Olivia Colman admits to feeling rather weary after a tiring day of media events for “The Roses,” the humorous yet edgy black comedy she made with Benedict Cumberbatch last year. They are both noticeably relaxed, slouching in their seats during our Zoom call from a London hotel. It turns out she’s opted for comfort over formal footwear, wearing slippers instead of shoes.
As a cinephile taking notes, Sir Cumberbatch’s character delivers lines that suggest we’re not just any spectators, but attentive, intellectually stimulated viewers equipped with sharp humor and quick wit.
“Well, we were hours ago,” Colman replies. “I’m afraid you’ve got the dregs now, so good luck.”
Despite her caution, Colman and Cumberbatch show an affable eagerness towards “The Roses,” a film scripted by Tony McNamara, the writer of “The Favourite,” and directed by Jay Roach, known for comedies like “Meet the Parents.” Opening in theaters this Friday, it’s an adaptation that combines elements from Warren Adler’s 1981 novel “The War of the Roses” and Danny DeVito’s 1989 movie with the same title. In these stories, Michael Douglas and Kathleen Turner portray a tumultuous couple on the brink of divorce. The concept for this revival has been in development for several years prior to its production.
As a dedicated movie buff, I’ll hand over the narrative reins to Olivia for a moment, just to check if she’s been fully engrossed throughout our chat so far – much like a captivating plot twist in a film! (Our banter continues to be as lively and engaging as the dialogue in a well-crafted movie.)
For quite some time, Ben and I have shared friendships. One day, we mused, ‘Why don’t we collaborate on a project?’ Then, David Greenbaum, who used to head Searchlight Pictures, suggested just that – for us to team up.
Cumberbatch nods enthusiastically, adding, “This isn’t her memory.”
In actuality, it was Cumberbatch who had a meeting with Greenbaum, McNamara, and Ed Sinclair, Colman’s producing partner and husband. According to Colman, he excitedly declared, “This idea sprung up!” Cumberbatch proposed, “What about a fresh take on ‘The War of the Roses’? I can envision these two in it – it would be amusing to see them portray a loving couple turning into bitter rivals.
Following a momentary pause, Cumberbatch assumes storytelling duties. “The movie features quite a bit of Negroni consumption,” he notes, “since we enjoyed several rounds during our different outings in Venice.
1. The movie showcases numerous inappropriate actions. Despite their long-term wish to work together being the initial motivation for both Colman and Cumberbatch to join, it was ultimately McNamara’s compelling script that truly sealed the deal for them. (Paraphrased)
2. The film displays a multitude of unacceptable actions. Though the opportunity to collaborate had long been a dream for both Colman and Cumberbatch, what eventually made them sign up was the allure of McNamara’s well-crafted script. (Paraphrased)
3. The movie exhibits various instances of questionable conduct. Initially driven by their long-standing desire to work together, Colman and Cumberbatch ultimately agreed to join because they found McNamara’s script fascinating. (Paraphrased)
Martin Freeman commented, “It was absolutely fantastic – we all became enamored with it. However, we were informed that producing the movie would be prohibitively costly. As a result, the primary alterations to the original script’s brilliance involved scaling back certain scenes and making adjustments to make the production more budget-friendly.
McNamara didn’t treat the movie as a straight-forward adaptation but rather as a fresh take, or “reimagining,” which is a term frequently used by screenwriters who prefer more creative approaches. However, “The Roses” occasionally pays homage to the original film, most notably during its climactic scenes.
McNamara expressed that Danny’s film was exceptional, and he found himself remarking, ‘I’m afraid we can’t replicate that.’ What followed was a depiction of two individuals disintegrating during a divorce, contrasted with a unique exploration of how two people who deeply desire to remain married manage to stay together despite lacking the necessary skills.
According to Colman, he describes it as something unique, distinct from remakes, reboots, or any iterations prefixed with ‘re’. Instead, it serves as a fresh start and a source of inspiration.
