Our 30 favorite Latin music songs of 2024

As a music lover who has spent countless hours immersed in the diverse soundscapes of Latin America and beyond, I must say that this playlist is nothing short of extraordinary. Each track transports me to different corners of the world, weaving together a tapestry of sounds that resonate deeply with my heart.

From the sultry rhythms of Spanish Harlem Orchestra’s “Llegó El Caballero” to the infectious energy of Trueno’s “Tranky Funky,” this playlist offers a captivating exploration of the vibrant and dynamic world of Latin music. The fusion of traditional salsa, hip-hop, and electronic elements creates a sonic adventure that is both nostalgic and innovative, drawing from the rich cultural heritage of Latin America while pushing boundaries and breaking new ground.

What truly sets this playlist apart, however, is the raw emotion and passion that courses through each track. Artists like Cimafunk and Girl Ultra pour their souls into their music, creating songs that speak to the human experience in a way that transcends language barriers. The result is a collection of tracks that are not only musically stunning but also deeply moving and relatable.

But let’s not forget the humor – because who doesn’t love a good joke? As I danced along to Gepe’s “Desastre,” I couldn’t help but chuckle at the irony of a song called “Disaster” that sounds like pure sonic bliss. It’s moments like these that make me appreciate the playlist even more, as it reminds us not to take ourselves too seriously and to find joy in the little things – like a well-placed pun or a catchy beat.

Overall, this playlist is a testament to the power of music to bring people together, to heal, and to inspire. It’s a journey through the rich tapestry of Latin sounds that leaves me feeling connected, uplifted, and ready to dance my heart out. So grab your speakers, put on some comfortable shoes, and let the rhythm take you away!

2024 saw further growth for Latin music, not just in terms of commercial success but also in the creative explorations and avant-garde movements embraced by musicians throughout the Americas.

Mexican music’s popularity continued spreading globally, prompting neo-reggaeton and urban music as a whole to recognize that breaking free from traditional boundaries was essential for staying fresh. Genres like salsa, bachata, rock, and electronica maintained their relevance by embracing the essence of their origins.

It’s incredibly rewarding to see that Latin music’s popularity on streaming platforms is paired with a surge of groundbreaking creativity. This era welcomes bold experimentation, blending traditional genres, and even the birth of entirely new ones. Not only is this kind of exploration tolerated, but it’s actively promoted.

As a movie lover who’s also got a soft spot for Latin tunes, I’ve compiled an impressive list of 30 songs from 2024 that encapsulate the grace and vibrancy this genre is radiating. The best part? Many of these tracks are perfect for getting up and grooving!

Cerys Davies, reporter

Ca7riel & Paco Amoroso, “El Único”

Immediately upon taking their seats at NPR’s Tiny Desk, the Argentine hip-hop duo Ca7riel, donning a vest adorned with red plush hearts, and Paco Amoroso, sporting an oversized, blue furry hat, stole many hearts. Although they both have successful solo careers, this year saw the debut of their first joint album, “Baño Maria.” This unique collaboration combines Latin hip-hop and electronic elements in a clever, experimental manner. The track “El Único” showcases both trap and pop melodies, representing the soft blend of an ambient house rhythm, slowed trap beats, and whimsical lyrics discussing unintentional encounters with the same individual.

Floyymenor and Cris MJ, “Gata Only”

In 2024, “Gata Only” by Floyymenor became the most popular TikTok song globally and was one of Spotify Wrapped’s top 10 most streamed songs (ranking No. 4), making it a groundbreaking success for Chilean reggaeton. With people worldwide joining dance challenges and creating memes, the duo skillfully produced one of the year’s most infectious and danceable tunes. This smash hit comes from Floyymenor’s debut EP titled “El Comienzo.

Natanael Cano and Oscar Maydon, “Madonna”

Natanael Cano, known for inventing tumbados corridos, has opened doors for numerous prominent figures in Mexican music. With a massive catalog of trap corridos touching on topics like drugs, life’s challenges, and relationships, Cano offers a fresh perspective on romance through his song “Madonna.” Joining forces with Oscar Maydon, famed for “Tu Boda,” the duo sings about showering their beloved with gifts, money, and designer goods. They croon “My little rock star girl” over rich tapestries of strings and horns, emphasizing the joyful aspects of a corrido in the Rancho Humilde stable.

