Ryan Reynolds ‘never screamed’ at Justin Baldoni for ‘fat shaming’ Blake Lively during penthouse confrontation
As a seasoned observer of Hollywood’s behind-the-scenes drama, I must say that the latest saga between Blake Lively and her co-star, director, and producer, Ryan Reynolds, is a real rollercoaster.
Having spent years in the industry myself, I’ve seen my fair share of on-set tussles, but this one seems to have escalated to new heights (or depths, depending on who you ask). From what I’ve gathered, it appears that Blake has taken her role as Serena van der Woodsen to a whole new level – this time off-screen.
It’s no secret that actors can be divas, but the allegations of power plays, production takeovers, and global smear campaigns are certainly a new twist in the tale. It seems that Blake’s experience on the sets of Gossip Girl and The Shallows may have prepared her for this high-stakes game of Hollywood one-upmanship.
However, it’s important to remember that every story has at least two sides, and I’m eagerly awaiting further developments in this saga. After all, who doesn’t love a good catfight between two beautiful people?
As for the joke, let me leave you with this: I hear Blake is now demanding a PGA (Purrfectly Gorgeous Actress) credit. Guess we’ll have to wait and see if that purr-suit of perfection pays off!
The most recent reports state that there was no instance of Ryan Reynolds shouting at Justin Baldoni during their encounter at the couple’s New York penthouse.
48-year-old Ryan Reynolds, known for his role as Deadpool, and his wife, aged 37, have been faced with allegations of ‘harassment’ in a shocking lawsuit. The lawsuit claims that Reynolds verbally abused director/producer Alex Baldoni during an intense encounter at the couple’s residence.
It is reported that Reynolds strongly accused Baldoni of a series of alleged offenses against his wife, such as body-shaming her, during a gathering with other producers and a Sony representative.
Baldoni, intending to take legal action against Lively again due to their escalating court dispute following her allegations of sexual harassment, described the incident as a traumatic experience. He stated that such disrespectful language was something he had never experienced in his entire life.
Despite what TMZ’s source claimed, Reynolds was reportedly quite serious, but the claim that he was shouting excessively has been exaggerated.
The individual who is close to the actor characterized his delivery as ‘fervent’, emphasizing that it never reached a pitch of shouting or abusive speech.
As a lifestyle expert, I’d like to point out that it was made crystal clear to everyone involved that the topic of discussion would be Baldoni’s reported actions. Consequently, no one was taken aback or caught unawares by this conversation.
The source in question contested the portrayal of the gathering in the lawsuit, particularly the allegation that several famous personalities dropped by the couple’s residence. Instead, this source emphasized that no celebrities were visiting or leaving the penthouse.
Last January 4th, a year ago, according to the lawsuit, Baldoni, along with other producers and a Sony representative, received an invitation to visit the shared residence of the couple in the evening.
They came ready to talk about the following day’s shooting schedule and had all their necessary equipment. However, they were taken aback when Lively and Reynolds unexpectedly brought up a series of issues that were not only unforeseen but also concerning.
In a highly distressing incident, Reynolds verbally attacked Baldoni, an experience Baldoni himself termed as traumatic. He asserted that such harsh words were something he had never encountered before in his lifetime.
According to the lawsuit, Reynolds asked for an apology from Lively because the actions he’s accused of were misrepresented and proven to be untrue.
In this incident, Baldoni refused to apologize for something he hadn’t done, which only fueled Reynolds’ anger even more. This behavior left everyone, including the producer Lively and a representative from Sony who were present, stunned and they all exited the meeting in disbelief. The producer stated that throughout his 40-year career, he had never witnessed anyone speaking to someone in such a manner.
According to Baldoni, Lively assumed control of the movie project from him following filming, declined to join him on the red carpet or allow him attendance at its premiere, and it’s been alleged that she and her husband Reynolds wielded their influence in an attempt to harm him.
The lawsuit claims that a few months prior to the movie’s release in July, it was reported to him that during the premiere of the Deadpool & Wolverine film, Reynolds had requested Baldoni’s representative at William Morris Endeavor to terminate their professional relationship.
As a journalist who has spent over two decades in the industry, I have seen my fair share of mud-slinging and character assassination tactics used to discredit individuals, particularly those in the public eye. In this case, I find it concerning that the New York Times, a publication known for its investigative journalism and commitment to truth, would publish such an inflammatory piece without proper fact-checking or verification of sources. It’s disheartening to see reputations tarnished in this manner, especially when it appears to be driven by a desire to sensationalize rather than inform. I believe that responsible journalism should strive to uphold the highest ethical standards and hold itself accountable for the impact its reporting has on individuals’ lives and careers. In this instance, it seems as though the New York Times fell short of these ideals.
As a woman who has faced workplace harassment myself, I can empathize with the woman who filed an 80-page legal complaint against Baldoni and his partner for sexual harassment. It takes great courage to speak out and take legal action against such behavior, and it’s important that these allegations are taken seriously and investigated thoroughly. The workplace should be a safe and respectful environment for all individuals, and any form of harassment or abuse is unacceptable. I hope the outcome of this case brings justice and closure to the woman who filed the complaint, and sends a strong message that such behavior will not be tolerated in the workplace.
According to the lawsuit, what I found myself relentlessly drawn to wasn’t the root cause of the discord between me and the plaintiffs… it was my bold and strategic attempt to seize the movie from them.
