MobLand’s Paddy Considine: WILDLY Mishandled?! You Won’t Believe What They Did!

Warning: This article contains spoilers for MobLand Season 1, Episode 9

In the penultimate episode of season 1, titled “Beggars Banquet”, it becomes clear that time is running out in the series of MobLand. We’ve been stuck in the Cotswolds for what feels like an eternity in this show, but it appears the rule here is that everyone remains on high alert. However, characters are free to come and go as they wish. Despite Conrad’s (Pierce Brosnan) frequent outbursts, disobeying a man often referred to as the devil seems to have only two consequences: evil glares and unfulfilled threats.

In the world of MobLand, characters come and go to the Cotswolds at their leisure, with plotlines surging in one episode, only to fade again in the next. The story has progressed very slowly; we’re already on episode 9, yet Conrad is just now discussing his fentanyl plan with the Mexicans, an issue that was central to the series premiere. The first season could conclude in numerous ways, none of which seem likely to provide a satisfying resolution if the events of “Beggars Banquet” are any indication.

Kevin’s Childhood Trauma Storyline Is Mishandled

Plotlines Don’t Feel Connected To One Another

By this stage in the series MobLand, it doesn’t seem beneficial to delve into each storyline individually because none of them appear to be more significant than the others. While they do cross paths, there seems to be no real connection binding them together. For instance, Richie’s (Geoff Bell) dealings with the police and Harry’s (Tom Hardy) negotiations with Kat (Janet McTeer) seem unrelated, although logically they might be expected to be intertwined. Some storylines diverge even more, such as Bella’s (Lara Pulver) plot involving her father and Syrian arms dealers.

In the gritty world of MobLand, Kevin’s (Paddy Considine) emotionally charged journey towards vengeance following his traumatic experience with sexual assault is more fitting for a separate series. This parallel narrative has provided Kevin with a more substantial role than any other character in MobLand, and Paddy Considine has skillfully navigated the intricate plotline. However, the graphic portrayal of this storyline raises concerns about the handling of such sensitive material, hinting at potential flaws that may surface in the upcoming finale.

In the show, there’s a scene where a character who appears to be Kevin confronts his alleged prison rapist. However, the execution of this moment is awkward and unclear, leaving viewers unsure if this man was truly Kevin’s abuser. The scene is filled with confusion, both in terms of plot development and overall tone. In an unexpected turn of events, Kevin ends up shooting the elderly man, a choice that seems more like a dark joke than a serious act. Despite the gravity of this event, it’s hard to believe this marks the end of Kevin’s traumatic journey, especially since there’s only one episode left and it seems unlikely they could address this topic effectively in such limited time.

There Are Never Any Lasting Ramifications In MobLand

Tom Hardy Is Kept Out Of The Most Important Scene Of The Episode

In my opinion, the climactic scene in “Beggars Banquet” fell a bit flat. It’s clear that this dinner was intended to embody the essence of MobLand throughout the season – a tense blend of dark humor. However, the characters seemed lacking in depth and complexity to truly carry off such a challenging balance.

If Tom Hardy were present, I believe he could have breathed life into a scene like this one. Regrettably, Harry, who should be at the heart of it all, is relegated to the edge of the table and barely contributes to the dialogue. In fact, he’s absent from many shots. Instead, the focus shifts to Maeve (Helen Mirren), Conrad, Jan (Joanne Froggatt), and their esteemed guest, Alice (Emily Barber).

Jan becomes timid, causing her to be silent, while Alice, who has been exceptionally talented as a covert agent since we first encountered her, finds it difficult to maintain her disguise after receiving even a single pointed question. This leaves us with Maeve and Conrad, two characters I’m increasingly doubtful about their suitability for the roles. They argue, they brawl, they break glasses, they tell unfunny jokes; it’s an awkward dinner, not in the way MobLand intended it to be.

Wrapping up, following Maeve and Conrad’s arrest, they reconcile as swiftly as they brandished knives and bottles menacingly towards each other. This mirrors the essence of the series. Whatever transpires carries no weight on future events. Previous threats and pledges are erased. In the world of MobLand, what truly matters is rushing to the next scene, before we have to confront what has just taken place.

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2025-05-25 10:18

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