As a devotee, I’d rephrase that as: “In the spirit of Kintsugi, the Japanese art that mends broken pottery with gold, 24-year-old experimental pop artist Humbe infuses a unique sensuality into his tunes. On his album’s lead single, ‘Armagedon,’ he showcases his ability to seamlessly straddle the boundary between alternative and R&B, all while dabbling in the electronic elements that define modern pop music.

Omar Apollo, “Empty”

In this ballad with lullaby undertones, Omar Apollo explores his identity following a shattered romance. Hailing from Indiana, he delves into synth electronic sounds on his second album “God Says No,” creating a somber backdrop for tales of queer love. In this specific track, Apollo sings, “Singing in another language so you won’t understand / I don’t want you to know how much it hurts.” This insight into Apollo as an artist peels away layers and brings a fresh level of intimacy, making the hypnotic tune even more poignant.

Latin Mafia, “Siento Que Merezco Mas”

In simpler terms, the debut album “Todos los dias todo el dia” by Latin Mafia starts with the lively sounds of organ grinders in Mexico City and a bustling crowd, immersing listeners in their hometown. The De La Rosa brothers – Mike, Emilio, and Milton, who were nominated for a Latin Grammy – use this album to showcase their unique talent for blending distorted vocals, powerful percussion, and emotional lyrics within their garage-inspired style of music production.

The song takes listeners through a range of emotions as they express longing for deeper connections or lament being treated unfairly by a lover. The track’s dynamic changes, from the distant cheers of a crowd to intense electronic tracks and poignant ballads in just 2 minutes and 45 seconds, make it stand out, taking it from innovative to revolutionary.

Ivan Cornejo, “Sale Para Ser Feliz”

One aspect of Ivan Cornejo is that he powerfully delivers his lyrics, particularly on the first track of his third album, “Mirada,” titled “Sale Para Ser Feliz.” This song, born from the riverside, beautifully encapsulates the unavoidable feeling of heartbreak through poignant acoustic guitar strums. In this emotional release, he expresses his sorrow over a broken relationship and acknowledges that people are capable of change. Cornejo masterfully showcases his talent for controlled romantic melancholy, offering listeners a glimpse into the desolate landscape of “Mirada.

Fuerza Regida, “Nel”

With Jersey beats making an impact on hip-hop, Fuerza Regida’s lead vocalist Jesus Ortiz Paz made sure that Mexican music wasn’t left out. On their latest album, “Pero No Te Enamores,” the band delves into the possibility of electronic dance music coexisting with trap corridos. The album standout, “Nel,” is a passionate mix of JOP’s raw vocals, a throbbing, club-like bass rhythm, and a drumline reminiscent of reggaeton.

Kali Uchis and Peso Pluma, “Igual Que Un Ángel”

It’s reasonable to suppose that it would be Colombian artist Kali Uchis who could touch the tender side of Peso Pluma. Her ability to effortlessly switch languages, her genre-blending music, and her sharp lyrical skills make her an ideal match. In “Igual Que Un Ángel,” a song from her 2024 album “Orquídeas,” Uchis delivers a synth-infused interpretation of finding the perfect partner. This track, one of the highlights on the album, adds a fresh layer to Pluma’s familiar gravelly voice with Uchis’ ethereal singing, creating an unexpected yet irresistibly catchy tune.

The Marias, “Sienna”

Discuss the emotional impact of the song “Sienna,” which serves as the concluding track on The Marias’ second album “Submarine.” Being a significant component of their acclaimed breakup album, “Sienna” delivers its most poignant message towards the end. The song features gentle percussion, dramatic chimes, and lyrics that tug at heartstrings, making it seem like emerging from a sorrowful reverie. “Sienna” epitomizes The Marias’ unique style, blending melancholy, sensuality, and a subtle groove.