In the latest movie, Benedict Cumberbatch portrays Theo Rose, a meticulous architect who gets an exceptional opportunity to design a museum in Mendocino, California. His wife, Ivy, played by Olivia Colman, is a chef who momentarily sets aside her own aspirations to focus on raising their two young kids. However, Theo’s reputation takes a hit following an unexpected and widely publicized incident involving his construction project. Conversely, Ivy experiences professional success with the opening of a successful restaurant. Director McNamara aimed to depict a modern marriage where both partners have careers – a departure from the 1989 film’s dynamics.
McNamara expresses intrigue about how ambition impacts marriage in a culture where everyone strives for it, stating, “How can you maintain an intimate bond while chasing personal success?” This led to his hypothesis: “Could ambition be detrimental to marriage? What transpires when one partner experiences triumph while the other encounters setbacks?
In a lively and amusing manner, the plot unfolds with Theo and Ivy growing increasingly irritable towards each other, creating an exciting tension. The movie delves into their past relationship, setting the stage for events that eventually lead to chaos. This critical part of the storyline was crucial for the actors as they aimed to first make viewers sympathize with them, hoping for a reconciliation.
There are numerous instances where everything can potentially go wrong in our relationships,” Cumberbatch explains. “This could be due to unheard messages of love because of earphones, miscommunications on a plane, a joke that didn’t land right, or simple misunderstandings. Over time, these moments accumulate and strain even the strongest of connections. Throughout their lifetime, all relationships face numerous tests, upheavals, and irritations – big or small – and it’s how we respond to these challenges that truly defines them.
Funny enough, it seems like fate has brought Colman’s character to be a chef, just as she portrayed one in “The Bear.” You see, McNamara, who happens to be a self-professed food enthusiast with experience working in restaurants, found this profession fitting. As he puts it, “I was drawn to roles I am familiar with and wanted two jobs that could be seen visually.” He desired Theo’s character to create something tangible, and for her to work on something tactile as well.
Colman captured a scene featuring chef Ollie Dabbous at his high-end, Michelin-starred London restaurant Hide, even though she didn’t prepare much else. “I attempted to jot down everything he did,” Colman mentioned about observing Dabbous cook. “But I can’t seem to find it now. That sauce – it’s making my mouth water.
Cumberbatch admits he wishes he could’ve collaborated with great architects like she did, saying ‘She got to experiment with her craft, while I was simply amazed when I walked onto a set. Cooking is a skill that can be nurtured, and I would have cherished the opportunity to learn from Olivia.’
“I mean, I didn’t get to do anything,” Colman says. “I just got to eat it.”
Despite being set in Northern California, the film “The Roses” was actually shot primarily on the Dorset coast in England. The production utilized towns like Salcombe and Combe Martin, and constructed interiors at Pinewood Studios, even building an impressive house that Theo eventually designs for the couple. The actors sought to shoot the movie near their homes.
Cumberbatch mentioned, ‘As family-centric individuals, it was logical for us, since they’re our top priorities.’ He added, ‘We had a degree of control over that decision.’
“That’s the nicest thing about being a producer,” Colman chimes in.
It was pleasant, knowing I had a partner in this endeavor,” Cumberbatch adds. “We both had the power to influence producers. The convenience of five-day work weeks was significant, especially considering the nature of our roles and the fact that we were the driving force behind these projects. Together, we stood strong on all matters.
Neither actor admits to choosing “The Roses” as a counterpoint to their stable marriages and peaceful home lives (a stark difference from Theo and Ivy), but they found it offered a powerful emotional release. Both are known for prestigious dramas – Cumberbatch has earned two Oscar nominations, while Colman has garnered three (including a win) – yet their foray into slapstick surpasses expectations. “The Roses” finds them in top form, even featuring an explosive final fight complete with stunts and mock fights involving oranges and knives.
Colman commented, “The big fight was incredibly fun for me and getting pelted with oranges added to the excitement. His aim was truly impressive – he didn’t seem to put any effort into it.”
This paraphrase maintains the original meaning while using simpler language and more common expressions.
“It was a sponge, Olivia,” Cumberbatch interjects. “The ones coming towards you were not real.”
She looks astonished. “See, I’ve watched it and I thought, ‘Wow, we threw oranges!’”
He described it as an explosive sequence of events, requiring repeated spikes of excitement. Yet, he found delight in this, as it allowed him to experience the full spectrum of madcap emotions.
