Speak No Evil’s ending makes a major change for the worse
As a seasoned horror movie enthusiast who’s seen more than a few grim endings, I must say that Speak No Evil’s 2022 remake ending left me feeling a tad underwhelmed. It’s like they took the original’s dark, bleak heart and replaced it with a generic thriller plotline.
Speak No Evil ending spoilers follow.
If you’ve conversed with someone who watched the 2022 horror film “Speak No Evil,” they might have mentioned its grim, heart-wrenching finale. Provided that they still felt compelled to interact with others after such a harrowing experience.
It’s the kind of ending that horror fans have assumed wouldn’t survive the Hollywood remake, and so it’s proved. To be fair to writer-director James Watkins and lead star James McAvoy, though, they haven’t hidden that fact.
As a gamer, I can relate to this situation. When it comes to our game’s finale, Watkins stated that the ending was adapted to align with “my characters and their journey”. This sentiment was also shared by McAvoy. In my opinion, it’s the fitting conclusion for our game, one that would resonate effectively within the context of our production. I told Digital Spy exactly this.
While it’s not meant to imply that the alternative ending or movie isn’t effective, this one is excellent. However, they each have unique approaches and aims towards their audiences.
If a new version of a film alters events, that isn’t necessarily a problem because the original is still available to watch. However, the issue with “Speak No Evil” is that the selected ending takes away from the film’s impact.
As a dedicated gamer, let me share a piece of insight that might be considered significant spoilers for both the original film and its sequel. If you haven’t watched either yet, I’d advise you to skip this bit. We’re diving deep into the plot here.
Speak No Evil ending explained
Both movies have the same setup, but they’ve changed the cultural dynamic between the two couples.
In the original film, it is Danish pair Bjørn and Louise who later feel remorse for agreeing to travel to Patrick and Karin’s countryside residence, whereas in the reimagined version, it is American duo Ben and Louise who express regret for visiting Paddy and Ciara’s rural dwelling.
In both films, the more amiable duo, consisting of Bjørn and Louise or Ben and Louise, experiences an escalating sequence of uncomfortable situations and subtle insults, which grow increasingly ominous, primarily instigated by the male character, either Patrick or Paddy.
As an ardent follower, I find myself drawn to share a chilling similarity between Patrick, Karin, Paddy, and Ciara: they all harbor a sinister secret, one that involves befriending a vacationing couple, inviting them back to their home, ending their lives tragically, and then adopting the orphaned child – but not before extracting a gruesome souvenir from the child’s mouth: their tongue.
However, the original movie and the remake diverge significantly when it comes to the final act.
In the initial film, things couldn’t be any more bleak. The couple, Bjorn and Louise, lose their daughter, Agnes, who is abducted and has her tongue removed. Later on, Bjorn and Louise meet a grisly end as Patrick and Karin cold-bloodedly murder them. Yes, it’s as shocking as it sounds.
In an unexpected twist, the remake deviates from the original storyline. Instead, Ben and Louise stand up against their attackers. They successfully eliminate Ciara before fleeing the house. Initially, they intend to let Paddy live so they can make their escape, but in a shocking turn of events, Ant (the child mistakenly identified as Paddy and Ciara’s) brutally strikes Paddy with a large rock, resulting in his death.
And sure, watching a child brutally kill an adult (even an evil one) is still pretty shocking, but it’s nothing compared to the original movie. The problem is that the remake slavishly follows the original up to this final act, leaving you feeling like it missed the point.
One aspect that truly stands out to me as a fan is when a remake resurrects a spine-tingling quote from the original film. In the case of our beloved story, when Bjørn inquires from Patrick as to why they’re subjecting them to this ordeal, Patrick responds with: “It’s because you allowed me.
The movie masterfully captures its central themes: it reveals how politeness can sometimes escalate into severe repercussions when one avoids confrontation. This idea is amplified in an exaggerated setting, yet becomes even more unsettling because it leaves things unexplained other than “because you gave me the chance.
In the remake, when Paddy is questioned about his actions, a crucial line is included, followed by a typical Hollywood sequence delving into the reason behind his actions. Unfortunately, Watkins overlooks the impact of that key line and complicates it, suggesting they are carrying out their actions due to Ben and Louise’s wealth, requiring them to move funds.
Instead of portraying “Speak No Evil” as a chilling nihilistic horror film, it transforms into a commonplace thriller focusing on ordinary good individuals trying to evade evil ones. The profound social commentary is discarded in favor of an entertaining, action-packed climax designed for general audience satisfaction.
A portion of it might be attributed to the change in cultural dynamics between the two pairs, as the American counterparts might react differently than originally portrayed, where the intention was to satirize the Danish upper-middle class and their extreme efforts to avoid appearing rude.
In essence, the major shift in “Speak No Evil” isn’t effective due to the fact that the remake has closely adhered to the original storyline up until this point. While alterations are not inherently problematic, it should have been more daring with changes throughout its development instead of merely replicating the same scenes, even if they were slightly modified in terms of cultural context.
If you haven’t watched the first version, it won’t make a difference in this case. McAvoy delivers an exceptional performance as Paddy, managing to be both chilling and hilarious at the same time. Watkins does a great job building suspense as well.
However, if you’re familiar with the original, you might have preferred a bolder attempt at offering a unique perspective within the remake’s retelling of the story.
To put it simply, when we say that a significant transformation happens at the end of the movie instead of throughout, the prediction made by Christian Tafdrup, director and co-writer of Speak No Evil, in 2022 to EW appears to be remarkably accurate.
Initially, actors declined their roles due to finding the final twenty pages excessively demanding. Many individuals urged me to revise this section. In an attempt to inject more optimism at the end, I rewrote it, but unfortunately, it transformed into a poorly executed American horror movie.
Speak No Evil is out now in cinemas.
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2024-09-13 19:19