Review: In the quietly observed ‘Good One,’ a teenager grapples with aggressions small and big

On a tranquil forest hike, “Good One” transforms into a microcosm showcasing human character, in this gripping, insightful, and beautifully orchestrated feature film debut by writer-director India Donaldson. At the brink of maturity, a 17-year-old protagonist is the focus, and the movie’s authentic atmosphere and escalating tension mirror an independent cinema masterpiece. From the artistry in each scene to the humor, enlightenments, and enigmas that underscore its character development, “Good One” is a cinematic dream.

Review: ‘Borderlands’ is a game-to-screen misfire so thoroughly bad, it’s breathtaking

In Eli Roth’s poorly inspired science fiction adventure “Borderlands,” the character Claptrap, a sarcastic robot voiced by Jack Black, recalls the humor from the TV show “Mystery Science Theater 3000,” where intelligent robots mock cheesy B-movies. Black’s biting remarks, directed at the motley crew of characters searching for keys to unlock an ancient vault of wisdom, are the only enjoyable elements in this failed film adaptation of the first-person-shooter video game, bearable only in brief moments.

All Elite Wrestling misses Kenny Omega

For nearly eight months now, Kenny Omega hasn’t wrestled in an AEW ring due to a series of injuries. Most recently, he’s been battling diverticulitis, which has kept him out of action indefinitely. Despite this, everyone from fans to critics and fellow wrestlers is hoping for his swift and complete recovery. However, it can’t be denied that AEW is feeling the absence of “The Best Bout Machine.”

Hollywood’s cable struggles become clearer as write-downs add ‘nails to linear TV’s coffin’

As someone who has spent decades observing and analyzing the media industry, I must say that Warner Bros. Discovery’s latest financial report was a stark reminder of the challenges facing traditional cable television. Having worked in this field for many years, I have witnessed the steady decline of linear TV as audiences shift towards streaming platforms, and Warner Bros.’ dismal performance is just another data point in this trend. The company’s disappointing results serve as a cautionary tale for all players in the industry, emphasizing the need to adapt and innovate in order to stay relevant in today’s rapidly evolving media landscape. It’s clear that the old model of cable TV is no longer sustainable, and those who fail to recognize this risk being left behind.