Movies

‘Minecraft’ Director Says There’s Already Sequel Talk

BBG News

Director Jared Hess of the “Minecraft” movie hinted that discussions about a potential sequel are underway, suggesting it’s already being considered.

The movie adaptation of the well-known action-adventure sandbox video game has been a massive box office success ever since its release in theaters last Friday, and director Hess, aged 45, has subtly suggested that a sequel could potentially be in development.

The filmmaker shared with Deadline that a potential sequel could be exciting: “Wow, it would be a blast! We had a fantastic time creating this film, and the game’s world is vast and full of untouched possibilities that we yearn to explore further.

I’d really enjoy working on the follow-up, as it appears there’s discussion about moving forward with it. I’m genuinely thrilled at the prospect of returning to that world, and I can hardly wait!

Fans appear to be thoroughly enjoying themselves. We hinted at it during the closing credits, and it seems they’re absolutely thrilled about it!

As the closing credits rolled, I found myself face-to-face with none other than Steve, the iconic character from Jack Black’s world, and a hint dropped by Hess suggested that a potential sequel might introduce Alex – yes, the playable protagonist of Minecraft!

The filmmaker behind “Napoleon Dynamite” revealed: Among the key characters in “Minecraft”, the one we’re focusing on is Alex. You may know him as Steve, but in our project he’ll be known as Alex. This character is definitely the one we’ll be featuring.

The film titled “A Minecraft Movie” revolves around four unlikely companions – Garret ‘The Garbage Man’ Garrison played by Jason Momoa, Henry (Sebastian Hansen), Natalie (Emma Myers), and Dawn (Danielle Brooks) – who find themselves whisked away through a strange portal into the Overworld, a vibrant world built on creativity.

In order to get back home, they need to learn their way around this fresh world, join forces with skilled artisan Steve (Black) for an adventure, and face diverse obstacles and beasts throughout the journey.

Last week’s release of “A Minecraft Movie” saw it become an instant box office sensation, raking in an impressive global total of $313 million during its premiere weekend.

Pondering over the concept of “A Minecraft Movie“, Hess pointed out one major reason for its triumph was the massive fanbase of the 2009 video game, providing him with an excellent foundation to craft an “incredibly enjoyable and hilarious journey” that appeals to a wide range of viewers.

He pointed out: “The crowd was incredibly enthusiastic about the game, and for many, Minecraft held a special place in their childhood and teenage years, something they cherished deeply.

The game’s creativity drew me in, but its over-the-top humor, absurdity, and hilarity are what truly captivated me. The idea of creating a film that celebrates this wacky, geeky world filled with laughter was irresistible. We wanted to embrace every quirky aspect and ensure it remained a key focus during production.

The 10 Worst Horror Movies of the Past 10 Years (2015-2024)

The Bye Bye Man (2017)

The Bye Bye Man” is a horror movie that doesn’t live up to its terrifying title or premise. It tried to imitate the success of “The Babadook,” but fell short. The story revolves around a villain who gains power when people think about him, and convinces them to commit violent acts. However, the execution of this idea was lackluster, making the movie feel like browsing through uninteresting horror stories on Reddit.

Death Note (2017)

Translating anime series into live-action movies mirrors the attempt to bring popular video games to life on screen. When done well, it’s fantastic, but often leaves much to be desired. A notable instance of this trend is the Netflix adaptation of “Death Note,” which attempted to compress 12 volumes of a dark, supernatural murder mystery manga into a brief runtime and, unfortunately, transformed all primary characters into Americans in an uninspired act of whitewashing. The lead character, Light Yagami, was reimagined as “Light Turner,” a Seattle high school student portrayed by Nat Wolff, who stumbles upon the Death Note – a book guarded by a demon that kills anyone whose name is written within it – and catches the attention of detective L (LaKeith Stanfield). Willem Dafoe provides the voice for Ryuk, the shinigami death god, making at least one aspect of the original production intact.

Slender Man (2018)

The rise in popularity of internet horror tales, known as creepypastas, was largely driven by the character of Slenderman – a tall, faceless figure dressed in a dark suit who exerts control over young people, causing them to lose their sanity and perform violent acts. This character spawned numerous media creations such as the webseries ‘Marble Hornets’, the video game ‘Slender’, and the documentary ‘Beware the Slenderman’ about a nearly fatal stabbing of a teenage girl. In 2018, a poor adaptation titled ‘Slender Man‘ was released to fill the void left by the world’s tiredness of the meme, effectively marking the end for the character of Slenderman.

The movie follows a group of girls who encounter the creature after an unsuccessful attempt to summon it, leading to a series of predictable scares and a rather ridiculous conclusion. By the time this film was released, the Slender Man meme had already become outdated, and ‘Slender Man‘ served as the final blow to the character’s reputation.

