Inside Australia’s most alternative wedding as the bride carries DUTCH CARROTS as a bouquet down the aisle
As a die-hard fan, let me tell you, I can’t help but notice that the delightful duo of Niamh Galea and Maximiliano Dal Masetto are far from your ordinary Sydney sweethearts.
30-year-old Ramp Tramp Tramp Stamp designer and a 35-year-old fashion photographer aimed for each aspect of their “Catholic mermaid” nuptials to stand out as one-of-a-kind.
Originally meeting Maxi during the filming of an RTSS production, Nimah felt confident that she would exchange vows at the Saint Francis Catholic Church in Paddington – the same church where she was baptized – adorning a section of her grandmother’s 1959 Mark Foy wedding dress for the occasion.
As I confidently prepare to seal my bond before 70 cherished souls, I am resolute that I’ll proudly hold a radiant assortment of fresh Dutch carrots, carefully selected from an artisanal florist, close at hand.
The designer felt confident that she would arrive at the beach house reception in Nielsen Park, which belonged to the couple, in their carefully adorned white Holden Ute truck.
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In the span of about 15 months, the details were arranged rather informally for their wedding, which they decided to hold during the Easter holiday weekend.
Lisa Cooper came onboard as the wedding florist.
Niamh shared with Daily Mail Australia that the person in question combines a classical art education with a flourishing career in floristry, teetering on the edge of both fields as an artist. She expressed her admiration for this individual’s work and inquired if they might undertake something more avant-garde or innovative.
Since Niamh prefers a Dutch carrot as a snack, upon seeing a picture of a carrot arrangement, she inquired from Lisa if it could be suitable.
To her surprise, Lisa said, ‘Let’s go full carrot’.
In an incident, the bridesmaids’ Uber rides were held up, causing her to carry them for a lengthy 45 minutes. Given their weight, she decided not to toss the bouquet as initially planned.
The yellow ribbon was chosen to coordinate with the homemade brooches for the groomswomen, symbolizing the Sun of May, which is central on the Argentine flag, as a nod to Maxi’s ancestry.
When Maxi proposed, Niamh said she wanted to get married right away and would have happily eloped.





She noted that our large Irish and Argentinian families, known for their strong emotions, wouldn’t have taken kindly to the situation. In jest, she added they might even cut off communication with us.
However she did admit that planning the wedding was ‘definitely stressful.’
‘I thought I was too cool to be stressed about a wedding, but I’m not apparently.’
However, Niamh didn’t want it to feel like a day at the office.
A buddy of mine commented, “For many folks, this event is like the pinnacle fashion show of their lives – a chance for them to create an impressive spectacle. However, it’s actually not a fashion show.
‘It’s a party and being with people you love. That’s what it’s all about,’ Niamh said.
‘My top tip for engaged couples is: The homemade or handmade items created by your loved ones become the most treasured aspects of your wedding.’ This version maintains the original sentiment and simplifies the language to make it more easily understood.
With that ethos at the heart of the day, Niamh set about designing herself two wedding dresses.




As children, my grandmother had demonstrated the intricately beaded appliqué trains and waistband of her wedding dress to my sister and me. It was a breathtakingly beautiful sight, the finest item I had ever laid eyes on.
She said, ‘I recalled it vividly, so I hurried over to ask if I could borrow them right away.’
She expressed that her brand carries deep emotional significance, as every aspect holds symbolism, prior to disclosing that her upcoming dress designs would follow suit.
She explained, “My grandmother’s waist is extremely slim compared to mine. To symbolize this difference, I incorporated it into the design of my veil.
Niamh collected small mementos from her fashion designer pals and adorned them, along with seashells from the beach of her memorable date with Maxi (where he proposed), and some Irish charm symbols of good fortune, onto the dress she was making.
Her 93-year-old grandmother helped with the finishing touches.
She mentioned that her mother wore a Zambeesi gown reminiscent of the 1920s for their wedding ceremony. In return, she created a 1920s-style cotton Poplin tea dress for the reception.
Instead of using a “Just Married” car, the newlyweds chose their friend-adorned white Holden Rodeo Ute to serve as their wedding transport.




As a lifestyle connoisseur, let me share my experience with you. This is the initial vehicle I’ve ever had the privilege of owning, and it was a joint purchase – mine and another’s. There’s something peculiar about this automobile; every half year, we find ourselves reassuring each other that its demise seems imminent.
She begged Maxi to hold onto the car until the wedding.
As I navigated the streets that day, I’d never before experienced such a sense of notoriety. Strangers, left and right, were waving and honking their horns in recognition as we passed by. The exhilaration was palpable, making every moment feel like a dream come true.
On the day following their wedding, the newlywed couple was on their way home in their vehicle when they were stopped by the New South Wales Police. The officers mentioned fines for the decorations, but ultimately chose to only issue a warning instead.
Back when I stumbled upon the opportunity to collaborate with the enigmatic Maxi, he had extended an invitation, inviting me to join forces for a photoshoot, showcasing my unique Darlinghurst-inspired fashion label. The thrill of working alongside this creative powerhouse was too irresistible to pass up!
‘There was an instant vibe,’ she said.
Initially, the duo began spending time together in a relaxed manner. To Niamh’s astonishment, upon her initial visit to Maxi’s apartment in Potts Point, she unexpectedly encountered a sketch of herself adorning his living space.
Maxi unknowingly bought the artwork, which was a replica of Niamh’s image created from an old Instagram selfie by one of Niamh’s fashion school friends, during a charity event to support the 2020 Australian bushfire relief efforts.
She chuckled, acknowledging that out of many sketches, he had selected the portrait of her, a revelation made clear as it depicted one of her personal creations.
For three years, the couple kept their drawing hidden away in a drawer, fearing that it might bring bad fortune. However, now it proudly adorns a prominent spot in their shared household.
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2025-06-22 03:22