Lost Soul Jack Lowden Battles Martin Freeman in Raw Boxing Drama
Jack Lowden has gained significant popularity on television following his performance alongside Gary Oldman in Apple TV+’s acclaimed spy drama, Slow Horses, making him one of the most sought-after talents in the industry today.
Indeed, Jack has grown to such an extent that even the renowned actor Martin Freeman, known for his roles as Bilbo Baggins in The Hobbit and Sherlock Holmes in the hit series Sherlock, is now his wingman in a fresh stage production by David Ireland titled Two Men in Alcoholics Anonymous.
As is common with AA stories, the subject matter is raw, excruciating and often alarmingly funny.
In simpler terms, the character Luka, created by Lowden, is a lonely and anxious Scot who struggles with intimacy and has turned to alcohol as an escape. He identifies himself as an involuntary celibate, often abbreviated as incel. This group of people feel they are unable to find sexual or romantic partners despite desiring it. Luka harbors resentment towards his married friends who, in his view, have easy access to sex.
Apart from lengthy spells of heavy drinking, he has a tendency to replace these habits with pornography and self-harm. To put it simply, he’s in a state of rapid decline.
We are a long way from Lowden’s ill-fated MI5 agent River Cart- wright in Slow Horses.
In a state of great need, Luka has enrolled in a 12-step program designed for individuals seeking recovery from alcohol addiction. He’s seeking guidance and support from his 25-years-sober mentor, James (Freeman), as he strives to change the course of his life.
Furthermore, Lowden delivers a truly outstanding portrayal, skillfully diving into the depths of his complex and self-destructive persona, as well as its hidden emotional dead-ends.
In a typical manner for a young man who is deeply isolated and exposed to danger, Lowden’s expressive eyes, reminiscent of a hurt puppy, are always present. This subtle yet tense demonstration exudes an air of both riskiness and caution.
As an ardent admirer, I can’t help but notice Luka’s extensive collection of defensive quirks – from his wardrobe of scratching gestures to his catalog of leg tremors and the vast gamut of blinking patterns he exhibits. However, graced with a kind, unpretentious simplicity, it’s impossible not to be captivated by Lowden’s troubled spirit, which seems to have found salvation following an encounter with Jesus at a multigym.
Instead of Freeman, who now resembles a well-settled Mr. Ordinary, exudes the self-assured demeanor of a mannequin from Marks & Spencer. In his characteristic way, Freeman’s persona as James is an overtly patient double and spiritual guide to Luka, displaying a remarkable calmness.
However, it is through the intense, conflict-filled play of Irish dramatic art that Freeman’s seemingly unapproachable persona begins to break down – as both characters struggle with Alcoholics Anonymous’ Fifth Step, which involves acknowledging their mistakes to themselves, each other, and a higher power.
In Irish literature, God often plays a significant role, despite the country’s non-religious tone, but it might seem at times that He wishes to step aside. Yet, Ireland’s sharp, expletive-laden wit is never excessive, and it has an exceptional talent for creating awkward ethical predicaments.
Instead of indulging us with what we prefer to think about ourselves, he is a connoisseur of inappropriate mindsets and uncomfortable truths at home.





1. Viewers were ecstatically thankful, with women in the crowd in particular erupting into hearty laughter over Luka’s pathetically outdated sexist beliefs.
2. The audience was delightfully appreciative, and the women among them couldn’t help but laugh uproariously at Luka’s outdated, laughable sexism.
3. Viewers left feeling elated and grateful, and the ladies in the crowd were particularly tickled by Luka’s antiquated, chuckle-worthy sexist ideas.
4. The spectators were overjoyed and thankful, and the women among them were especially amused by Luka’s old-fashioned, giggle-inducing sexism.
5. The audience exited with a sense of happiness and appreciation, and the female viewers in particular couldn’t help but guffaw at Luka’s outdated, humorous sexist notions.
As a devoted admirer, I might find myself seeking solace in the shadows occasionally. Yet, Finn Den Hertog’s masterful staging provides no refuge for his performers, encircled by viewers on every side within a confined space defined by a rectangular carpet.
Beyond relieving oneself and enduring personal suffering, it serves as a humbling practice in granting forgiveness and embracing what is. Notably, all the tickets have been purchased. I hope for an extension or for some to be returned.
The Fifth Step runs until July 26
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2025-05-20 11:13