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ITV’s new crime drama with Rose Ayling-Ellis is so achingly tense you won’t want to miss it

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ITV’s latest crime drama, titled “Code of Silence“, revolves around Alison Brooks (portrayed by Rose Ayling-Ellis), a clever and adaptive deaf individual who unwittingly finds herself in peril when she employs her lip-reading talent to aid the police in dismantling a criminal organization.

Previously underestimated, Alison finds herself drawn into the exhilaration of her new role and the responsibility that comes with it. Yet, troubles ensue as Alison develops feelings for the latest addition to their group, Liam Barlow, played by Kieron Moore.

The connection between Ayling-Ellis and Moore is unmistakable, as they infuse their characters with authenticity, emotion, and tender exposure in portraying their delicate romance.

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They play together with such perfection that it becomes clear why they might grow fond of each other. Their connection transcends mere physical and emotional attraction; it runs much deeper. They seem to comprehend one another on an exceptional level, a depth reached by their shared ability to empathize with each other’s suffering.

Code of Silence creates an intimacy between them from their shared feeling of invisibility.

Regardless of having distinct backgrounds, Liam’s history and Alison’s hearing impairment make them familiar with the experience of slipping through the gaps in a flawed system, where their requirements are overlooked, they feel invisible, and receive minimal assistance.

This tender romance is fraught with dishonesty from both sides, making it precarious. The six-episode limited series might unjustifiably make you hope for a love destined to fail… or could it endure?

In addition to its compelling central love story, one of the standout aspects of Code of Silence is its multi-dimensional storytelling.

At first glance, the story revolves around a woman developing feelings for a criminal as she assists the police in thwarting the major heist he is part of. Indeed, it’s intriguing, but there’s a deeper layer to it.

The narrative initially appears to be about a romance between a woman and a criminal, while she helps the police to stop the daring heist he’s involved in. However, there’s a lot more beneath the surface.

Similar to Ayling-Ellis’ gripping BBC drama “Reunion“, the portrayal of deafness in “Code of Silence” is not used as a mere symbolic device to claim credit for inclusive representation in the disability sector.

As a fervent admirer, I want to emphasize that Alison’s deafness is not merely a unique narrative element; it profoundly shapes her life experiences in various aspects. From the daily challenges she encounters in securing employment opportunities and managing financial struggles, to the difficulties she faces in communicating effectively, her story is deeply rooted in her identity as a deaf individual.

Moreover, these hardships are not exclusive to Alison; her mother also battles with the lack of adequate support to maintain employment. The intricate web of events they both experience serves as an integral part of the broader narrative we follow.

The portrayal of deafness in the show isn’t solely focused on the negative aspects. Instead, Code of Silence highlights the charm of deaf culture, as Alison embraces and celebrates her deafness rather than viewing it as a restriction. She demonstrates courage, takes chances, and isn’t held back by her lack of hearing ability.

Reading lips seems almost like a unique ability, something desirable, essential, appreciated, and not a burden.

In a touching moment, Alison confesses her longing for silence, imagining if the world were partially mute, just enough to understand what it’s like to experience life through her deaf ears. This wish is tinged with pain, yet there’s an extraordinary beauty in her appreciation of her own deafness.

The “Code of Silence” pauses momentarily to share a brief anecdote about Alison and her hearing aids, revealing the personal bond she has with them. This backstory adds depth to her situation, making subsequent events even more uneasy.

The crime story might not pack the same emotional wallop as “Reunion“, but it’s equally significant since it presents deafness from an unique perspective.

The quiet, politically-minded manner in which it delves into the ongoing disappointments faced by the disabled community is commendable.

Distanced from Alison, outstanding performances are delivered by the antagonists. Joe Absolom portrays Braden, a ruthless gang leader with an icy demeanor, effectively contrasting with his fellow criminal partner Helen Redman (Beth Goddard), who is slick, oily and adept at escaping tricky situations through her cunningness.

Although the show is not flawless, it should be noted that Andrew Buchan’s portrayal of DI James Marsh in “Broadchurch” convincingly conveys a character burdened by regret from past cases. However, his emotional turmoil appears more superficial than deeply rooted, despite Buchan’s commendable acting effort.

The show has its flaws, but Andrew Buchan delivers a compelling performance as troubled DI James Marsh in “Broadchurch”. His character’s regret from past cases is palpable, yet his emotional struggles seem more on the surface than deeply ingrained.

An adultery storyline doesn’t add any real value and serves as more of a distraction.

While Alison’s habit of acting on impulse stirs up a mix of anticipation and apprehension, it’s important to note that her bold actions seem fitting given her inexperience and the complexity of the situation she finds herself in. Yet, despite being new to this, she is relentless in her pursuit of proving her worth, regardless of the costs involved.

Artist Catherine Moulton draws upon her personal experiences with lip-reading and hearing loss to weave an enchanting, gradually intensifying narrative that will leave you increasingly captivated as each episode unfolds.

Code of Silence is available to watch on ITV1 and ITVX.

The inaugural print issue of Digital Spy’s British Comedy Legends magazine is available! You can grab a copy from your local newsagent or online for only £3.99.

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2025-05-19 00:49

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