Justin Baldoni is DROPPED from WME agency amid Blake Lively’s sexual harassment lawsuit
As a seasoned observer of Hollywood’s intricate dynamics, I must say that this saga between Blake Lively and Justin Baldoni is as captivating as any blockbuster movie. The texts exchanged between Baldoni’s team and the studio, allegedly plotting to “bury” Lively, are reminiscent of a script from a spy thriller.
As a devoted admirer, I can’t help but share the latest update on Justin Baldoni’s career. It appears that he’s parted ways with WME, the esteemed entertainment agency, following Blake Lively’s allegations of sexual harassment against him in her recent lawsuit.
On Saturday, according to Deadline, the director, who is 40 years old, was no longer represented by WME. However, the former Gossip Girl cast member, aged 37, continues to be represented by the same agency.
According to papers acquired by TMZ, the actress alleges that Justin contributed to a harmful work setting, displayed explicit photos and videos of females to her, and discussed his supposed past struggles with pornography.
Baldoni’s lawyers have since refuted the accusations, stating that the lawsuit was a desperate effort to restore her tarnished reputation following the media coverage surrounding their film “It Ends With Us.
In the film adaption of Colleen Hoover’s 2016 novel, both stars played leading roles. However, whispers of a dispute started circulating after they didn’t appear together on the red carpet and avoided joint interviews.
The height of the drama took place in August shortly before the film was released in theaters.
Apart from Blake and Justin maintaining a physical space between them, there were whispers that they clashed creatively while working together on set.
He was also unfollowed by the actress on social media, as well as other cast members and Hoover.
Prior to the filming, Lively had already expressed caution towards Baldoni due to their disagreements regarding his intention to include unnecessary explicit content such as nudity and sexual scenes in the movie, as stated in her lawsuit.
During the filming process, relations worsened significantly, eventually leading to a Human Resources meeting where both Baldoni and his studio, Wayfarer, and Lively agreed on certain conditions in order for her to continue filming once the writer’s strike ended, according to the documents filed.
Tensions escalated as old interviews of the actress appearing “impolite” towards journalists started trending on social networking sites, sparking more controversy.
New texts have emerged during the court case, suggesting that his damage control team is accused of orchestrating a negative propaganda campaign against her.
Prior to August 2nd, Baldoni brought on board Melissa Nathan, a seasoned crisis manager who has worked with clients like Johnny Depp, as an addition to his public relations team that already included Jennifer Abel.
A significant number of communications from the lawsuit were discovered via a subpoena, with many of these exchanges being among the women. One such conversation involved Nathan expressing his ability to ‘outmaneuver or discredit anyone.’
In response to Abel’s text about Baldoni expressing a desire to “feel as though Lively could be laid to rest,” I understood it to mean that Baldoni wishes for Lively to feel secure or at ease, not literally wanting her buried.
Nathan replies, “Indeed – however, it’s important to note that when we share documents, we can’t include what we might or could do as that could lead to complications. Also, we won’t make any statements about destroying someone.
She followed up the message with another which reads, ‘Imagine if a document saying all the things that he wants ends up in the wrong hands. You know we can bury anyone but I can’t write that to him. I will be very tough.’
Another back and forth on August 2 appears to show Nathan joking about murdering Lively.
As a lifestyle expert speaking here, let me clarify a misunderstanding. When Nathan mentioned sending you a gift, I assure you there was no harm intended. The phrase “I didn’t kill her and send her in a box” was meant humorously to emphasize that the present is safe and well-packaged, not that he sent an actual person! So, Abel, your reaction of “D***IT” might have been due to the unexpected humor, but rest assured, no one’s safety is at risk. Enjoy your gift!
Later the same day, Abel penned down that she was contemplating some impulsive ideas regarding writing critical pieces on Blake’s behavior at work during the upcoming week.
In the meantime, it seems like Baldoni is proposing an idea for a strategic social media movement that could potentially yield positive results.
He sent a message showing a screenshot of a Twitter thread about allegations of bullying against Hailey Bieber with the caption: ‘This is what we would need.’
Baldoni advocated for promoting the film by emphasizing the central theme of domestic abuse, whereas Lively suggested a more optimistic and inspiring approach.
