Interview: ‘Happy Gilmore 2’s MJF on Wrestling and Insult Comedy

MJF does not like my curtains.

As a passionate movie reviewer, I recently had an engaging Zoom chat with Maxwell Jacob Friedman about his role in “Happy Gilmore 2″. Within mere seconds of our conversation, this charismatic star, famously known as MJF from All Elite Wrestling, was already firing barbs – and not at me, but rather my bedroom window curtains. I must admit, they were carefully chosen by my loving wife!

Without a doubt, those appear to be shower curtains,” he quickly affirmed. But when I disagreed, saying they definitely weren’t, he countered, “Those are absolutely, positively shower curtains. If I were to snap a picture of that and reverse search it online, it would likely come up as ‘Shower Curtains – Only $10!’

Although I was anticipating a harsher response, it’s in line with what I’ve come to expect from MJF. For quite some time now, he’s been the most effective antagonist in wrestling, known for his sharp tongue that can even insult the audience, yet his quick-witted comebacks, extravagant put-downs, and convincing ring work have turned him into an unexpected crowd favorite. Considering his propensity to attack other wrestlers at a moment’s notice, I must admit I was braced for more severe criticism. (He conveniently overlooked my peculiar facial expression, it seems.)

It’s possible that Friedman, aged 29, was unusually cheerful due to his significant role in Happy Gilmore’s son part in the highly anticipated Netflix sequel. Interestingly, while MJF is known for criticizing his AEW colleagues and the company owner Tony Khan without much reason, he spoke only positively about Adam Sandler, director Kyle Newacheck, and the filmmaking process.

In our conversation, we delved into the topic of transitioning from wrestling to acting, noting how perceptions of professional wrestlers in Hollywood have shifted over time. We also talked about his plans for future filmmaking, his unexpected casting as the son of Happy following an audition for a different role, and the thrill of meeting one of his idols in the realm of insult comedy. At moments, the discussion was surprisingly amiable, now I just need to find some fresh window treatments!

Were you inspired by a specific person when creating your character? Did you draw motivation from watching the initial movie again?

In my performance as a character, I deeply immersed myself in Happy’s genetic essence, atmosphere, and personality since I am his son. Essentially, I aimed to embody Happy, and I believe the other brothers did so in their unique ways. Furthermore, I incorporated aspects of myself into the role, just as I do when wrestling. This means that everything I portrayed felt authentic because it was genuine.

As a devoted fan, I’ve seen the original film so many times that rewatching it wasn’t necessary. I could practically recite the entire script. Truth be told, it’s downright chilling, but Adam and Kyle had an incredible vision for this project. They knew exactly what they wanted to achieve, and they made it seem effortless. Overall, it was a remarkably relaxing experience.

How did you feel about the costumes in the movie? They were quite unusual compared to the type of clothing I’d typically associate with you on Dynamite.

On a regular basis, I didn’t shake things up with them. However, let me clarify that I felt I handled them quite impressively, given the costumes I had to wear for the movie. They were mostly old clothes from the early ’90s that I borrowed from my father.

So, you’re saying that those clothes belonged to the character from the initial film we saw? Was this detail mentioned in the script, or is it something you came up with on your own as a personal interpretation?

In simpler terms, that’s an idea or interpretation I developed on my own about the storyline, and it seemed to fit best for me. Additionally, there was a t-shirt I wore where I felt it looked incredibly familiar. They confirmed that it was indeed from the first movie, which made for a very exciting day.

It must have felt a bit unusual for you to portray Happy Gilmore’s son, given that Adam Sandler’s actual daughter, Sunny Sandler, was acting as Happy’s daughter in the scenes we shared.

Being there truly felt like being a part of their family. To clarify, it seems to me that I am Sunny’s sibling, and Adam is like my father to me. Both are fantastic individuals, and I have immense affection for them.

As a devoted cinephile, let me express my heartfelt admiration. They are nothing short of extraordinary, and collaborating with them was an unforgettable joy. What truly stands out is Adam’s profound love for his family, a humbling reminder of our shared humanity. He embodies the essence of an everyday guy – someone I’d happily share conversations about sports, TV shows, and movies with.

You mentioned that you two were chatting about sports. Given Sandler’s interest in wrestling, did your conversation also involve discussions about the world of wrestling and its industry?

We engaged in a discussion about his affection for Andre the Giant, which lasted quite some time. That day on set was undeniably enjoyable. It seemed as though everyone who visited had a similar attitude: “I’m not very knowledgeable about wrestling,” they would say, implying it was an isolated topic. However, it’s important to note that wrestling is actually a multi-billion dollar industry, so the term ‘bubble’ might be misleading. In any case, I hope you understand what I meant.