Andrea Flores, reporter

Julieta Venegas, “A Donde Va El Viento”

Surprisingly, “A Donde Va El Viento” by Julieta Venegas, though adorned with a nostalgic synthesizer, is not a tune from the ’80s or ’90s. This soft-rock gem finds its place among Venegas’ impressive collection of memorable songs, particularly noted for its thought-provoking lyrics that stir feelings of adolescent curiosity. If the track appears as if it belongs in a TV soundtrack, it’s because it does. The theme song was specifically crafted for Amazon Prime’s limited series “Nadie nos va a extrañar,” which revolves around a group of unconventional high school students in 1990s Mexico City who operate a forged assignments service (and is also worth watching).

Rauw Alejandro, “Cosa Nuestra”

As a music critic embarking on a review, I find myself utterly captivated by Rauw Alejandro’s fifth album, “Cosa Nuestra.” This masterpiece serves as a testament to his artistic evolution towards unparalleled greatness. The album is a vibrant tribute to the rhythmic infectiousness of the Caribbean, skillfully balancing his bad-boy persona with an undeniable sensual allure.

The title track, “Cosa Nuestra,” sets the stage for this new phase in Rauw’s career, simmering with a soulful bolero backdrop adorned by jazzy trumpets and tantalizing conga rhythms. It’s an invigorating introduction to the musical journey that lies ahead.

Karol G, “Si Antes Te Hubiera Conocido”

The dreamy theme of Karol G’s 2024 hit “Si Antes Te Hubiera Conocido” carries on the vibe she set in her 2023 albums, “Mañana Será Bonito” and “Bichota Season.” Produced with Edgar Barrera and Sky Rompiendo, this song explores the longing for what might have been and the optimism of possibilities yet to come. Karol G unveiled the merengue sensation during summer’s peak, reaching No. 32 on the Billboard Hot 100 – a clear indication that she’s aiming for even greater success in 2025.

Danny Ocean, “Amor”

As a passionate music enthusiast, I’ve been captivated by the heartfelt melodies of Danny Ocean since his 2016 hit “Me Rehuso.” Ever since, he’s been crooning longing notes for his “Babylon girl.” His newest album, “Reflexa,” follows suit with more raw vocals expressing a desire for connection, layered upon traditional dembow beats and pulsating electronic rhythms. The track that truly stands out is “Amor,” a straightforward tune with an infectious rhythm and lyrics that strip love down to its essential elements. In Danny Ocean’s view, love is as simple as 1+1=2. This song climbed to No. 1 on the Billboard Latin Airplay earlier this year and has amassed over 5 million YouTube views.

Cris MJ, “Si No Es Contigo”

For singer Cris MJ, the past couple of years have been nothing short of a whirlwind. His breakout hit “Una Noche en Medellín” made its debut on the Billboard Hot 100 chart in 2022 and garnered attention from Karol G for a collaboration with Ryan Castro on her “Bichota Season” album. This year, he’s maintained his popularity alongside fellow Chilean singer FloyyMenor on “Gata Only,” the only Spanish track to make it onto Spotify’s list of most-streamed songs worldwide. Meanwhile, “Si No Es Contigo” is making waves on Latin charts, with Cris MJ using his breathy vocals over a sultry urban beat. The remix featuring Kali Uchis and Jhayco underscores that Cris MJ isn’t just a one- or two-hit artist.

Becky G, “Otro Capitulo”

As a longtime fan of Becky G’s music and someone who has followed her career since her early days on YouTube, I am truly excited to see her embarking on this new chapter in her life. Her latest album, “Encuentros,” showcases her growth as an artist and her strong connection to her Mexican heritage.

The emotional depth of the lyrics in songs like “Como Diablos” and “Muchas Gracias” resonates with me deeply, especially given my own experiences with heartbreak and loss. Yet, there is a sense of hopefulness that shines through on tracks such as “Otro Capitulo.” The Selena-inspired cumbia beat in this song brings joy and anticipation for what’s to come, making me believe that Becky G is ready to leave the past behind and embrace a new beginning.

I can’t help but feel inspired by her journey and the courage she has shown in sharing her story through her music. I eagerly await seeing where this next chapter takes her and how it will continue to inspire not only me, but fans around the world.