The Haunting of Sharon Tate (2019)

The film “The Haunting of Sharon Tate,” starring Hilary Duff, bravely reimagines one of history’s most infamous murders in a manner that is sensationalistic and dull. The movie portrays Tate as someone who, just before her death, experiences eerie premonitions of her own murder and becomes convinced that the Manson family is after her. This leads to an anxious reinterpretation of Sharon Tate’s final days, which is as puzzling as it is distasteful. The climax offers a particularly bitter twist. Fortunately, another film about Sharon Tate from the same year is Quentin Tarantino’s “Once Upon a Time … in Hollywood,” which provides a more pleasant resolution for the character and her companions.

Antebellum (2020)

Discussing questionable choices in filmmaking, let’s address “Antebellum,” a horror film starring Janelle Monáe. In this movie, she portrays a character abducted and compelled to work as a slave on a plantation during the American Civil War era. The timing of its release was unfortunate, coming amidst a pandemic year and mere months following the Black Lives Matter protests. The film’s unexpected turnoff left many viewers feeling uncomfortable, as its twist didn’t resonate positively with them. If you look up the Wikipedia plot summary, you’ll understand our perspective immediately.

The Turning (2020)

Henry James’ gothic horror novel, titled “The Turn of the Screw“, which revolves around a governess who believes that spirits are tormenting two children, has been remade numerous times. The most successful adaptations include “The Innocents” from 1961 and Mike Flanagan’s miniseries “The Haunting of Bly Manor”. However, “The Turning”, initially intended as a comeback for Steven Spielberg in the horror genre, is considered one of the less effective adaptations. It went through several directors before being assigned to Floria Sigismondi of “The Runaways”. Unlike her previous work, “The Turning” fell short, lacking the chilling atmosphere of the novel and disappointing fans who were expecting a haunting tone based on its indie rock/dream pop soundtrack. This was a letdown for both admirers of Henry James’ works and followers of Mitski’s music.

Halloween Ends (2022)

In a surprising turn of events, the initial film in the contemporary Halloween trilogy, released in 2018 as simply Halloween, under the direction of David Gordon Green, set the stage for a thrilling ride. However, the momentum wasn’t sustained in the subsequent films, Halloween Kills and Halloween Ends, leaving fans rather disillusioned. The former film’s slogan, “Evil dies tonight,” ironically fell flat as evil persisted.

The concluding chapter, Halloween Ends, unfortunately veers away from the central focus on Michael Myers. Instead, it delves into Laurie Strode’s failed memoir deal and introduces a brand-new antagonist, a local boy who has been tainted by Myers’ evil influence. This newcomer embarks on a murderous rampage of his own. The Halloween series, known for its complexity and occasional forays into the bizarre, often attempts to rework its material in unique ways. Yet, Halloween Ends struggles to maintain its connection with the legendary horror franchise.

They/Them (2022)

The movie titled “They/Them” (often pronounced as “they slash them”) is a horror film that takes place at an LGBT conversion camp. It’s particularly famous for an extended, laugh-out-loud scene where all the campers gather to sing Pink’s dance ballad “Perfect” to one another. This movie attempts to balance comedy and horror, presenting itself as a darkly amusing slasher about a camp where the counselors are brutally killed by an unknown assailant. However, it walks a fine line, never fully committing to either seriousness or absurdity, resulting in a tone that’s inconsistent at times. The ending is left unsatisfying and open-ended.

Winnie-the-Pooh: Blood and Honey (2023)

A peculiar sense of sadness arises when reimagining cherished childhood stories as macabre content for notoriety, and the film Winnie-the-Pooh: Blood and Honey doesn’t provide strong arguments in favor of horror movies based on public domain characters. After Christopher Robin departed for college, his toy companions transformed into savage creatures consuming each other. Now, Winnie-the-Pooh and Piglet have become bloodthirsty serial killers who relentlessly hunt down anyone foolish enough to venture into their woods. This concept may seem amusing, but the movie falls short in providing enjoyable moments, instead offering excessive gore that is exhausting rather than entertaining.

The Crow (2024)

There was little enthusiasm for the 2024 remake of the comic character The Crow, not even among its most devoted fans. However, the film fell short of expectations, being significantly worse than anticipated. The movie aimed to flesh out Eric Draven’s deceased lover Shelly as a more substantial character instead of a typical dead girlfriend stereotype, but it faltered on nearly every front. This dark superhero reboot is a tedious, overly serious retelling of a familiar story, filled with convoluted plot twists and a dismal atmosphere. Considering how poorly this adaptation has performed, it’s all the more astonishing that the original movie, burdened by tragedy as it was, managed to be as impressive as it was.

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2025-04-08 16:54

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