In the conversation, Adam begins to share anecdotes about wrestling, and surprisingly, everyone else joins in with their own wrestling tales. Even unexpected individuals like pro golfers, Kyle, and the co-writer of Happy Gilmore 2, Tim Herlihy, have stories to tell. It seems that professional wrestling has a unique ability to unite diverse groups of people. Interestingly, it even manages to gather together those who might be considered overweight or financially struggling – though they are the ones paying for my services, which is how I earn my living.

It’s significant, let me tell you about your major part in the big film. Did you go through several stages of auditions to secure it?

My team at CAA and Activist are always on the lookout for me, seeking new opportunities. I recently tried out for a role that was quite different from what I usually play. After two auditions, I was called back for the third time to try out for the part I eventually got. It turned out that Adam had watched my first audition and decided to give me a chance to play his child’s role, which is how it all came together.

What was the first part you auditioned for?

One of the participants in the Maxi Golf league (which was created by Benny Safdie’s character as a competitor to the primary professional golf tour).

It’s clear that your passion lies in acting, and you’re already making great strides. If we were living in an ideal world, how would you like to balance your time between wrestling and acting?

I deeply believe and am certain beyond a shadow of a doubt that I possess the required diligence to handle both tasks, and I’m fully committed to giving my all to both. This journey is already underway, and it’s thrilling! I feel incredibly thankful. However, I understand that this endeavor will demand considerable effort. Yet, challenging situations have never deterred me before.

Many individuals such as Dave Bautista, John Cena, and Dwayne Johnson have paved unique paths in their careers, breaking traditional molds. Their trailblazing efforts enable me to pursue my current endeavors. Additionally, I consider myself fortunate because I began this journey at a younger age compared to them when it comes to acting. They primarily had to wait until they were well into retirement before embarking on an acting career.

Since I’m employed by All Elite Wrestling (a company Tony Khan, despite being a passionate fan, demonstrates great intelligence), he recognizes that boosting my personal brand in Hollywood will ultimately boost the reputation of AEW as well. Despite not particularly liking my colleagues, I hold AEW in high regard. It’s thrilling to think about all the new viewers tuning in on Wednesdays at 8PM on TBS, who might say, “That’s Gordie Gilmore. Let’s see what he’s up to.” This is particularly exciting for me.

Absolutely, as a child, the worlds of wrestling and films were largely separate. However, the individuals you’ve named have undeniably blurred these lines. From your perspective, how has the film industry in Hollywood viewed wrestlers over time?

The situation has undergone a significant transformation. They acknowledge the tremendous difficulty of our tasks. It’s like operating without a safety net – there are no do-overs, no additional attempts to get it right. You have one chance to get it perfect, and if you’re skilled enough, you demonstrate your prowess in an environment where multiple takes and opportunities to improve are available. However, these three individuals I mentioned earlier have helped Hollywood recognize the true challenge of our work.

So what is it like you going into that world where you get a million takes instead of just one?

It’s incredibly enjoyable since there’s no stress, and I always give my best in each attempt, experimenting with different styles or approaches. The director, Kyle, was exceptional; he would provide unique suggestions that made me think, “Alright, let me try it this way now.” The same goes for Adam. Honestly, every take felt like playing on a playground, just having a great time.

As a huge fan, I’m curious about your experience when you come back to AEW after working on a project like Happy Gilmore 2. Have any insights or skills gained from acting helped you in the world of wrestling when you return?

As a cinephile, I’ve recently come to appreciate more profoundly the unique talents I bring to my workplace, realizing that perhaps my colleagues are simply fortunate to have me alongside them.

[laughs]

Matt finds those individuals incompetent and hard to work with, especially when compared to the talented cast on the Happy Gilmore set. It’s frustrating for him to be around them as they seem to only know how to ask “Chicken or rice?” in a simplistic manner. He often feels exasperated by their lack of communication skills, to the point where he wishes there was an easier solution to his frustration. In summary, Matt has learned that working with such individuals can be challenging and stressful for him.

Absolutely, it’s intriguing how Max compares with my past encounters at film promotions and interviews. Typically, everyone is friendly, grinning, and seemingly enjoying themselves. It’s almost as if they’re putting on a performance. However, your candidness about your feelings towards your colleagues is refreshing, and I genuinely value it.

I can’t help but tell the truth. Allow me to share my thoughts: That movie was a riot! I had the pleasure of watching it for the first time yesterday, you know? The film is genuinely humorous. If you need someone trustworthy, look no further than MJF, because when it comes to being straightforward, I’m your guy. The movie, in fact, is the kind that will make your sides ache from laughing so hard.

