Lyric Shen Reflects on the Power of Material Memory in ‘There is an occlusion’

For papermakers by hand, “occlusion” refers to instances when threads of hair or specks of dust unwittingly stick to a sheet, disrupting its pristine state with an unexpected impediment. In her recent solo exhibition at Silke Lindner, artist Lyric Shen employs this idea as a metaphor for how experiences, even those that may be unplanned, can become woven into the larger tapestry of life. She investigates concepts of exile and transition using delicate layers of ink and paper to depict these interwoven threads.

The exhibition combines traditional methods of porcelain and stoneware artistry with modern techniques such as inkjet printing and digital media. This blend explores themes like remembrance, secrecy, and the flow of time. The climax of the show is a moving re-creation of a room from a Japanese colonial house that was once part of the artist’s family history. This reconstruction was made using only sketches and oral narratives.

Using personal and collective experiences, dreams, and fears as a foundation, Shen creatively explores the idea of occlusion, demonstrating how memories and history carve indelible impressions onto individuals, shaping them while simultaneously leaving lasting imprints on their environment.

The exhibition is now on view in New York through April 26.

Silke Lindner
350 Broadway,
New York, NY 10013

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Lyric Shen Reflects on the Power of Material Memory in ‘There is an occlusion’

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