Red Rooms: A brilliant deconstruction of our warped true crime spectatorship

Red Rooms: A brilliant deconstruction of our warped true crime spectatorship

As a seasoned gamer with a penchant for darker narratives, I find “Red Rooms” to be an exceptional piece of cinema that expertly dissects our society’s fascination with real-life horror stories and the twisted individuals behind them. This film is more than just a thriller; it’s a chilling examination of the human psyche and our obsession with the darker side of humanity.


The “Red Rooms” serves as a chilling critique of our society’s tendency to glamorize notorious killers and elevate them to legendary status, rather than acknowledging their twisted nature. It also delves into the culture that thrives online, making such stories and murderers readily available for consumption by the general public.

As a gamer immersed in this chilling narrative, I find myself captivated by Kelly-Anne, a troubled soul who’s inexplicably drawn to the gruesome trial of Ludovic Chevalier. This notorious figure is accused of committing heinous crimes against three innocent young girls, with damning evidence emerging from videos showing him torturing his victims in infamous “red rooms” believed to be hidden within the depths of the dark web.

Instead of focusing on Chevalier, the narrative of “Red Rooms” primarily revolves around its two female characters. One of these characters, Kelly-Anne, exhibits traits of a sociopath, as seen in her relentless pursuit of the third missing video and her fixation on the case to the extent that she resides near the courtroom just to gain entry at the beginning of the trial each day. This behavior suggests a voyeuristic inclination towards the case.

Red Rooms: A brilliant deconstruction of our warped true crime spectatorship

She’s become entirely and wholly consumed by this story, and one has to ask why? Is it fascinating to her to imagine these crimes being enacted? Does she get a rush from the idea of becoming a victim framed in this kind of morbid and horrendous infamy? In contrast to Kelly-Anne’s character is another voyeur named Clementine (Laurie Babin), who feels a little more like the traditional “groupie” that has existed throughout time. The women who fawned over men like Ted Bundy and Jeffrey Dahmer, even sending them fan mail in jail.

1) Clementine firmly thinks Chevalier is innocent and feels inexplicably drawn to him as she stands up against the prosecution’s claims. This stand leads to a moral dilemma for her regarding the case and its implications. However, delving into the dynamics between Clementine and Kelly-Anne reveals stark contrasts between them, with Kelly-Anne’s fixation appearing on an entirely different scale – something Clementine finds hard to comprehend.

As a fan, I can’t help but be captivated by the haunting brilliance of Red Rooms. It’s Pascal Plante’s masterful direction that truly sets it apart. The way he meticulously constructs tension is nothing short of remarkable, evoking feelings not unlike those stirred by David Fincher’s gripping psychological thrillers. Plante’s deliberate framing and artistic shots gradually cultivate an unsettling atmosphere, making each scene more nerve-wracking than the last.

As a devoted admirer, I’d like to highlight how skillfully Plante employs strategic art direction in portraying the enigmatic depths of the dark web. By providing glimpses into Kelly-Anne’s digital domain, he immerses us in her twisted reality and leaves no doubt about her chilling connection to its malevolent underbelly. Despite the absence of graphic violence, let me assure you that Red Rooms is anything but comforting. The horror it elicits lies not in what’s shown, but in what one can imagine – a technique Plante masterfully employs to send shivers down your spine.

Red Rooms: A brilliant deconstruction of our warped true crime spectatorship

Additionally, Gariépy, portraying Kelly-Anne, delivers an exceptional performance in this movie filled with spot-on acting. Her subtle intensity fits perfectly within the narrative’s context. She has a knack for expressing deep thoughts through tiny facial gestures. This works effectively to contrast Clementine’s somewhat warmer and innocent demeanor. As a result, the climax of the film becomes surprisingly ominous and tense, largely due to an abrupt change in their relationship dynamics.

To sum up, the movie titled “Red Rooms” is powerful and thought-provoking, causing viewers to reconsider their connection with true crime, particularly the way they consume it. Sharp and intense, “Red Rooms” embeds itself in your mind, becoming a lasting impression.

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2024-09-10 21:25

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