REVIEW: “The Cut” (2025)

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In “The Cut”, director Sean Ellis transforms what might have been a typical boxing film into a deep psychological exploration. Unlike the usual underdog narrative about a boxer reclaiming his past triumph, this movie delves into the gritty reality and questionable measures taken by some to secure their opportunity in the ring.

The sharp guidance by Ellis greatly enhances screenwriter Justin Bull’s narrative, yet it’s Orlando Bloom’s remarkably transformative performance that truly brings the film to life. Actors often undergo significant physical changes for distinctive roles, but Bloom’s portrayal transcends mere appearances. He delves deep into depicting not just the physical, but also the psychological turmoil experienced by his character. This work showcases some of his finest performances to date.

In another league yet equally impressive is Caitríona Balfe, making her first major film debut following being unfairly overlooked for “Belfast”. In various aspects, her character acts as the moral compass of the film, and Balfe expresses this complex role through a performance that’s raw, compassionate, and conflicted. Additionally, John Turturro adds yet another compelling portrayal to his resume, embodying one of the year’s most detestable villains. This talented trio guides us on an unforgiving journey into some surprising emotional depths.

In this rephrased version, the protagonist, who is known as “the Boxer”, had a successful career in boxing before a devastating defeat led him to retire. This happened around a decade ago. Currently, he co-manages a gym in Ireland alongside his long-time trainer and partner, Caitlin (Balfe). Both of them failed to achieve their individual boxing dreams that were unique yet equally fervent. However, they’ve found a contented place together, according to Caitlin’s belief.

Caitlin will join as his trainer. Though hesitant, she ultimately agrees to the arrangement.

Everything is arranged for the tale’s ominous shift. The boxer and Caitlin are sent to Las Vegas, where he is told he must shed 26 pounds in just six days to qualify for the official super welterweight weigh-in. This task calls for a demanding weight loss routine. However, as the required results elude him, Donny enlists Boz (Turturro), a ruthless and unsympathetic trainer, who prioritizes his status and earnings above all else.

The tension between Caitlin and Boz heightens significantly, as Caitlin nurtures feelings for her beloved man, while Boz views him merely as a source of profit. Soon, the boxer finds himself tangled between Caitlin’s heartfelt encouragement and Boz’s cold-hearted exploitation. However, an even more damaging conflict brews within the boxer himself, as his self-destructive fixation not only jeopardizes his relationships with those he cherishes, but also pushes him dangerously close to a mental and physical breakdown.

Instead of expecting a grand victory scene in “The Cut,” where the champion is lifted high amidst cheers and music crescendo, Ellis deliberately steers clear of such moments. He concentrates instead on his characters’ personal struggles and relationships. However, not all elements align perfectly; certain sentimental flashbacks fall flat, and the ominous visuals in the climax don’t pack quite the punch intended. Yet, this gritty film leaves a lasting impression with its gripping tension, sharp psychological insights, and compelling portrayal of humanity battling against inhumanity – making it a haunting character study and warning tale.

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2025-09-04 17:57