Movies

Netflix’s new murder mystery is complete marmite – but if you lean into the whimsy, it does work

BBG News

There’s “How to Get Away With Murder” and also “The Residence”. Both shows originated from Shondaland, the production company run by Shonda Rhimes, who is also known for creating “Bridgerton”. Interestingly, both series incorporate aspects of murder mysteries.

But while they are each exceptionally brilliant, they are also wildly different.

Unlike “The Residence,” which provides amusement without tackling profound subjects, the events within the world where the murder unfolds are of utmost gravity for its inhabitants.

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Passion levels are sky-high as characters grapple intensely with the complex mystery, all while carefully avoiding actions that might implicate them.

From the very beginning until just about the penultimate episode, this review covers all episodes except the finale. Yet, we have faith that the creative minds behind the show, led by creator and showrunner Paul William Davies, will deliver an unanticipated, wildly absurd ending that aligns perfectly with the series’ established tone.

Initially, let’s paint a vivid picture. Our dialogue may not match the thrill of watching “The Residence” directly, but imagine this scenario: A grand State dinner unfolding at the White House, with Kylie Minogue (indeed, Kylie Minogue) entertaining the crowd by singing ‘Can’t Get You Out of My Head’, leaving them spellbound. Meanwhile, Hugh Jackman is creating quite a stir among the guests.

Meanwhile, two floors above, a man lies dead, with blood staining his shirt.

The suspected killer remains on the loose, likely hiding within the residence, as those pulling the strings panic over the identity of the culprit. Stepping onto the scene is our astute detective, Detective Cordelia Cupp, played by Uzo Aduba.

The murderer remains at large, possibly still inside the house, causing chaos among the puppet masters trying to figure out who committed the crime. Entering the fray is our keen investigator, Detective Cordelia Cupp (portrayed by Uzo Aduba).

Cupp’s unique and unconventional personality aligns perfectly with the usual requirements for this kind of role. However, even though her character may not be a complete departure from what we’ve seen before, Aduba brings an undeniable spark of inspiration to the table, which is crucial given that she plays a leading role in half of the show set within the White House.

From her first moments on screen, audiences get an instant feel for Cupp’s quirkiness.

She’s off on her own in the White House grounds, looking for a common hawk. In other words, she’s hunting for hawks.

As a devoted fan, I must say she’s quite the peculiar character! Yet, it’s this very quirkiness that makes her so intriguing. It’s her sharp-eyed insights that ultimately solve the puzzle, weaving together the threads in ways that are both captivating and original. Sadly, those around her often fail to appreciate her charms, quick to dismiss her ideas and growing weary of her unconventional methods.

Although Cupp prefers to work independently, Special Agent FBI Edwin Park (played by Randall Park) yearns to join the mission. Contrastingly, Aduba doesn’t shy away from collaboration. As a result, the entire cast delivers an enchanting performance, starting with the mysterious dead man.

Although Chief Usher A.B Wynter (portrayed by Giancarlo Esposito) primarily appears in flashback sequences, his presence remains integral to the unfolding events as the narrative continually shifts between different time periods.

Among the exceptional actors, Esposito consistently shines in every role he takes on. Unlike certain other characters who bring an over-the-top energy, Esposito’s portrayal of A.B is calm and composed. He embodies the image of a poised dog watching the world burn around him.

When stress or turmoil momentarily unveils, causing tension to peak, his acting takes on an even greater intensity. Yet, despite the gravity he portrays, the production maintains its comedic essence, infusing every scene with humor.

One of the standout features of “The Residence” lies in its diverse range of comedic aspects, which are skillfully woven into the narrative as various forms of tension unfold within the household.

The relationship between President Perry Morgan, portrayed by Paul Fitzgerald, and his problematic brother Tripp Morgan, acted by Jason Lee, is filled with family friction. This sibling conflict will resonate with many who have a brother of their own. The family’s problems run deep, as their mother, played by Jane Curtin, exhibits an outspoken personality and a knack for causing trouble that extends beyond her open disdain for her daughter’s husband, First Husband Elliott Morgan, portrayed by Barrett Foa.

A touch of humor arises frequently when the self-important chefs, Didier (Bronson Pinchot) and Marvella (Mary Wiseman), clash ego to ego, sparks often flying close by.

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Their egos butting heads often creates a comedic situation for Didier (Bronson Pinchot) and Marvella (Mary Wiseman). Sparks fly, indicating a potential flare-up is never far off.

While butler Sheila Cannon (Edwina Findley) and social secretary Lilly Schumacher (Molly Griggs) are exceptional instigators, each displays their rebelliousness uniquely according to their specific roles and personalities.

Or simply: Butler Sheila Cannon (Edwina Findley) and social secretary Lilly Schumacher (Molly Griggs) are high-level agitators, but they express their rebellion in ways that suit their characters and positions.

The White House spectacle is a jest, filled with countless clumsy antics. Yet, if it was solely for humor, “The Residence” wouldn’t be as captivating as it turns out to be.

The Shondaland team consistently excels at creating complex characters, giving them multiple dimensions that draw viewers in and encourage emotional engagement with both the characters themselves and their interpersonal dynamics.

In episode four, there’s a pause on the case to delve deeper into Cordelia Cupp’s background, which adds a rich layer to the storyline. Although we don’t always get such detailed explorations with every character, their scenes still manage to provide depth without losing the chaotic essence of the series.

There’s even room for a sweet and pure romance, complete with stakes.

The narrative also unfolds in a really interesting way, and keeps The Residence pacy.

Although Cordelia Cupp’s investigation takes up a significant part of the series, the core of The Residence revolves around the ongoing trial in the present day, examining the circumstances surrounding A.B. Wynters’ demise.

In a fresh portrayal, Eliza Coupe steps into the role of Colorado’s Senator Margery Bay Bix. Her unquenchable thirst for truth and relentless pursuit of justice subtly reveals her eagerness to unravel the enigma surrounding this murder case – she embodies our curiosity, we empathize with her.

Leaping through different time periods seems deliberately disorderly, almost like it’s meant to amplify the intense, feverish atmosphere surrounding the happening events.

Similar to Cordelia, it’s meticulously organized yet unpredictable – leaving you intrigued. The Residence offers an authentic whodunit experience, capturing your attention right from the start if you can embrace its complexities.

All eight episodes of The Residence are available to stream now on Netflix.

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2025-03-20 16:20

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