Most People Die on Sundays Review

Regarding my film preferences, I’m rather neutral about genres but have a strong affection for dark comedies. Balancing humor with drama or maintaining a witty yet non-cruel sense of humor is tough for movie makers. Even if a film doesn’t perfectly strike that balance, as long as it showcases some commendable aspects, I can be understanding. Thus, I approached the film with an open perspective.

The Argentine film, labeled as a blend of dark humor, was conceived by Iair Said, who not only wrote and directed it but also starred as the main character, David. In this role, Said narrates a tale where David journeys to Buenos Aires for his uncle’s funeral, uncovering his mother’s plan to end life support for his comatose father during the journey. Throughout his travels, David wrestles with complex themes related to death and mourning, as well as grappling with questions about his own identity.

The argument isn’t initially funny, but some exceptional dark comedies can catch you off guard by finding humor in unexpectedly grim situations. Unfortunately, it appears that the film Most People Die on Sundays failed to strike the necessary balance. Consequently, what unfolded was a rather monotonous and dull movie that struggled to build momentum over an extended period.

David Is The Highlight, But He Cannot Sustain The Film

The Character Is Compelling At Times

Right from the start, it’s evident that David struggles significantly with self-acceptance. His physical appearance is frequently discussed, and the movie begins with scenes showing him either fully or partially undressed, highlighting his body as a significant aspect of his character development. This aspect of the film is intriguing, but I felt it could have been delved into more deeply.

In the movie, David’s low self-esteem significantly impacts various areas of his life, such as his romantic pursuits. However, these aspects are scarcely delved into throughout the film. Consequently, David’s introspective nature can sometimes make it difficult for viewers to connect with him, as he often appears as a passive main character. Despite having some compelling qualities, I found it challenging to invest in Said as our primary character.

Most People Die On Sundays Was Not Funny

This Is A Problem In A Dark Comedy

For someone who appreciates dark comedies, the biggest disappointment with the movie “Most People Die on Sundays” is that it fails to deliver on its comic potential. The film grapples with both its dramatic aspects and its lighthearted moments, yet falls short in both areas. It appears that most of the humor attempts are based on the character’s overweight status, exploiting his awkwardness without giving much thought to creating humorous dialogue. With little laughter and minimal depth for the characters, there was not much to keep one engaged, making it hard to find anything redeeming about it.

Most People Die On Sunday’s Sluggish Pacing Was Alienating

The Film Ends Up Being Boring

In a nutshell, I’m usually open to films with a slower pace, especially when it comes to character studies. However, the movie Most People Die on Sundays seemed overly slow for me. Despite giving it some leeway, I found myself growing restless during the initial stages of the film as the characters appeared to dawdle in their journey from one point to another. The scarcity of humor and David’s passive demeanor didn’t make things any more engaging for me.

In the final 15 minutes of “Most People Die on Sundays”, I found the most powerful and cohesive aspects of the story. Here, the underlying themes that had been subtly introduced earlier in the film came together neatly, providing a sense of resolution for David’s character as he finds peace with his identity. Unfortunately, this impactful conclusion was let down by a slow-moving movie that struggled to convey its message consistently throughout. Instead, we were given a drawn-out and frustrating journey that took far too long to reach its destination.

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2025-05-02 22:51

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