention, who is known for his career centered around compelling dialogues. Given his fascination with dialogue, it’s no surprise that The Newsroom became a must-watch for him. Rather than simply watching it, Tarantino analyzed it thoroughly.

The Newsroom Has Some Of Aaron Sorkin’s Best Writing

Sorkin’s Flair For Fast-Paced Dialogue Shines Brighter Than Ever In The Newsroom

Aaron Sorkin is well-versed in top-tier television production – he reshaped political dramas with The West Wing, dabbled in backstage satire in Studio 60 on the Sunset Strip, and delved into courtroom suspense with The Trial of the Chicago 7. Yet if you talk to a devoted Sorkin enthusiast, it’s likely they’ll share that The Newsroom showcases some of his most heartfelt writing yet.

Fundamentally, “The Newsroom” centers around the theme of idealism within a profession that’s growing more skeptical. Sorkin crafts intricate, imperfect characters who maintain faith in journalism’s noble mission, and he endows them with dialogue that showcases their intellect, urgency, and discontent. In episodes such as “We Just Decided To,” the characters don’t merely relay news; they contest, scrutinize, and debate the proper way to convey it. Each line in “The Newsroom” seems carefully chosen.

In contrast to “The West Wing” that showcased grand political oratory and “Studio 60” which was filled with comedy and pandemonium, “The Newsroom” skillfully blended both aspects. Although it wasn’t always understated – opinions differed on its didactic tone – it uniquely embodied Sorkin’s style (which is what made it unique). For Quentin Tarantino, a filmmaker famed for his stylish and intense dialogues, it’s clear why it stood out. The dialogue isn’t merely intelligent; it’s rhythmic and flowing, much like the best of Tarantino’s screenplays.

The Newsroom’s Sharp Dialogue Makes It Very Rewatchable

Fast, Fierce Dialogue Gives The Newsroom Its Lasting Power On Repeat Viewings

As a devoted admirer, I can’t help but revisit episodes of “The Newsroom” time and again, much like how some folks savor the dialogue-rich scenes in Quentin Tarantino films. The reason? Aaron Sorkin’s dialogue isn’t just an accessory to the storyline; it is the narrative itself. Dialogues propel the plot forward, unfolding through rapid-fire banter, heartfelt soliloquies, and tense verbal exchanges that grip you just as tightly as any physical action scene.

The Newsroom functions as an intricate workshop for screenwriting, offering fresh perspectives, hidden humor, and complex debates with every viewing. This is what sets it apart from typical dramas, elevating it to a platform for showcasing writing prowess. It’s this quality that attracted Quentin Tarantino, who is said to have watched each new episode not once, but twice – the first time to follow the story, and the second to savor the dialogue.

This TV series favored by Quentin Tarantino isn’t merely enjoyable for multiple views – it actually compels repeated viewings. Scenes such as Will McAvoy’s passionate critique of America’s decline in “We Just Decided To” or Sloan Sabbith’s witty, understated brilliance showcase the richness and complexity of the performances and writing in The Newsroom. Similar to The West Wing and Studio 60, Aaron Sorkin once again demonstrates his skill at crafting captivating television that warrants multiple rewatches.

Quentin Tarantino’s statement that he watched episodes of The Newsroom three times, not for storyline purposes, but to “listen to the dialogue one more time,” highlights its exceptional writing quality. For admirers of superb scripting, it’s a series that continues to engage in conversation even after the end credits play.

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2025-05-17 12:48

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