Whether you’re a longtime fan or just discovering it, the Canadian comedy “Nirvanna the Band the Show the Movie” doesn’t cater to anyone in particular. This movie, about a persistently overlooked musical duo, jumps around between different time periods, styles, and even realities. It’s packed with cultural references and driven by its two energetic main characters – or rather, four, since director Matt Johnson and composer Jay McCarrol both play versions of themselves, with old footage presented as proof of time travel in this fast-paced mockumentary.
Don’t worry if you’re a little lost – it’s okay to be confused, especially if you haven’t seen the original web series this movie is based on! Those familiar with independent films might recognize the director, Johnson, from his previous work like the playful conspiracy film “Operation Avalanche” or the witty “BlackBerry,” where he both directed and acted. However, at first, those unfamiliar with his style might simply see Johnson as a loud, energetic performer and McCarrol as a more reserved, quiet one.
The band, whose name includes three ‘N’s (and isn’t connected to a more famous group), is determined to play at a legendary Toronto venue. Right now, though, they’re just a duo practicing in a messy house, and seem to focus more on outlandish publicity stunts than music. Their latest idea? Parachuting from the top of the 2,000-foot CN Tower into the Rogers Centre stadium. A hardware store employee was understandably worried when they explained the plan – it’s the first of many reactions they’ll get from bewildered people, similar to the style of Sacha Baron Cohen’s films.
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Despite the initial plan going wrong, it actually works out brilliantly as a clever, low-budget filmmaking achievement. This inspires Johnson to come up with an even wilder idea: traveling back in time to 2008 in an RV, hoping to alter their destiny and guarantee their future success. The movie heavily borrows from “Back to the Future,” referencing its structure, humor, and music throughout – and the composer even pays tribute to Alan Silvestri’s iconic score.
Okay, so the filmmakers did something really interesting here – they brought in footage of the characters from their original web series back in 2008 and used it to create a sort of ‘past selves vs. present selves’ dynamic. It’s a clever idea, though it doesn’t always land as hysterically as you might hope. However, it’s this clever trick that really fuels the central conflict – a funny, jealousy-driven storyline where one character, McCarrol, unexpectedly becomes a huge pop star, leaving the other, Johnson, feeling left behind. That rejiggered timeline is where the movie really finds its comedic footing.
It’s the right time to go ‘Back to the Future,’ blockbustering’s most brilliant social satire
Robert Zemeckis’s brilliant sci-fi comedy continues to impress with each viewing, offering fresh insights every time. Its commentary on society is as powerful and thought-provoking as classics like ‘It’s a Wonderful Life’ and ‘Blade Runner’.
Those who’ve followed this series for a while will likely find these over-the-top situations especially funny, as the chaotic finale – reminiscent of the exciting ending in “Back to the Future” – will feel like a fond throwback. However, new viewers might find the whole thing confusing, even with plenty of laughs and a hope that these friends can resolve their issues.
Johnson is a master of dry wit and his unpredictable approach is endearing, making even his rough-around-the-edges performances enjoyable. I didn’t know anything about the show’s background, and I’d definitely be curious to see whatever strange project he comes up with next – even if it’s called something like ‘Nirvanna the Band the Show the Movie the Sequel.’
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2026-02-14 01:01