Later on, Lively faced criticism due to her seemingly insensitive approach when marketing the movie, as she overlooked mentioning the topic of domestic abuse during numerous interviews following its release.
There seems to be some ambiguity as to whether this response was deliberately created, however, Baldoni’s communications suggest that he was prepared to leverage the unfavorable publicity for his benefit.
As a lifestyle expert, I’m here to offer some insights on content creation strategy. In response to a recent message from Baldoni, I suggest focusing our content exclusively on the topic of domestic violence, sharing personal perspectives, and emphasizing why a specific movie tackling this issue is significant. Let’s use our platforms to raise awareness and make a difference!
In August, It Ends With Us released in theaters and despite the drama, the movie was a box office success raking in around $351 million on a budget of $25 million.
In the heat of the summer, specifically late August, I found myself making a beeline toward Taylor’s grand estate, with my heart pounding and eyes fixed solely on the horizon. The reason? Well, it was a whirlwind of events stemming from my ardent support for Blake, who had been caught in a storm of controversy after endorsing her alcohol brand, Betty Booze, during the promotional period of a film that delves into the harrowing issue of domestic violence. I simply couldn’t resist the urge to witness this unfolding drama firsthand.
Additionally, she faced criticism following some uncomfortable interviews while promoting the movie version of Colleen Hoover’s 2016 novel.
Previously conducted interviews were brought up again, including one dating back to 2016 where a journalist complimented Blake (who was expecting at that point) on her growing belly.
Lively made the identical remark to a non-pregnant reporter, as she herself is unable to bear children.
In August, a source shared with People that Baldoni’s situation might not be as it appears on the surface. They hinted at deeper aspects to the narrative, suggesting that key cast members and Colleen Hoover would distance themselves from him.
According to the source, it’s mentioned that Lively aspires to take up directorial duties for the upcoming film, potentially pushing him aside and acquiring the rights from Colleen.
During the court case, Blake additionally alleged that Baldoni had posed unwarranted questions regarding her weight, made insensitive remarks about her deceased father, and made sexual comments involving the cast and staff.
In the heat of our passion for the project, my partner and I, Ryan Reynolds, found ourselves in a predicament that was simply untenable. We felt compelled to call for emergency discussions on set, as per our legal claim, due to some unacceptable actions we encountered during filming.
In the documents, it was stated that Lively had asked for no additional sex scenes, explicit acts such as oral sex, or on-camera climaxes beyond what was approved in the script when she agreed to join the project. This request falls outside the scope of her original agreement.
According to the lawsuit, although the studio reportedly agreed to the demands, the film’s premiere was delayed due to a disagreement between Lively and Baldoni over marketing strategies.
Lively alleges that Baldoni’s group subsequently embarked on a ‘reputation-damaging’ social media strategy.
The lawsuit includes text messages from the director’s publicist to the studio which allegedly say Baldoni, ‘wants to feel like [Lively] can be buried, and ‘We can’t write we will destroy her.’
Bryan Freedman, Baldoni’s attorney, countered the lawsuit by stating it was ‘unfounded, excessive, and deliberately sensational with the aim of causing public harm.’
He maintained that the legal action was a response from Lively, aimed at improving her tarnished public image following allegations of difficult or demanding behavior on set.
According to Freedman, this involved a situation where the actor was threatening not to attend filming locations and also refusing to promote the movie. Ultimately, these actions contributed significantly to the film’s poor performance at the box office when it was released.
In a different phrasing, the movie centers around the character Lily Bloom, portrayed by Blake Lively, who un unfortunate circumstance finds herself trapped in a toxic relationship with Ryle Kincaid, played by Justin Baldoni.
A notable disagreement appeared to center around the marketing strategy for the film. Reportedly, Lively favored a more optimistic approach, while Baldoni believed that the focus should be heavily on the theme of abuse.
Trusted sources shared with DailyMail.com their worries about the strained relationships behind the camera during filming, explaining that Blake and Justin often butted heads due to Justin’s allegedly dismissive behavior towards Blake’s suggestions, especially when it came to portraying abusive scenes.
Since the actress filed a sexual harassment lawsuit, people have shown varying reactions. Some are supporting Lively while others are backing Baldoni in this situation.
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2024-12-22 03:51