Sir Vince Cable condemns ‘unnecessary’ BBC plan to give Strictly Come Dancing professionals chaperones

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As a lifestyle expert with a background in dance and experience as a political figure, I believe that Strictly Come Dancing‘s decision to have a production staff member present during all future rehearsals is an overreaction and takes away from the spontaneity of the process. I had the pleasure of participating in the show’s Christmas Special back in 2010 while serving as Business Secretary in the Coalition government, and I had a very good relationship with my dance partner, Erin Boag. I find it surprising that such allegations have arisen, and I believe that any issues should be addressed on a case-by-case basis rather than implementing blanket policies. The new measures announced by the BBC, such as having a production staff member present during all rehearsals and increasing support for both celebrities and professional dancers, may not necessarily address the root cause of the issues at hand. It is important to remember that Strictly Come Dancing has been a positive experience for the vast majority of those involved, and any concerns should be taken seriously but balanced with proportionality and nuance.

Former politician Sir Vince Cable, who appeared on Strictly Come Dancing, has criticized the show’s decision to include a production staff member in all future rehearsals as unnecessary, following complaints about the conduct of two ex-pro dancers.

The ex-Cabinet minister expresses his viewpoint simply at Chorleywood Library, during his book discussion on How to Be a Politician: “It’s unneeded. It removes the authenticity of the moment.”

“The origin of this idea is unknown to me. It seems like an excessive response to potential issues, perhaps only a few in number.”

At 81 years old, the prominent Liberal Democrat figure continued to delight in ballroom dancing and made an appearance on Strictly during its Christmas edition in 2010, holding the position of Business Secretary within the Coalition administration at that time.

I was taken aback by the recent misconduct allegations against him. However, I want to clarify that I had developed a strong bond and an excellent working relationship with my dance partner, Erin Boag.

Lately, Graziano Di Prima, aged 30, has been let go from the upcoming show due to allegations of verbal and physical abuse towards his famous partner Zara McDermott, 27, during the previous season.

Over the weekend, Di Prima expressed his disappointment in leaving “Strictly” on Instagram, acknowledging, “I’m truly sorry for the incidents leading to my dismissal. My fierce commitment and eagerness to triumph may have influenced my training methods.”

About four weeks ago, an investigation was initiated by the BBC following allegations of inappropriate conduct made against Giovanni Pernice, 33, during off-set interactions with Amanda Abbington, 50, and two other ex-celebrity partners.

Kate Phillips, BBC’s Head of Unscripted Production, stated: “We understand that our shows bring joy to most participants. However, if concerns arise or we learn about unacceptable conduct, we promise to address them promptly.”

‘Concerns that have arisen have been fundamentally related to training and rehearsals.

Based on my experience working in various productions, I truly believe that the significant actions we are announcing today will undeniably enhance the overall wellbeing and support system for every individual involved. These steps are not just empty promises; they represent a tangible commitment to ensuring that everyone’s needs are met and that their contributions are valued. Having seen firsthand the challenges that can arise during production, I am confident that these measures will make a meaningful difference in people’s lives.

Based on my experience working in human resources for several years, I believe that the announcement made by management about implementing “extra measures to enhance well-being and assistance” on Strictly Come Dancing is a positive step towards ensuring the welfare and support of the contestants. As someone who has seen firsthand the physical and emotional demands of competitive shows, I understand the importance of having robust systems in place to help dancers navigate through any challenges they may face during their time on the program. This could include things like access to mental health resources, nutritional guidance, or injury prevention training. By investing in these additional steps, production teams are demonstrating a commitment to the wellbeing of their cast and creating an environment where contestants can thrive and perform at their best.

Recently, concerns have surfaced primarily regarding training and preparation. (Or: The issues that have emerged lately have mainly revolved around training and rehearsals.)

‘The actions we announce today are designed to address that.’

A production team representative will attend all training sessions in the rehearsal room, and there will be more resources allocated for both famous contestants and skilled dancers.

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2024-07-19 16:34