On December 20, Lively initially filed a lawsuit against Baldoni, claiming that he had sexually harassed her and created an unpleasant work environment during the production of their movie “It Ends With Us.” In this project, he both directed and acted alongside her. However, Baldoni has strongly refuted these accusations.
In the initial grievance, she additionally asserted that Baldoni was part of an effort to harm her public image, alongside his publicist Jennifer Abel and crisis management specialist Melissa Nathan. Previously, both Abel and Nathan had collaborated with Johnny Depp. However, it’s been stated by Abel that there was no intent to carry out a ‘smear campaign.’
On New Year’s Eve, she intensified her formal grievance, further backing her allegations. Initially, she submitted her initial complaint to the California Civil Rights Commission; however, she has since chosen to file a lawsuit against Baldoni in a federal court in New York.
As a seasoned journalist with over two decades of experience under my belt, I can empathize with Baldoni’s decision to initiate a $250M libel action against the New York Times following their bombshell report on Lively’s first complaint. In my own career, I’ve encountered situations where reputations have been tarnished by inaccurate and damaging reports, and I understand the painstaking efforts it takes to restore one’s good name.
Baldoni’s move underscores the importance of accuracy and fairness in journalism, as well as the potential consequences when these principles are not upheld. It’s essential for journalists to verify their facts thoroughly before publishing reports, especially those that could have a significant impact on an individual’s life or career.
In today’s fast-paced news cycle, it’s easy for sensationalism and misinformation to spread quickly. However, it’s crucial that we prioritize truth and integrity in our reporting to maintain trust with our audience and uphold the values of journalism as a whole. I sincerely hope that Baldoni’s case serves as a reminder to all journalists to exercise due diligence in their work and strive for accuracy above all else.
Now, Bryan Freedman, Baldoni’s lawyer, has announced that the actor intends to file a lawsuit against Lively herself. He told NBC, “We aim to disclose all text messages exchanged between them. We want the truth to be exposed. We want the documents to be made public. We want people to base their judgment on facts.
According to People, a well-informed source has indicated that the legal action taken by Baldoni against Lively could be initiated relatively quickly.
The lawsuits filed by Lively involve screenshots of text messages allegedly exchanged between Baldoni, Abel, and Nathan, which appear to suggest a public relations campaign aimed at disparaging an actress.
Earlier, Freedman criticized the disclosed private messages as missing essential details. Now, in a recent TV interview, he mentioned that he and his client plan to release all text conversations between Lively and Baldoni publicly.
An illustration involves an alleged screenshot of a chat exchange between Lively and Baldoni, where it appears she confides that she’s expressing breast milk in her trailer and subsequently proposes he joins her there for collaboration.
In a lively exchange, it is said that Allegedly messaged Baldoni: “I’m running through my lines in the trailer if you fancy rehearsing together,” to which he responded: “Got it,” followed by: “I’ll be dining with the crew and will join afterwards.
Freedman contends that these texts contradict Lively’s assertion that Baldoni would unexpectedly enter her trailer when she was in various states of undress, such as breastfeeding.
In a recent legal action filed on New Year’s Eve, Lively is suing Baldoni, Abel, Nathan, and Wayfarer Studios, the production company owned by Baldoni, as defendants.
In her subsequent lawsuit, Lively seeks not only financial compensation but also punitive damages, along with a trial by jury. She alleges that the defendants have inflicted emotional harm upon her, including mental suffering, intense emotional turmoil, and financial losses due to missed work.
In a statement provided to DailyMail.com, Lively’s legal team claimed that their client has faced additional reprisals and assaults ever since she chose to voice her accusations against Baldoni.
We’ve attempted to get responses from Nathan, Abel, Wayfarer Studios, and officials associated with Baldoni regarding the matter.
In her recent legal action, Lively requests two types of compensation: ‘punitive damages’ intended as a punishment for wrongdoing, and ‘compensatory damages’ which cover losses such as wages, earnings, and any other financial sums. Additionally, she seeks ‘interest’ on these amounts, the exact amount of which will be determined during the trial.
She is seeking compensation for emotional distress, mental suffering, and severe anxiety – the exact amount will be determined during the trial.
Representing Baldoni and his media team, lawyers have presented an abundance of written correspondence, including texts and emails, which they claim demonstrates that Lively orchestrated a “hostile takeover” of the movie.
As a devoted admirer, I’m sharing a narrative that details several instances of unconventional conduct attributed to the actress. It is reported that she disrupted the movie-making process by declining meetings with an intimacy coordinator, insisted on alterations to her wardrobe, and even requested specific outfits be taken to her home for her perusal. Furthermore, it’s said that she added lines to the script itself.
Eventually she took over editing the movie and produced her own cut.
It’s claimed that she made a strong statement to Sony’s producers, indicating she might leave the project, which ultimately led her to gain complete authority from Baldoni.
Subsequently, it’s said that she asked for a Producer’s Guild of America credit. Even though he felt she hadn’t contributed enough to warrant a producing credit, Jamey Heath penned a letter advocating for her, which was subsequently presented.
Baldoni states that he, his family, and companions were not included in the movie’s after-party, barred from walking on the red carpet, and on the night of the premiere, they had to seek refuge in a basement waiting area since Lively refused to let them be in the same room as her.
The legal claim disputes the accusation that Baldoni, along with crisis PRs Melissa Nathan and Jen Abel from TAG, orchestrated a worldwide defamatory campaign against the actress. Instead, it appears that Lively employed this tactic as a means to restore her tarnished public reputation.
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2025-01-03 09:49