Sky Canvas: Drone Swarms Paint a New Picture of Automation

Author: Denis Avetisyan


Researchers have developed a multi-drone system capable of autonomously creating large-scale murals, pushing the boundaries of aerial robotics and artistic expression.

This work details the design and successful implementation of a multi-UAV system utilizing 2D/LiDAR localization, robust trajectory tracking, and an ROS-based framework for automated mural painting.

Achieving artistic expression at scale often presents logistical challenges for robotic systems. This is addressed in ‘Precision Meets Art: Autonomous Multi-UAV System for Large Scale Mural Drawing’, which details the development of a multi-drone system capable of collaboratively creating large-scale murals. By integrating 2D localization with LiDAR and a novel trajectory tracking control algorithm, the system successfully painted a 100 square meter mural, demonstrating improved scalability and precision over single-drone approaches. Could this technology unlock new avenues for robotic swarms in creative fields and redefine the boundaries of large-scale artistic production?


The Inevitable Scale of Artistic Ambition

The creation of murals, while a historically significant art form, presents considerable logistical challenges when attempted at substantial scales. Traditional methods rely heavily on manual labor, demanding extensive artist time for surface preparation, design transfer, and the application of paint-a process that becomes exponentially more demanding with increased surface area. This labor-intensiveness not only drives up project costs but also limits the number of murals that can be completed within practical timeframes. Consequently, large-scale mural projects often face significant delays and budgetary constraints, hindering the widespread accessibility and implementation of this impactful art form. The sheer physical demands placed on artists, combined with the need for precise execution across vast surfaces, frequently necessitate large teams and prolonged on-site work, exacerbating these difficulties.

Current automated mural painting systems frequently stumble when tasked with replicating the nuances of artistic expression. While capable of applying paint to a surface, these methods often struggle with the subtle variations in color, texture, and brushstroke that define a compelling artwork. The rigidity of robotic arms and the limitations of pre-programmed patterns hinder the ability to adapt to the unique demands of each design, resulting in outputs that appear mechanical and lack the organic quality inherent in human artistry. This challenge stems from the difficulty of translating the complex, often intuitive, movements of a painter – the delicate pressure, the angle of the brush, the layering of paint – into a language that a machine can understand and precisely execute. Consequently, automated approaches have yet to fully bridge the gap between technical replication and genuine artistic creation.

Driven by the inherent limitations of traditional mural techniques and the shortcomings of current automated systems, a new methodology is being explored to address the challenge of large-scale art creation. This approach seeks to reconcile artistic vision with the demands of efficiency and scalability, acknowledging that simply increasing the speed of existing processes is insufficient. The impetus lies in unlocking the potential for expansive, detailed murals without sacrificing aesthetic quality or artistic control; this necessitates innovation not only in robotic precision and automated paint application, but also in the development of workflows that empower artists to translate complex designs into reproducible, large-format artworks. Ultimately, the goal is to democratize mural art, making it accessible for a wider range of public spaces and creative projects.

The pursuit of large-scale mural art necessitates a fundamental reconciliation between the demands of automation and the nuances of artistic expression. Current robotic systems, while capable of repetitive tasks, often struggle with the subtle variations in brushstroke, color blending, and textural detail that define a compelling artwork. Simultaneously, fully manual methods prove unsustainable for expansive projects, demanding immense time and resources. Therefore, innovation hinges on developing systems that not only replicate the physical act of painting but also interpret and execute the artistic intent behind it. This requires advancements in areas such as adaptive robotics – enabling robots to respond to unpredictable surfaces and dynamic conditions – and sophisticated software capable of translating an artist’s vision into precise, yet aesthetically sensitive, movements. Ultimately, the challenge lies in bridging the gap between mechanical precision and artistic freedom, allowing for the creation of murals that are both grand in scale and rich in expressive quality.

A Distributed Canvas: The Multi-UAV Mural System

The Multi-UAV Mural System consists of a network of unmanned aerial vehicles (UAVs) operating in a coordinated fashion to autonomously create murals on large-scale surfaces. This system moves beyond single-drone applications by distributing the painting task across multiple UAVs, increasing potential mural size and reducing completion time. Each UAV within the network contributes to the overall mural, working collaboratively based on a pre-defined plan. The system is designed to handle complex designs and adapt to varying surface textures, utilizing a distributed approach to ensure consistent paint application and overall mural quality. This collaborative architecture allows for scalability; additional UAVs can be integrated to further accelerate the painting process or accommodate even larger mural dimensions.