As a dedicated film enthusiast, let me tell you honestly, I watched “The Iron Claw.” It was an enjoyable flick, but being such an admirer of your talent, I must confess that I was expecting to see more of you in it.

It’s true that I had a more significant part in the story initially, but unfortunately, my scenes ended up being deleted from the final cut of the movie. However, given my role as an executive producer, I understood the decision, as Lance was a secondary character who didn’t significantly contribute to the main narrative of the film. [MJF played Lance Von Erich, a fictional brother added to the real-life Von Erich wrestling family following their tragic losses.]

In simpler terms, extending the movie’s running time wouldn’t have benefited anyone because more runtime means fewer people can watch the movie in a single theater screening. From a business perspective, movies are primarily about making money, so it seemed logical to me that longer runtimes might negatively impact earnings. I wasn’t offended by this observation.

In conversations with fellow wrestlers-turned-actors during interviews, I’ve expressed my sentiment that it’s a pity there aren’t more outstanding films focusing on professional wrestling, given my affinity for both spheres. While documentaries on the subject exist, compelling works of fiction are somewhat scarce.

The Wrestler is the best one.

Yes, it’s a great movie, but there aren’t many others like it. Have you ever watched ‘All the Marbles’? It’s another film I enjoy, but I believe its subject matter hasn’t received the cinematic attention it should have.

I concur with your statement. At the moment, I’m more about demonstrating my abilities beyond just being known as a wrestler. However, if my acting career progresses as planned, I harbor a deep desire to explore what you’re referring to and do it justice. For wrestling enthusiasts.

Wow, that sounds fascinating! So, you saw the movie for the first time last night. Was there any particular scene or moment that stood out to you among those included in the final edit?

To put it simply, while it may not resonate with many others, personally speaking and with a chuckle, I’m quite fond of Robert Smigel.

Ohhhhh.

Among the countless admirers of Rob Smigel, I proudly stand as one of his most ardent fans. Incredibly, we’re both in the same room right now, and let me tell you, it’s nothing short of surreal! You can imagine my excitement when I found myself teasing him during that particular scene, which has undeniably become one of my favorite memories. Growing up, Triumph, the Insult Comic Dog, created by Smigel, was a staple in my entertainment diet. Therefore, getting the opportunity to poke fun at him on set was an unforgettable experience that truly made my fangirl heart sing.

Only two individuals on my list of people I’d never have a conversation with remain, and those are undeniably [wrestling legend “Rowdy” Roddy] Piper and Don Rickles, the unrivaled master of insults. These comedians make up my personal Mount Rushmore of insult comics. It was truly unfortunate that I didn’t get to engage with either of them, but I was fortunate enough to have interacted with one.

That’s intriguing! I didn’t consider that during the scene, but given my own fondness for Triumph, your explanation seems plausible. It sounds like Triumph had an impact on your character development as MJF?

I don’t even like calling it a persona, because like I said, everything I do, it’s a piece of me.

Absolutely.

Absolutely, my friend. Plus Sandler, given his skillful dialogue delivery in films. I’m essentially a blend of the heroes I admired as a child, packaged neatly with a bow and adorned with a Burberry scarf. That’s what MJF represents, dude.

Have you ever attempted the Happy Gilmore swing?

At a young age, I’ve always given golf swings, but I consistently failed to connect with the ball. No one swings quite like Sandler; he’s the only one who can pull off the Happy Swing. I’m fortunate to refer to him as my unofficial father figure.

You can now stream Happy Gilmore 2 on Netflix! Meanwhile, AEW Dynamite goes live every week on TBS, with replays also available on HBO Max.

The 10 Best Remakes of the Last 10 Years (2016-2025)

10. Road House (2024)

9. The Killer (2024)

This modern adaptation of “The Killer,” while not offering anything fresh in terms of director or content, is remarkably unique given the scarcity of genuine grit in today’s thrillers. The world may not have required a remake of “The Killer,” and it could potentially seem like a violation of a masterpiece if directed by someone other than John Woo. However, under Woo’s guidance, this film manages to breathe new life into the material. Just as I wouldn’t necessarily want to see another artist’s version of the “Mona Lisa,” but if you told me a new “Mona Lisa” was discovered by Leonardo da Vinci 30 years after the original, I would likely be intrigued and want to take a peek.