Manuel Turizo and Kapo, “Qué Pecao”

Manuel Turizo, known for his deep baritone voice and heartthrob status, returns to the bachata genre with the track “Qué Pecao,” following the success of “La Bachata” which dominated global charts two years prior. This song is included in his latest album “201.” The tender love ballad gains depth with the poetic contributions of Colombian singer-rapper Kapo, whose subtle interjections add warmth to the song. Both artists, who were nurtured by La Industria, Inc., harmonize the Caribbean rhythm with catchy guitar melodies, making it a likely choice for holiday celebrations or any dance event.

Grupo Frontera featuring Maluma, “Por Que Sera”

Approximately a year following their first album titled “El Comienzo,” Group Borderland (Grupo Frontera) unveiled their second long-play record, “Jugando a Que No Pasa Nada.” Hailing from the Texas borderlands, this band continues to explore the Mexican music genre more deeply with this release. They incorporate elements of tribal rhythms, tumbados corridos, sorrowful sierreño, and a hint of southern-style honky-tonk. A notable track in this collection is “Por Que Sera,” a joint effort with Colombian singer Maluma. His soft, melodious voice provides a stark contrast to the lead vocalist Payo Solis’ deep tones.

Bad Bunny, “El Clúb”

Bad Bunny cleverly disguises “this” as a single track, but it’s actually composed of three distinct pieces. The gradual development hooks listeners with an enticing electronic dance rhythm that’s hard to resist grooving to. The lyrics, on the other hand, reveal contemplative thoughts about an old love and their current life – a relatable scenario for many who find themselves preoccupied after a breakup. As the nightclub ambiance fades, the tempo slows down, echoing the style of his 2022 “Un Verano Sin Ti” album, characterized by more tropical rhythms.

Kid Cudi, “Electrowavebaby”

This year has been quite a rollercoaster ride for rapper-singer Kid Cudi. He’s been reaching new heights, almost like he’s in space and refusing to come back down. Among the many projects he released this year, his comic book debut “Moon Man” and the albums “Insano” and “Insano (Into Mega)” certainly stood out. One track that particularly caught attention was “Electrowavebaby,” an electrifying trap melody with a catchy rhythm. Although it includes samples from Ace of Base’s 1992 hit “All That She Wants,” Cudi managed to put his unique spin on it, incorporating his signature humming and strategic use of “oohs.

Ernesto Lechner, contributing writer

Nathy Peluso, “La Presa”

Born in Argentina, the versatile artist Nathy Peluso seamlessly blends the rebellious spirit of hip-hop with the dramatic flair of progressive salsa. In her latest single “La Presa,” she delivers a tropical heatwave that may just surpass all others. Accompanied by the esteemed backup singers from El Gran Combo, a legendary Puerto Rican orchestra, Peluso captures the essence of when salsa music transitioned into something operatic and symphonic, reminiscent of the late ’70s. As an exceptional vocalist, she emulates the greatness of iconic Afro-Caribbean women like La Lupe and Yolanda Rivera.

Carín León, “El Curioso”

Born in Hermosillo, Carín León made a powerful debut on the Latin music scene, combining Mexican music traditions with captivating elements of country and classic rock. His followers were taken aback by his 2024 releases: a highly acclaimed Latin Grammy-winning album, “Boca Chueca, Vol. 1,” in May, followed by his usual surprise December LP, “Palabra de To’s.” One standout track from his recent work, “El Curioso,” exudes the lively rhythm of norteña cumbia and is grounded by León’s exceptional melodic sensibilities.

Young Miko, “Wiggy”

Similar to numerous other main artists in recent times, Puerto Rico’s Young Miko garnered international attention following her appearance in one of Bizarrap’s popular YouTube sessions, a series known for showcasing emerging talent. Subsequently, she released “att.,” her debut album which exudes charm and solidified her status as a rising star. On the track “Wiggy,” Miko demonstrates her unique flow – fresh, nimble, and captivating. This song is a tribute to classic hip-hop, featuring nods to the early 2000s hit “Aserejé” and a relentless bassline that pulses as she pens poetic verses about clubbing and her affection for another woman.

