Netflix’s new Grey’s Anatomy-style is missing one vital thing to be a success

Any fresh medical drama on the block wouldn’t wish for comparisons to a proven hit like “Grey’s Anatomy,” but unfortunately, that’s exactly what Netflix’s latest series, “Pulse,” finds itself in.

In a lighter and more straightforward manner: The character McSteamy from the hospital drama “Grey’s” has a stronger impact than the storm depicted in the first three episodes of “Pulse.” In fact, Netflix’s series acknowledges this by giving a playful wink to the Shondaland production that recently marked its 20th anniversary on screen.

For those who are wondering about the comparisons, let’s clarify that there are no undergarments on the notice board, elevators aren’t romantic (they simply serve their purpose as elevators), and for fans of Grey’s Anatomy hoping for on-call rooms with bunk beds, I suggest you “make an effort to forget about that.

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On such programs, it’s typical to find complex and seemingly unachievable operations that mysteriously succeed, surrounded by a flurry of medical terms that leave the ordinary viewer bewildered.

Just like on these types of shows, there are surgeries shown that seem impossible but somehow work, all while using medical jargon that leaves most viewers confused.

The narrative revolves around ill-advised relationships that grow into something intricate and disturbing. The protagonist, Danny Simms played by Willa Fitzgerald, files a sexual harassment complaint against her superior, Xander Phillips, who is the chief resident, and this becomes a key theme in the storyline.

At Miami’s imaginary hospital, Maguire Medical Center, third-year student Danny finds herself grappling with the aftermath of her declaration, marked by attacks on her character, strained relationships with colleagues, and friends, and an increasing sense of isolation. Meanwhile, Xander, known for his charm and charisma, effortlessly accumulates backing as Danny’s support network seems to desert her.

Pulse’s narrative style presents a more innovative approach compared to some other screen stories, as it immerses viewers directly into the heart of the action.

At first glance, Hurricane Abby’s arrival creates an immediate feeling of tension that propels the narrative forward. Simultaneously, the growing unease and poisonous dynamic between Danny and Xander escalates, exerting increasing stress.

Or:

Hurricane Abby intensifies the story with a sense of urgent tension on the surface. Meanwhile, beneath this, the complicated relationship between Danny and Xander becomes increasingly strained, adding to the overall pressure.

This method offers a unique and captivating blend of two contrasting sources of suspense, ensuring your attention stays hooked. Yet, this technique may sacrifice the depth of character exploration.

Grey’s success was built upon the robustness of its characters and the bonds they created among themselves. The narrative unfolded gradually, giving depth to each character, allowing viewers to develop a clear understanding of their personalities. As a result, even the characters’ imperfections became appealing to fans.

In Pulse, the overpowering plotlines don’t allow for much exploration of characters, and the creators fail to compensate for this impact on character development. Rather, they provide flat backgrounds that are forced into the narrative as a means of adding complexity.

Many significant moments between friends and loved ones often occur privately, rather than being incorporated into a continuous narrative. This can make these moments seem contrived or unauthentic. The phrase “never not there,” which is shared by Danny and his best friend Elijah (Jessie T. Usher from ‘The Boys’), comes to mind in this context.

The focus on character interactions and key figures ought to be the core element of the production, but it seems like Pulse occasionally overlooks this aspect.

Instead of the initial thrill of being in the heart of the chaos overshadowing our desire for richer character development, it becomes evident over time that you grow attached to the Maguire gang, even if not as deeply as desired, but enough so that following their journey doesn’t feel like a burden.

Partly, this is due to being presented with an engaging storyline. However, the performers put in considerable effort as well. Although their characters might not have been richly developed, they were fully invested in every scene, delivering emotional depth.

The blossoming bond between Sophie (Chelsea Muirhead) and Camila (Daniela Nieves) gives a satisfying sense of progression. Jack Bannon convincingly portrays the challenging character of Tom Cole, a surgical resident who oscillates between arrogance and warmth, making his development all the more impactful. The dynamic between Danny and her younger sister Harper (Jessy Yates) is also authentic and heartwarming.

Fundamentally speaking, Pulse delves deep into the theme of power. Indeed, it does so through its narrative on sexual harassment, yet it extends beyond that to scrutinize the intricate power relationships among peers, adversaries, colleagues, seniors and juniors, and romantic partners as well.

Pulse strives to portray the intricacies of relationships where power dynamics are inherent. It delves into Danny and Xander’s predicament, interspersing episodes with flashback sequences intended to reveal how convoluted and puzzling such relationships can be; how effortlessly boundaries may be crossed and actions justified.

Pulse, in its attempt, does a fairly good job, albeit with some imperfections, eventually reaching a conclusion that doesn’t heal but offers a sense of resolution. The ending is hopeful, offering a fresh outlook to those involved.

Pulse is available to stream now on Netflix.

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2025-04-03 13:19