8. The Beguiled (2017)

In “The Beguiled,” Colin Farrell took on a challenging role, being the solitary man amidst a group of women, and following in the footsteps of Clint Eastwood who previously played the character. However, Farrell surpassed his predecessor with a cunning, charming portrayal. His Corporal McBurney is a different individual to each woman in that house; a protective older brother figure to Amy (Oona Laurence), a mischievous rogue to Alicia (Elle Fanning), a potential husband and escape route for Edwina (Kirsten Dunst, who also delivered an exceptional performance in the talented ensemble cast). He’s a wolf disguised as a chameleon, making him the perfect antagonist for today’s times. This is why it was worth modernizing a film like “The Beguiled.

7. It (2017)

In a different way of saying it: The original TV miniseries of It is undeniably frightening, but Andy Muschietti’s version takes horror to another level, mainly due to its terrifying, dream-haunting Pennywise character played by Bill Skarsgård. The outstanding period setting and a talented ensemble cast (which includes Jack Dylan Grazer, Finn Wolfhard, and Sophia Lillis) contribute significantly to making this adaptation of Stephen King’s work one of the finest ever, and dividing the extensive novel into two parts proved beneficial – at least until the underwhelming It Chapter Two.

6. A Star Is Born (2018)

As a cinephile, I’ve had the pleasure of witnessing multiple iterations of “A Star Is Born,” but none quite compare to the 2018 version that features the unforgettable chemistry between Bradley Cooper and Lady Gaga. This film, which Cooper also co-wrote and directed, tells the tale of an aging country rocker who experiences a new lease on life with an undiscovered talent (Lady Gaga) – yet this revitalization is bittersweet. As her career ascends, his own spirals downwards. It seems that tales of fame, indulgence, and passionate love will forever remain relevant.

5. Nosferatu (2024)

As a devoted cinephile, I can’t help but marvel at Robert Eggers’ continued dominance in the realm of classic cinema. In 2024, he reimagined the 1922 German silent horror masterpiece, “Nosferatu,” adding layers that only enhance its timeless terror. Instead of updating the content, he amplified it with a torrent of vivid gore, haunting metaphors, and spine-tingling sound effects. (The noises Count Orlock—a truly terrifying portrayal by Bill Skarsgård, the reigning king of horror remakes—made as he consumed his victims with an eerie silence, much like a thirsty Capri-Sun pouch.)

4. Suspiria (2018)

In Luca Guadagnino’s remake of the movie “Suspiria”, there were moments where it seemed like they might have overdone the cleverness (the fact that Tilda Swinton played multiple roles was a bit confusing). However, this film effectively achieves what one would hope for in a remake of a classic – it pays tribute to the original without merely copying it scene by scene or dialogue for dialogue. Even if you’re familiar with Dario Argento’s “Suspiria”, Guadagnino’s version, featuring Dakota Johnson and various Tilda Swintons, offers unexpected delights.

3. West Side Story (2021)

In nearly every aspect, Steven Spielberg’s version of “West Side Story” surpasses the 1961 film adaptation of Jerome Robbins, Leonard Bernstein, Stephen Sondheim, and Arthur Laurents’ musical: The acting is more powerful, the selection of actors is superior, the dialogue is more incisive, and the social critique is sharper. With stunning choreography and a dishearteningly relevant message, Spielberg has created a musical that seems as if it’s reflecting modern times rather than 1950s New York City — far from Renaissance Verona.

2. Little Women (2019)

In a stunning demonstration of her directorial prowess, Greta Gerwig’s second solo project, “Little Women,” underscores that her hit film “Lady Bird” was no mere stroke of luck. Her adaptation of Louisa May Alcott’s classic story might just be the most outstanding piece of cinematic adaptation in recent history. Gerwig masterfully blended elements from the past and future, employing a unique timeline structure to amplify the narrative’s emotional resonance. When we look back 20 years from now, we will marvel at the incredible ensemble cast – Saoirse Ronan, Timothée Chalamet, Florence Pugh, Meryl Streep, Bryan Cranston, and Zach Braff among others – and question how Gerwig managed to assemble such star power. The answer lies in her undeniable talent: artists of this caliber are drawn to her work, and rightfully so. She is already established as one of our most gifted filmmakers.

1. Dune (2021)

It didn’t take much to transform me into a die-hard Dune fan, just Denis Villeneuve’s stunning adaptation of half of Frank Herbert’s cherished sci-fi novel. Villeneuve’s Dune embodies the grandeur of vision that book fans have long claimed makes the original so unique (something that Lynch’s Dune, which is not as poor as its reputation suggests, often lacked). Watching this film, I finally grasped why generations of readers were captivated by this material. Villeneuve took a novel that has confounded many esteemed filmmakers in the past and produced something coherent, visually stunning, and imbued with the raw power of the desert.

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2025-07-25 17:01