Rafa Pabön, “Aiwo”

Aiwo” was born unexpectedly one night in Puerto Rico, as urban music maestro Pabön gathered friends Daymé Arocena and producer Mr. NaisGai for an impromptu late-night recording session. This track is a tribute to the Boricuan rapper’s African heritage, characterized by his unique flow and a rich, soulful ambiance that bridges generations. Pabön’s 2023 “Galería” album was groundbreaking, and this short but indelible single suggests even more captivating sounds in the future.

Becky G, “Última Vez”

Released recently, “Esquinas” saw Becky G embracing the soul of Mexican music – a heartfelt homage to her grandparents. This moving encounter left the singer from Inglewood eager to recreate the experience with “Encuentros.” This soft ballad takes us back to Mexico’s golden age of elegantly melancholic songs, enhanced by Becky’s clever production techniques that blend a vintage melodic feel with modern digital technology. The song is accentuated by languid guitar melodies, creating the ideal atmosphere for her stunning voice to resonate beautifully.

Gepe, “Desastre”

Gepe perceived “Disaster” as a chance to explore grand, cinematic chords in his beloved tracks such as Paul McCartney’s “Golden Slumbers” and Queen’s “Innuendo.” The emotionally intense highlight of his exceptional tenth album – ironically named “Not-Disaster” – is characterized by an impressive orchestral score and a sequence of dramatic, unusual sound effects (the simulation of a disaster, as things disintegrate). At 43 years old, the native of Santiago de Chile is riding a magnificent crest of inspiration.

Spanish Harlem Orchestra, “Llegó El Caballero”

Despite modern salsa music being less common nowadays, keyboardist Oscar Hernández in Los Angeles preserves its raw essence with an enthusiasm and commitment to his art that might sustain the genre’s survival. As a young musician, Hernández honed his skills playing piano for La Conquistadora, Ray Barretto, and Celia Cruz, and their ninth album, “Swing Forever,” exudes energy and dynamism. The track “Llegó El Caballero” highlights the bandleader’s talent for intricate compositions, showcasing grandiose brass sections and refined piano melodies. The energetic vocals of guest artist Gilberto Santa Rosa — a legendary figure from Puerto Rico — serve as the perfect finishing touch.

Cimafunk featuring Monsieur Periné, “Catalina”

Thus far, the 2020s have seen a flourishing period for pop music with a tropical influence. This delightful duet between Cuban innovator Cimafunk and Colombian gypsy jazz ensemble Monsieur Periné, drawn from Cima’s third album titled “Pa’Tu Cuerpa”, embodies the ideal Latin summer song. The sound quality is pristine, featuring deep basslines, intricate syncopation, and graceful acoustic guitars in the interlude. However, it’s Cimafunk and lead singer Catalina García of Periné who truly steal the show with their irresistible sensuality that is both playful and seemingly effortless.

Girl Ultra, “Blu”

As a music enthusiast, I’ve been captivated by Girl Ultra’s style ever since her 2022 album track “Bombay” showcased her knack for infusing decadent EDM-infused pop with a touch of playful flirtation. This summer, she dropped the “blush” EP, a sonic feast that’s been my go-to soundtrack. The opening track, “blu,” is a mesmerizing journey where Girl Ultra layers her voice, creating a hypnotic, mantra-like atmosphere over the steady beat of a gritty dance rhythm. It feels like she’s discovered her personal paradise within the walls of the recording studio, where she continues to create music that speaks to my soul.

Trueno, “Tranky Funky”

At the age of 22, Argentine rapper Trueno uses hip-hop as a beacon and shared language, with the ability to heal and unite the world. Influenced by classic hip-hop, “Tranky Funky” moves rhythmically with the beat of congas, thick piano chords, wah-wah guitars, and a tribute to Mobb Deep. This track is similar to Trueno’s successful release “Dance Crip” (2022), inviting you to dance while expressing an unwavering affection for hip-hop – a cultural movement that has bonded communities for the past half century.

https://open.spotify.com/watch?v=playlist/2ww2968jEilLAiOKYHao9X

2025-01-01 02:03

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