For a long time, Colman worked in comedy with a hope of getting offered dramatic roles. However, he explains that there are essentially two categories, and it’s rare for someone to provide the chance to move from one list to another. It takes someone taking a risk to offer an opportunity, and then people discover that actors can excel in both comedic and dramatic roles. Yes, we enjoy doing both types of work.
Cumberbatch concurs that what truly matters is authenticity and quality. He believes that top-notch work, regardless of its tone – be it humor, drama, or a blend – remains excellent.
For the first time, Cumberbatch ventures into comedy. Reflecting on his newfound pursuit, he remarks, “Comedy, like drama, is a formidable endeavor; it requires every ounce of my effort and skill.” Yet, he appreciates that the finest comedic performances, much like compelling dramas, embody both humor and depth, reflecting the duality of life. In essence, he believes, “Every good narrative should encompass elements of laughter and tears.
McNamara states that these two actors are exceptionally skilled comedians, capable of delivering genuine and raw performances.
In “The Roses,” there are some surreal instances, particularly in the closing scenes, which subtly reference DeVito’s work through a heated dinner-party dispute and an increasing conflict between the pair. Striking the right balance of tone was crucial to prevent the narrative from becoming too extreme and implausible.
As a film critic, I find myself in an unusual predicament: you’d be better off avoiding the catastrophic scenario unfolding on screen, yet I can’t deny that there’s a certain allure to the chaotic, comedic spectacle it presents. In his own words, Benedict Cumberbatch captures this paradox perfectly, remarking, “It’s not something you’d want to witness, but somehow, the absurdity of the situation is captivating.” This movie serves as a stark reminder that when people become entrenched in their beliefs, they can sometimes act in ways that seem utterly mad.
Introducing comedic talents such as Andy Samberg and Kate McKinnon added a touch of grandiosity and eccentricity, according to McNamara, without compromising the stormy relationship between Theo and Ivy. As Ben explained, by the movie’s end, there’s an intention to promise treating your partner with more kindness.
As people leave the theater, Cumberbatch advises a sense of gratitude and camaraderie rather than mockery. He suggests being considerate to others, appreciative, thoughtful, and mindful of one another’s presence. It’s when we get caught up in our own narratives that we miss out on finding common ground.
Movies
This summer promises a rich variety, offering blockbuster hits reminiscent of Hollywood, intelligent independent films as well as some delightfully mindless entertainment – all essential ingredients for a satisfying summer cinematic experience.
After spending numerous years as friends (they can’t specifically recall the duration), Cumberbatch and Colman found it effortless to transition into portraying a married couple. As Cumberbatch notes, “The risk of camaraderie is that work may not get completed because the fun is too enjoyable.” However, there was always a deadline looming. Yet, the experience was delightful. I’ve often repeated this, but when you have trust in your co-star, it elevates your performance.
Colman responds, “I’ve cherished each word as you spoke it,” he says. “You have a knack for expressing beautiful and thoughtful sentiments.
Cumberbatch emphasizes that it’s indeed true, making it a straightforward process. He’s excitedly anticipating the next chance for them to do it again.
Colman surprisingly shows interest. “Shall we watch it once more?” she queries, transitioning to another comedy starring DeVito. “How about ‘Romancing the Stone’?” (this version is a bit more casual and flows better in conversation)
Cumberbatch chuckles and indicates towards the two of them, saying, “Indeed, this is the fresh duo reminiscent of Kathleen Turner and Michael Douglas.
He remarks, with a sincere tone, “She has an extraordinary ability to brighten the entire day, event, and everyone present, regardless of the circumstances. In comparison to Olivia, I’m not as adept at that.” He further states that her joy is “contagious.
She leans on him, saying, ‘You’ve brought such happiness,’ and then, as the day ends, she signs deeply, acknowledging, ‘I believe we’re both quite touched emotionally.’
The bond between Theo and Ivy, compared to their friendship, seems less evident and perhaps not as inspiring. Colman hints that upon re-listening to this interview, it may become clear that it’s essentially unhelpful. However, despite their exhaustion, there’s something enlightening about them.
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2025-08-28 13:32