The Multi-UAV Mural System employs the Robot Operating System (ROS) as its foundational communication and coordination framework. ROS provides a distributed computing architecture enabling individual UAVs to exchange data regarding position, velocity, and painting status in real-time. This inter-process communication is facilitated through ROS topics and services, allowing for a modular and scalable system design. Specifically, the system leverages ROS’s message passing capabilities to synchronize drone movements and ensure seamless overlap during paint application, while also managing task allocation and collision avoidance. The use of ROS simplifies integration of various hardware components and software modules, promoting code reusability and rapid prototyping.

The Multi-UAV Mural System employs state-machine algorithms to manage the collaborative actions of multiple unmanned aerial vehicles. These algorithms define a finite set of states representing distinct phases of the painting process – including initialization, path planning, paint application, and return-to-base. Transitions between these states are triggered by specific conditions, such as the completion of a designated mural segment or detection of an obstacle. This structured approach ensures that each UAV operates in a predictable and synchronized manner, preventing collisions and maintaining consistent paint coverage across the entire mural area. The state-machine architecture allows for dynamic adjustments to the overall painting strategy based on real-time sensor data and environmental factors, enhancing the system’s robustness and adaptability.

The UAV frame design for the multi-UAV mural system centers on two primary performance characteristics: stability and payload capacity. Frames are constructed from a carbon fiber composite to minimize weight while maximizing structural rigidity, reducing oscillations during flight and enabling precise paint delivery. Each UAV is designed to carry a payload of at least 500 grams, accommodating a pressurized paint reservoir, spray nozzle, and associated electronic components. The frame’s center of gravity is optimized to maintain stability in varying wind conditions, and a wide wheelbase configuration further enhances resistance to tilting and yaw during paint application. These features collectively ensure consistent paint deposition and minimize errors during the automated mural creation process.

Pinpointing Expression: Precision Localization for Artistic Detail

The localization system utilizes a combined approach to achieve high positional accuracy. This integration couples 2D localization, derived from visual motion tracking, with data acquired from an onboard LiDAR unit. Motion tracking provides an initial estimate of the drone’s position, which is then refined by the LiDAR’s direct measurement of distance to surrounding surfaces. This fusion of sensor data mitigates the limitations of each individual system; visual tracking is susceptible to lighting changes and feature loss, while LiDAR can be computationally intensive and may experience reflectivity issues with certain materials. The combined system provides robustness and improved accuracy compared to relying on either technology independently.

The system utilizes ARUCO markers to establish an initial camera pose, providing a known reference point for calibration. These markers, detected visually, are crucial for bootstrapping the localization process. Following initial calibration, Light Detection and Ranging (LiDAR) technology delivers continuous, real-time positional data by measuring the time of flight of laser pulses reflected off the environment. This LiDAR data is then fused with the ARUCO marker calibration to refine and maintain precise positional accuracy, independent of visual feature tracking limitations, and enables robust localization even in low-texture or dynamically changing environments.

Trajectory Tracking Control operates in conjunction with the Flight Control Algorithm to maintain accurate drone positioning during pre-programmed flight paths. This system utilizes feedback from the Combined Localization System – incorporating both 2D motion tracking and LiDAR data – to continuously correct for deviations. The Flight Control Algorithm calculates necessary adjustments to motor speeds, while Trajectory Tracking Control refines these calculations based on real-time positional data, ensuring the drone remains on the intended path with minimal error. This integrated approach allows for precise, repeatable execution of complex flight maneuvers crucial for detailed artistic applications.

The camera system utilizes infrared (IR) markers affixed to each drone for both identification and real-time tracking. These markers emit infrared light, allowing the camera to reliably detect and differentiate individual drones even in low-light or visually complex environments. The system processes the IR marker data to determine each drone’s unique ID and calculate its position within the operational space, providing a consistent and unambiguous method for multi-drone management and choreography. This method ensures accurate tracking independent of visual texture or color, and enables robust performance even with overlapping drones.

The Expanding Canvas: Demonstrated Performance and Future Scalability

Recent experimentation has successfully demonstrated the feasibility of creating large-scale murals using a coordinated multi-UAV system. Through a series of controlled trials, the system proved capable of collaboratively executing complex artistic designs across substantial surfaces, culminating in the completion of a 100 square meter mural. This achievement not only confirms the system’s ability to handle the logistical challenges of large-format artwork – including precise drone positioning, coordinated paint application, and accurate design reproduction – but also establishes a new paradigm for artistic creation, moving beyond the limitations of traditional methods and paving the way for dynamically generated and rapidly deployable public art installations. The successful execution validates the core concept of scalable mural creation and offers a compelling glimpse into the future of artistic expression through robotics.

