
As a film enthusiast with a deep appreciation for hip-hop culture and its rich history, I was absolutely captivated by Kendrick Lamar‘s “The Pop Out — Ken & Friends” show on Juneteenth. The energy and unity displayed during the event were truly something special.
Kendrick Lamar viewed the “The Pop Out — Ken & Friends” show on Juneteenth as an opportunity to honor Los Angeles and its impact on rap music rather than focusing on Drake or resolving a rap feud. This was significant for him since “they don’t see us the same way.”
At the Kia Forum, the Pulitzer Prize-winning artist performed the unforgettable track “Not Like Us” from his chart-topping album five times for the first time. His fellow musicians joined him on stage, rapping in sync, dancing the C-walk, and closing the night with a stunning photograph of Los Angeles’ influential figures. Among those present were DJ Mustard (the record’s producer), Black Hippy members Jay Rock, Ab-Soul, and Schoolboy Q, Compton rapper YG, L.A. Clipper Russell Westbrook, singer Steve Lacy, radio host Big Boy, Tommy the Clown with his krumping troupe, choreographer Charm La’Donna, and reportedly representatives from various Los Angeles gangs.
“This matter deeply moves Lamar. We’ve lost many friends, both to the perils of music and street life. It’s remarkable for us to stand here united, with representatives from different sides of L.A., including Crips, Bloods, and Pirus. This moment holds a unique significance for us all.”
He added, “We put this s— together just for y’all.”

Lamar unveiled his new radio show, titled “The Pop Out — Ken & Friends,” on June 5, produced in collaboration with his label pgLang and Free Lunch. This announcement came shortly after the unfortunate cancellation of the Leimert Park Juneteenth Festival in South L.A., a gathering place for thousands of Black Angelenos over several years due to financial and safety concerns. The historic show took place about a month after Lamar’s intense rap feud with Drake, during which he gained the upper hand according to online opinion polls.
Around 4:20 p.m., DJ Hed of Real 92.3 was the first to perform on stage. He introduced several guest artists such as Kalan.FrFr, Westside Boogie, Cuzzos (a rap group made up entirely of women), and Tommy the Clown with his krumping kid dancers.
Following him was Grammy-winning producer DJ Mustard, who brought several of his colleagues and pals on stage including Blxst, Ty Dolla $ign, Dom Kennedy, Roddy Ricch, freshly graduated high school student 310Babii, and Tyler, the Creator. He paid tribute to the late rapper Nipsey Hussle during his DJ performance as well.
During the breaks between sets, the audience repeatedly sang the popular phrase “OVHOE,” which was one of many iconic lines from the song “Not Like Us” that left a lasting impression.
After being introduced by rapper E-40 through a prerecorded message, Lamar made his appearance on stage and kicked off his performance with the track “Euphoria,” which contained his diss towards Drake. The spotlight illuminated him in a bold, red hue as he took center stage. Swiftly, his devoted fans shared on social media that a fresh line had been incorporated into the song: “If you return Tupac’s ring to me, I might offer you some recognition.”

I was thoroughly impressed as Lamar took the stage, treating us to renditions of his classic hits like “DNA,” “Element,” and “Alright.” These songs held a new significance after the Drake feud. However, the most electrifying moment came when Lamar joined forces with Black Hippy once again on stage.
Following Lamar’s rendition of his verse on “Like That” by Future and Metro Boomin, he invited his veteran mentor and partner-in-crime, Dr. Dre, to take center stage. Before bidding adieu, Dre graced the audience with iconic tracks like “Still D.R.E.” and “California Love.” As a cherry on top, he introduced Lamar’s “Not Like Us” by saying its famous opening line “I see dead people,” igniting an explosive response from the crowd.
Lamar listened to “Not Like Us” a total of five times, disregarding the sixth play which was solely for the instrumental. He halted at the indelible line “A minor……,” immersing himself and the crowd in its resonance for an extended spell. (This instance evoked the spirit of Kanye West and Jay-Z’s “N—as in Paris” or Beyoncé’s silent challenge.)
Among over a dozen artists who performed, it was unexpected that Baby Keem, Lamar’s relative and record label companion, wasn’t featured as a special guest during the concert.

Lamar’s participation in “The Pop Out — Ken & Friends” event was more than just a triumphant finale for him; it represented something greater than personal victories or rap feuds. He consistently emphasized the importance of uplifting the hip hop culture, bringing people together, and representing his city. This commitment remains unwavering.
As a devoted cinema-goer, I couldn’t help but overhear the excitement in the air as we all gathered in the parking lot. The buzz among the crowd was electric – they saw this show as more than just an entertaining performance. For many of us, it represented a significant moment in music history. But it was about much more than that. It was a celebration of hip-hop culture and the richness of Black L.A. community. I felt proud to be a part of it all.
As a devoted cinema-goer, I can’t help but exclaim, “This is a significant cultural experience!” When I speak of the victorious team, I mean none other than Lamar himself.
As a devoted film enthusiast, I firmly believe that there’s no one else as authentic and effective as Lamar in shedding light on the rich history and significance of Juneteenth to those in the know. Moreover, he has an exceptional ability to pique the interest of those less informed, increasing awareness and importance attached to this meaningful celebration.
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2024-07-18 21:20