Review: Taylor Swift finishes ‘my beloved Eras tour’ with the assurance of a pro
As a lifelong fan of Taylor Swift, I must admit that attending her final show for the Eras Tour was an unforgettable experience. Having followed her career since her self-titled debut album, it was truly remarkable to witness the evolution of her music and the depth of emotion she conveys through each performance.
Vancouver – To gauge the duration of Taylor Swift’s Eras Tour, take note that a high-production concert film and a hardcover photo book detailing the tour were released even as it was still ongoing. Notably, one of Swift’s previous opening acts, Sabrina Carpenter, has since risen to stardom in her own right. Additionally, Swift’s most recent album includes a track she penned about her Eras Tour experience; this song was later incorporated into the tour that inspired it.
And now, believe it or not, it’s a wrap.
Following 149 performances across five continents over approximately two years, the record-breaking Eras tour (the highest-earning concert tour ever, with ticket sales estimated around $2 billion) concluded on the weekend just past, marking the third and final sold-out show at BC Place.
The final episode of a cultural sensation that significantly influenced fan communities, generating countless memes, reached such a level of popularity that fans bought non-seat tickets just to hang out behind the stage and join in the singing with the tens of thousands who could both hear and see the show. Fans of all ages dressed up for the occasion on Sunday, donning snake motifs reminiscent of “Reputation,” pastel pinks and blues evoking “Lover,” and rust-colored fisherman’s hats similar to the one Taylor Swift wears on the cover of “Red (Taylor’s Version).” The excitement leading up to closing night could be felt throughout the stadium, especially with all the cameras strategically placed around the floor and suspended above.
Music
In February, the artist who sings and composes songs received a Grammy for her traditional pop vocal album. Presently, she’s the headliner in a concert film that was filmed at the Hollywood Bowl.
On the eve of her 35th birthday, Swift expressed appreciation for the unique circumstances during the three-and-a-half-hour concert: “What a fantastic night to be in Vancouver, isn’t it?” she commented following her performance of “Cruel Summer.” Later, after “Champagne Problems,” she graciously accepted a prolonged standing ovation from the audience that lasted an impressive three minutes. “This tour has been the journey of a lifetime for myself and my team, including my band, crew, and fellow artists,” she said. “We’ve all sacrificed time away from our loved ones, and have performed despite illnesses or personal struggles.” She concluded by expressing her gratitude: “I just wanted to say that on behalf of all of us, we will never forget the moment you gave us tonight.
For the majority of Sunday’s show, it felt like an Eras tour, as Taylor Swift has consistently presented it since May, following minor updates to the production she initially unveiled in March 2023. This updated version includes songs from her latest album, “The Tortured Poets Department,” released this year (such as “I Can Do It With a Broken Heart,” which speaks about her performances last year during her breakup with English actor Joe Alwyn).
At BC Place’s concert, there was an intriguing contradiction for those who pondered if this final tour might be the moment to break Taylor Swift’s resolve. Known as a songwriter of unprecedented talent in her generation, capable of incredible emotional depth in her music, Swift demonstrates that baring vulnerability on stage requires genuine strength and resilience. Moreover, it would be misguided to assume she wasn’t looking forward to some well-deserved relaxation after the tour.
The basic idea behind the “Eras” show was straightforward: a chronological exploration of Taylor Swift’s musical journey, starting from her self-titled debut album in 2006. Despite the vastness of her discography, this presentation manages to surprise. She performed various genres such as catchy pop-country tunes (“Fearless”), pulsating electroclash tracks (“Look What You Made Me Do”), dreamy chamber-folk songs (“Willow”), and sultry R&B numbers (“Lavender Haze”). In some instances, the performance was enhanced with visual grandeur, like in “Blank Space” where dancers rode illuminated bikes reminiscent of “Tron”. However, at other times, it felt as if you were simply observing a group of people making music together, such as in “Betty”.
Music
25-year-old pop sensation, who recently received several Grammy nominations, performed at the LA stop of her ‘Short n’ Sweet’ tour on a recent Friday evening.
The music spanned a broad range in tone, from the innocent longing expressed in “You Belong With Me” to the subtle self-criticism heard in “Anti-Hero”, and the lengthy exploration of disenchantment found in “All Too Well (10 Minute Version)”. However, Swift’s ability to navigate through various emotional landscapes was equally impressive. In her earlier songs like “22”, she sang as if yearning for adulthood; but now, she sings it with a mature longing to reclaim youth.
Another focus during the Eras tour was Taylor Swift’s physical resilience. It’s not that she didn’t want you to see her exert effort, but rather it appeared she took pride in showing the fruits of her labor. This was particularly evident in the passionate performance of “But Daddy I Love Him,” where she sang with sweat trickling down her face, giving off a vibe reminiscent of Bruce Springsteen nearing the end of “Jungleland.
Last night, as a passionate film enthusiast immersed in the enchanting world of Taylor Swift, I found myself captivated by an unexpected fusion during her intimate acoustic performance. She seamlessly combined “Long Live,” a pop gem that effortlessly resonates with both her lovers and fans, with “New Year’s Day” and a hint of “The Manuscript.” This trio serves as a thoughtful bookend to Swift’s performance journey; recalling her debut with the acoustic rendition of “Tim McGraw,” which opened the Eras tour in Arizona.
In conclusion, Swift wrapped up the last performance of the tour just as she had every other show: by playing around six tracks from the 2022 album “Midnights,” which was the one that propelled her back on tour following a prolonged hiatus due to the pandemic. However, when her band kicked off “Karma,” she took a moment to express gratitude one last time, acknowledging her fans for being part of the most exhilarating phase of her life thus far – her cherished Eras tour.
You had to smile at “to date.”
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2024-12-09 20:01