The deployment of multiple unmanned aerial vehicles (UAVs) working in concert demonstrably accelerates mural creation when contrasted with traditional single-drone methodologies. This improvement in efficiency stems from the ability to distribute the workload; rather than one drone repeatedly traversing the mural surface, several UAVs simultaneously address different sections. Studies reveal a significant reduction in overall completion time, as coordination minimizes redundant movements and optimizes path planning. This parallel processing approach not only speeds up the artistic process but also reduces the strain on individual drones, potentially extending operational lifespan and lowering maintenance requirements. The system’s architecture facilitates scalable efficiency; adding more UAVs to the collective further diminishes completion time, suggesting a near-linear relationship between drone count and mural creation speed.

The system’s architecture is not constrained by fixed dimensions, allowing for the creation of murals that extend to virtually any size – a departure from traditional limitations imposed by canvas or wall space. This enhanced scalability stems from the coordinated efforts of multiple unmanned aerial vehicles (UAVs), each contributing to a larger, unified composition. Consequently, artists and designers are no longer bound by physical constraints, potentially unlocking unprecedented creative avenues in public art, architectural embellishment, and large-format visual storytelling. The ability to dynamically adjust the UAV fleet and operational parameters enables the realization of ambitious artistic visions previously considered impractical, effectively expanding the scope of what is achievable in the realm of large-scale artistic expression.

To overcome the inherent limitations of drone battery life during extended mural creation, the system incorporates a fully automated battery swapping system. This innovative approach allows for continuous operation without requiring manual intervention, ensuring that the artistic process isn’t interrupted by the need to recharge individual units. The system features designated landing and charging stations strategically positioned within the operational area; drones autonomously navigate to these stations when their battery levels reach a pre-defined threshold. A robotic arm then efficiently swaps the depleted battery for a fully charged one, enabling the drone to resume its designated task almost immediately. This capability is critical for completing large-scale projects, like the demonstrated 100 square meter mural, and underscores the system’s practical viability for sustained, long-duration aerial artistry.

The successful creation of a 100 square meter mural represents a significant validation of the multi-UAV system’s capabilities and potential for large-scale artistic endeavors. This demonstration wasn’t simply about achieving a specific size; it confirmed the coordinated flight and precise paint deposition necessary for complex designs across expansive surfaces. The mural’s completion proved the system’s efficacy in overcoming practical challenges associated with aerial art, such as maintaining positional accuracy, compensating for wind conditions, and ensuring seamless image rendering. Beyond a proof-of-concept, this achievement establishes a pathway for creating ambitious public art installations, transforming urban landscapes, and redefining the boundaries of artistic expression through aerial robotics.

The development of this multi-UAV mural system highlights a fundamental truth about complex creations: they are not static endpoints, but rather processes unfolding within a temporal framework. Just as the system’s state-machine algorithms orchestrate a sequence of actions-from IR marker identification to trajectory tracking-all systems are subject to the pressures of time and eventual decay. Bertrand Russell observed, “The point of civilization is to lessen suffering and increase happiness,” and this system, while seemingly focused on artistic expression, ultimately contributes to that aim by automating a laborious process, extending the possibilities of large-scale art, and improving efficiency. The system’s success isn’t merely about the finished mural, but the elegance with which it navigates the timeline of creation.

What Lies Ahead?

The successful demonstration of coordinated aerial artifice, while a novelty, merely highlights the inherent ephemerality of all complex systems. This work establishes a functional, if limited, precedent for scaled robotic expression. However, the reliance on externally placed infrared markers-a scaffolding of the past-constrains the system’s adaptability and introduces inevitable points of failure. True resilience will demand a shift towards onboard environmental interpretation, allowing the swarm to define its canvas independent of pre-existing structures. Every abstraction carries the weight of the past, and this one, while efficient, remains tethered to a static world.

Scalability, too, presents a more insidious challenge than simple arithmetic suggests. Increasing the number of aerial actuators does not guarantee a proportional increase in artistic capability; rather, it amplifies the potential for cascading errors and unpredictable emergent behaviors. The current state-machine architecture, while functional, lacks the nuanced adaptability required for truly improvisational expression. The evolution of such systems will not be measured in mural size, but in their capacity to gracefully degrade-to find beauty even in imperfection.

Ultimately, the long-term value of this research lies not in automated artistry itself, but in the principles it reveals about distributed control and collective intelligence. The question is not whether a swarm can reproduce art, but whether it can evolve a unique aesthetic-one born not of human intention, but of the system’s own internal dynamics. Only slow change preserves resilience, and the path forward demands a patient acceptance of the inevitable decay that defines all things.


Original article: https://arxiv.org/pdf/2601.06508.pdf

Contact the author: https://www.linkedin.com/in/avetisyan/

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2026-01-14 03:13