Is Showtrial star’s new police detective drama worth a watch?

As a long-time gamer of British television series, I must say that Sharon D Clarke has truly had a remarkable year, with her upcoming role in “Wicked” and her captivating performances in shows like “Lost Boys and Fairies,” “Mr Loverman,” and now “Ellis.” However, unlike the richness of her previous roles, “Ellis” seems to fall short.

2021 is turning out to be a fantastic year for Sharon D Clarke. In addition to her role in the upcoming “Wicked” movie, she has also landed some exceptionally layered and captivating characters on various TV series such as “Lost Boys and Fairies” and “Mr Loverman”.

In her fresh detective series titled “Ellis,” she assumes the main role. However, in contrast to other shows previously mentioned, this time around, it appears that Clarke’s newest production doesn’t deliver as powerfully as expected.

Following the deeply moving experience of playing Mr. Loverman, where Clark’s performance seemed incredibly heartfelt, I found Ellis lacking, even though it had the potential to be profound and captivating. (First person perspective as a gamer)

From a devoted fan perspective: In my personal journey, I find myself drawn into a gripping series that follows DCI Ellis, portrayed by Clarke. At a pivotal point in her life, she steps into unfamiliar territory as she temporarily joins a new police force. As the official rundown suggests, this strong Black woman is no stranger to being disregarded and sidelined, a reality that becomes apparent right from the start.

Racial and sexist bias within the workplace is a hugely important topic, and having those conversations play out on screen gives opportunity for real-life conversations to take place. However, there’s something a little too blunt and on the nose about the show’s execution of the discrimination Ellis faces.

In some perspectives, it might be seen as reflecting the hidden aggression that exists in real life. However, the way Ellis’ colleagues react to her personally and her position seems somewhat like a play – we understand the stereotype is there (and it’s not just behind you, but also in front, to the left, and to the right).

In the first two-hour episode of the series, a larger enigma unfolds that holds the potential to captivate viewers. A murder combined with a missing persons case propels Ellis into an intricate maze, as she tirelessly seeks to uncover the truth behind the disappearance of two teenagers.

Despite encountering opposition from the detective whose investigation she took over at every turn, she remains unfazed. As she delves deeper into her quest for truth, we are introduced to the diverse group of people who are connected to the victims – friends, family members. It’s through these individuals and Ellis’ relentless pursuit that the puzzle gradually forms a clearer picture.

In this narrative, there’s a web of untruths, hidden truths, and underhanded actions shaping the storyline as Ellis navigates the complexities. These intricate turns in the plot are usually captivating, serving to maintain audience interest. Unfortunately, the characters lack depth and complexity, coming off as painfully flat.

The performers strive to bring rich emotions to their roles, but the production seems hurried, failing to develop the characters sufficiently so that audiences can understand them better and feel emotionally invested in them.

Consequently, our empathy for their struggles isn’t as profound as it could be, which makes the narrative seem leisurely and drawn-out, transitioning from one scene to another.

I find myself drawn more into Clarke’s Ellis with each passing moment. The first episode masterfully hints at complex family dynamics and a haunting, untouched past that adds depth to her character. It becomes simpler for me to grasp her persona and speculate on the underlying reasons driving her actions.

Clark’s approach skillfully oscillates between tender softness and firm decisiveness, mirroring the complex facets of Ellis. However, despite these nuances, there’s still room for the series to delve deeper.

One of the most pleasing aspects of her work dynamic with subordinate DS Chet Harper (Andrew Gower) is its brightness. Although the beginning and end have a predictable feel, the middle portion is particularly engaging as they gradually adapt to working together and gaining mutual comprehension.

By the finale, the enigma gets unraveled, yet even though there was a protracted build-up involving numerous potential solutions being examined, the solution seems hurried, as if Ellis manages to fit all the puzzle pieces together far too effortlessly. The resolution comes too quickly and too cleanly, which leaves a disappointing impression.

The TV series “Ellis,” consisting of three episodes as of now, still has ample opportunity to develop and explore its characters in greater depth.

As Ellis progresses, we might encounter more detailed portrayals of the main characters. However, whether this happens is yet to be determined. Ellis will premiere on Thursday, October 31 at 8 pm on Channel 5 and streaming service My5.

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2024-10-31 19:49